Do filme ao download: uma cartografia lomo

• Autor(a) principal: Araujo, Grécia Desirée Falcão de
• Data de Publicação: 2014
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da UERJ
• Texto Completo: http://www.bdtd.uerj.br/handle/1/8961
• topic: Lomography; Network; Anachronism; Communication Technologies; Lomografia; Rede; Anacronismo; Tecnologias da Comunicação; Arte e fotografia; Fotografia Técnicas digitais; Comunicação e tecnologia; CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO::COMUNICACAO VISUAL

Considering photography as a communicative phenomenon, based on a cartographic perspective associated to Actor-Network Theory by Bruno Latour (2012), this research enable us to outline the social, visual and sensitive bonds that highlight the modes of existence of lomographic experience. Here, reporting the modes of production and circulation of lomography, we were able to enter these networks of sociotechnical mediations that draw its practice, as well as we can perceive the way we build in the present the history of images in this context. Among the diversity of elements that reorder our ways of seeing, with the notion of anachronism (AGAMBEN, 2009; BENJAMIN; 1994; DIDI-HUBERMAN, 2010; RANCIÈRE, 2012) this cartographic gesture took us either to look at the relational and communicative aspect of the lomo image and to understand the construction of its visuality regarding the assembly of heterogeneous times by which it is made. This is a process where forms of presentation and current values of lomo´s use reveal within the image its moving characteristics. Where the visible is dislocated from its prior contexts, socially renegotiating the conditions of its possibilities in the present and where in so doing, it can be redimesioned