Entre a margem e o culto: graffiti na sociedade contemporânea
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Outros Autores: | |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da UERJ |
Texto Completo: | http://www.bdtd.uerj.br/handle/1/17229 |
Resumo: | The present thesis thinks graffiti practice in the contemporary context as a movement in between, that is, from the enacting and the performance of this activity in various contexts. The ideas developed here are not meant to identify graffiti into binary poles, neither to close it in a precise concept. The goal is to consider that there are trades and relations between human, non human and environments. For that, I adopt the theorical and methodological ideas from the Actor-Network Theory (ANT), especially the work of Bruno Latour (2005), in the description of the field works that took place in three favelas of Rio de Janeiro: Favela Museum, located at the Pavão-Pavãozinho Cantagalo; the Providência Gallery, located at Providência; and the Nami Museum located at Tavares Bastos community. It's possible to see through the ethnographies that the three spaces have some common issues, as the use of graffiti in open air galleries, the reafirmation that favelas are a constitutive part of cities and the use of art to create affections. It's also possible to see that the locals have their own peculiarities, particularities that goes according with connections and alliances that are composed, undone and redone. In this sense issues like gender, removals, city rights, local memories, heritage, among others, emerge from links between actors and places. |
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Arendt, Ronald João Jacqueshttp://lattes.cnpq.br/2688544008838556Tsallis, Alexandra Cleopatrehttp://lattes.cnpq.br/9571574419530510Silva, Angela Maria Carneirohttp://lattes.cnpq.br/4007132692691950Ferreira, Arthur Arruda Lealhttp://lattes.cnpq.br/3017047566344316Pedro, Rosa Maria Leite Ribeirohttp://lattes.cnpq.br/4495049080980125http://lattes.cnpq.br/5753307996665412Leite, Leonardo Perdigãoleoperdigaoleite@yahoo.com.br2022-03-09T14:05:30Z2020-03-02LEITE, Leonardo Perdigão. Entre a margem e o culto: graffiti na sociedade contemporânea. 2020. 203 f. Tese (Doutorado em Psicologia Social) - Instituto de Psicologia, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2020.http://www.bdtd.uerj.br/handle/1/17229The present thesis thinks graffiti practice in the contemporary context as a movement in between, that is, from the enacting and the performance of this activity in various contexts. The ideas developed here are not meant to identify graffiti into binary poles, neither to close it in a precise concept. The goal is to consider that there are trades and relations between human, non human and environments. For that, I adopt the theorical and methodological ideas from the Actor-Network Theory (ANT), especially the work of Bruno Latour (2005), in the description of the field works that took place in three favelas of Rio de Janeiro: Favela Museum, located at the Pavão-Pavãozinho Cantagalo; the Providência Gallery, located at Providência; and the Nami Museum located at Tavares Bastos community. It's possible to see through the ethnographies that the three spaces have some common issues, as the use of graffiti in open air galleries, the reafirmation that favelas are a constitutive part of cities and the use of art to create affections. It's also possible to see that the locals have their own peculiarities, particularities that goes according with connections and alliances that are composed, undone and redone. In this sense issues like gender, removals, city rights, local memories, heritage, among others, emerge from links between actors and places.O presente trabalho pensa a manifestação do graffiti na contemporaneidade como um movimento do entre, ou seja, da encenação e performance dessa atividade nos diversos contextos. Não se trata de identificar o graffiti em polos binários ou opostos, nem de propor uma conceituação precisa e fechada, mas de considerar que há trocas entre os atores humanos, não humanos e ambientes. Para isso, adoto os pressupostos teórico-metodológicos da Teoria Ator-Rede, principalmente de Bruno Latour (2005), na descrição dos trabalhos de campo realizados em três locais da cidade do Rio de Janeiro: o Museu de Favela, localizado no Pavão-Pavãozinho Cantagalo; a Galeria Providência, localizada no Morro da Providência; e o Museu Nami, localizado na comunidade Tavares Bastos. É possível ver através das etnografias que os três espaços têm algumas questões comuns, como o uso do graffiti em corredores a céu aberto, a reafirmação das favelas como parte constituinte das cidades e o uso da arte como forma de gerar afetos e afetações. Mas em cada um dos locais há peculiaridades, particularidades que se dão de acordo com as articulações, conexões e alianças que se compõem, desfazem e recompõem. Nesse sentido, questões como gênero, remoções, direito à cidade, memórias locais, patrimônios, dentre outras, emergem dos vínculos entre os atores e os locais.Submitted by Mariangela CEH/A (marianfig@gmail.com) on 2022-03-09T14:05:30Z No. of bitstreams: 2 Tese - Leonardo Perdigao Leite - 2020 - Completa.pdf: 5174559 bytes, checksum: f6a7080669d7dafa5b458e98888bf2d7 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2022-03-09T14:05:30Z (GMT). No. of bitstreams: 2 Tese - Leonardo Perdigao Leite - 2020 - Completa.pdf: 5174559 bytes, checksum: f6a7080669d7dafa5b458e98888bf2d7 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2020-03-02Fundação Carlos Chagas Filho de Amparo à Pesquisa do Estado do Rio de Janeiro - FAPERJapplication/pdfporUniversidade do Estado do Rio de JaneiroPrograma de Pós-Graduação em Psicologia SocialUERJBrasilCentro de Educação e Humanidades::Instituto de Psicologiahttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessGraffitiCityActor-Network TheoryMuseumIn betweenPsicologia SocialGraffitiCidadeMuseuTeoria Ator-RedeEntreCIENCIAS HUMANAS::PSICOLOGIA::PSICOLOGIA SOCIALEntre a margem e o culto: graffiti na sociedade contemporâneaBetween the margin and the cult: graffiti in contemporary societyinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisreponame:Biblioteca Digital de Teses e Dissertações da UERJinstname:Universidade do Estado do Rio de Janeiro (UERJ)