Modos de presença no teatro tardio de Samuel Beckett.
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da UERJ |
Texto Completo: | http://www.bdtd.uerj.br/handle/1/16483 |
Resumo: | Samuel Beckett’s theatre results of a careful work of language decomposition, itself destined at every moment to fail. In the scene this is revealed in the unstable and helpless bodies that challenge the record of the sayable: and how to shape the continuous oscillation and the trace erasure indeed? How to give body for what often escapes, which is always in the process of disappearing? This research intends to question the notions of presence and subject in Samuel Beckett’s late theatre. Far from seeking a characterization of the bodies that implied the «decoding» of the persistent puzzles in his work, or the codification of what is destined to remain open by nature, the analysis of the processes inherent in this theatricality – from the concepts of decentralization, disidentification, the disindividualization and the dehumanization – aims to investigate the modes of subjectivation reproduced there in the tension of the trace and the erasure. |
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Valle, Liliande Aragão Bastos dohttp://lattes.cnpq.br/2217832994315714Andrade, Fábio Rigatto de Souzahttp://lattes.cnpq.br/1271392326771980Martins, Helena Francohttp://lattes.cnpq.br/8055323136184595Machado, Michele Nicié Santoshttp://lattes.cnpq.br/5483629626815269Santos, Roberto Corrêa doshttp://lattes.cnpq.br/2175021845747445Paixão, Alexandre Sá Barreto dahttp://lattes.cnpq.br/0137944963846547http://lattes.cnpq.br/9392556183028511Lages, Leonardo Samarino2021-08-21T12:44:32Z2019-12-12LAGES, Leonardo Samarino. Modos de presença no teatro tardio de Samuel Beckett.. 2019.184 f. Tese (Doutorado em Artes) - Instituto de Artes, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2019.http://www.bdtd.uerj.br/handle/1/16483Samuel Beckett’s theatre results of a careful work of language decomposition, itself destined at every moment to fail. In the scene this is revealed in the unstable and helpless bodies that challenge the record of the sayable: and how to shape the continuous oscillation and the trace erasure indeed? How to give body for what often escapes, which is always in the process of disappearing? This research intends to question the notions of presence and subject in Samuel Beckett’s late theatre. Far from seeking a characterization of the bodies that implied the «decoding» of the persistent puzzles in his work, or the codification of what is destined to remain open by nature, the analysis of the processes inherent in this theatricality – from the concepts of decentralization, disidentification, the disindividualization and the dehumanization – aims to investigate the modes of subjectivation reproduced there in the tension of the trace and the erasure.O teatro de Samuel Beckett resulta de um cuidadoso trabalho de decomposição da linguagem, ela própria destinada, a cada momento, a fracassar. Na cena, isso se revela nos corpos instáveis e desamparados que desafiam o registro do dizível: e, de fato, como dar forma à contínua oscilação e ao apagamento do traço? Como dar corpo àquilo que escapa frequentemente, que está sempre em vias de desaparecer? Esta pesquisa pretende interrogar as noções de presença e sujeito no teatro tardio de Samuel Beckett. Longe de buscar uma caracterização dos corpos que implicasse na «decifração» dos enigmas persistentes em sua obra, ou na codificação daquilo que, por natureza, está destinado a permanecer em aberto, a análise dos processos inerentes a esta teatralidade – a partir dos conceitos de descentralização, desidentificação, desindividualização e desumanização – tem por finalidade investigar os modos de subjetivação ali reproduzidos na tensão do traço e do apagamento.Submitted by Mirna CEH/B (mirna129@globo.com) on 2021-08-21T12:44:32Z No. of bitstreams: 1 Tese -Leonardo Samarino Lages -2019-Completa.pdf: 3512494 bytes, checksum: a86ee994b04c508d188a0d082a9ed242 (MD5)Made available in DSpace on 2021-08-21T12:44:32Z (GMT). No. of bitstreams: 1 Tese -Leonardo Samarino Lages -2019-Completa.pdf: 3512494 bytes, checksum: a86ee994b04c508d188a0d082a9ed242 (MD5) Previous issue date: 2019-12-12application/pdfporUniversidade do Estado do Rio de JaneiroPrograma de Pós-Graduação em ArtesUERJBrasilCentro de Educação e Humanidades::Instituto de ArtesPresenceBodySubjectPresençaCorpoSujeitoBeckett, Samuel, 1906-1989 - Crítica e interpretaçãoBeckett, Samuel, 1906-1989 - PersonagensCorpo humano na literaturaCorpo como suporte da arteLINGUISTICA, LETRAS E ARTES::ARTES::FUNDAMENTOS E CRITICA DAS ARTESModos de presença no teatro tardio de Samuel Beckett.Modes of presence in Samuel Beckett’s late theatre.info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UERJinstname:Universidade do Estado do Rio de Janeiro (UERJ)instacron:UERJORIGINALTese - Leonardo Samarino Lages - 2019 - Completa.pdfTese - Leonardo Samarino Lages - 2019 - Completa.pdfapplication/pdf3512494http://www.bdtd.uerj.br/bitstream/1/16483/2/Tese+-+Leonardo+Samarino+Lages+-+2019+-+Completa.pdfa86ee994b04c508d188a0d082a9ed242MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82123http://www.bdtd.uerj.br/bitstream/1/16483/1/license.txte5502652da718045d7fcd832b79fca29MD511/164832024-02-27 16:15:32.997oai:www.bdtd.uerj.br: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Biblioteca Digital de Teses e Dissertaçõeshttp://www.bdtd.uerj.br/PUBhttps://www.bdtd.uerj.br:8443/oai/requestbdtd.suporte@uerj.bropendoar:29032024-02-27T19:15:32Biblioteca Digital de Teses e Dissertações da UERJ - Universidade do Estado do Rio de Janeiro (UERJ)false |
dc.title.por.fl_str_mv |
Modos de presença no teatro tardio de Samuel Beckett. |
dc.title.alternative.por.fl_str_mv |
Modes of presence in Samuel Beckett’s late theatre. |
title |
Modos de presença no teatro tardio de Samuel Beckett. |
spellingShingle |
Modos de presença no teatro tardio de Samuel Beckett. Lages, Leonardo Samarino Presence Body Subject Presença Corpo Sujeito Beckett, Samuel, 1906-1989 - Crítica e interpretação Beckett, Samuel, 1906-1989 - Personagens Corpo humano na literatura Corpo como suporte da arte LINGUISTICA, LETRAS E ARTES::ARTES::FUNDAMENTOS E CRITICA DAS ARTES |
title_short |
Modos de presença no teatro tardio de Samuel Beckett. |
title_full |
Modos de presença no teatro tardio de Samuel Beckett. |
title_fullStr |
Modos de presença no teatro tardio de Samuel Beckett. |
title_full_unstemmed |
Modos de presença no teatro tardio de Samuel Beckett. |
title_sort |
Modos de presença no teatro tardio de Samuel Beckett. |
author |
Lages, Leonardo Samarino |
author_facet |
Lages, Leonardo Samarino |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Valle, Liliande Aragão Bastos do |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/2217832994315714 |
dc.contributor.referee1.fl_str_mv |
Andrade, Fábio Rigatto de Souza |
dc.contributor.referee1Lattes.fl_str_mv |
http://lattes.cnpq.br/1271392326771980 |
dc.contributor.referee2.fl_str_mv |
Martins, Helena Franco |
dc.contributor.referee2Lattes.fl_str_mv |
http://lattes.cnpq.br/8055323136184595 |
dc.contributor.referee3.fl_str_mv |
Machado, Michele Nicié Santos |
dc.contributor.referee3Lattes.fl_str_mv |
http://lattes.cnpq.br/5483629626815269 |
dc.contributor.referee4.fl_str_mv |
Santos, Roberto Corrêa dos |
dc.contributor.referee4Lattes.fl_str_mv |
http://lattes.cnpq.br/2175021845747445 |
dc.contributor.referee5.fl_str_mv |
Paixão, Alexandre Sá Barreto da |
dc.contributor.referee5Lattes.fl_str_mv |
http://lattes.cnpq.br/0137944963846547 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/9392556183028511 |
dc.contributor.author.fl_str_mv |
Lages, Leonardo Samarino |
contributor_str_mv |
Valle, Liliande Aragão Bastos do Andrade, Fábio Rigatto de Souza Martins, Helena Franco Machado, Michele Nicié Santos Santos, Roberto Corrêa dos Paixão, Alexandre Sá Barreto da |
dc.subject.eng.fl_str_mv |
Presence Body Subject |
topic |
Presence Body Subject Presença Corpo Sujeito Beckett, Samuel, 1906-1989 - Crítica e interpretação Beckett, Samuel, 1906-1989 - Personagens Corpo humano na literatura Corpo como suporte da arte LINGUISTICA, LETRAS E ARTES::ARTES::FUNDAMENTOS E CRITICA DAS ARTES |
dc.subject.por.fl_str_mv |
Presença Corpo Sujeito Beckett, Samuel, 1906-1989 - Crítica e interpretação Beckett, Samuel, 1906-1989 - Personagens Corpo humano na literatura Corpo como suporte da arte |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::ARTES::FUNDAMENTOS E CRITICA DAS ARTES |
description |
Samuel Beckett’s theatre results of a careful work of language decomposition, itself destined at every moment to fail. In the scene this is revealed in the unstable and helpless bodies that challenge the record of the sayable: and how to shape the continuous oscillation and the trace erasure indeed? How to give body for what often escapes, which is always in the process of disappearing? This research intends to question the notions of presence and subject in Samuel Beckett’s late theatre. Far from seeking a characterization of the bodies that implied the «decoding» of the persistent puzzles in his work, or the codification of what is destined to remain open by nature, the analysis of the processes inherent in this theatricality – from the concepts of decentralization, disidentification, the disindividualization and the dehumanization – aims to investigate the modes of subjectivation reproduced there in the tension of the trace and the erasure. |
publishDate |
2019 |
dc.date.issued.fl_str_mv |
2019-12-12 |
dc.date.accessioned.fl_str_mv |
2021-08-21T12:44:32Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/doctoralThesis |
format |
doctoralThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
LAGES, Leonardo Samarino. Modos de presença no teatro tardio de Samuel Beckett.. 2019.184 f. Tese (Doutorado em Artes) - Instituto de Artes, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2019. |
dc.identifier.uri.fl_str_mv |
http://www.bdtd.uerj.br/handle/1/16483 |
identifier_str_mv |
LAGES, Leonardo Samarino. Modos de presença no teatro tardio de Samuel Beckett.. 2019.184 f. Tese (Doutorado em Artes) - Instituto de Artes, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2019. |
url |
http://www.bdtd.uerj.br/handle/1/16483 |
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por |
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por |
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Universidade do Estado do Rio de Janeiro |
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Programa de Pós-Graduação em Artes |
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UERJ |
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Brasil |
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Centro de Educação e Humanidades::Instituto de Artes |
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Universidade do Estado do Rio de Janeiro |
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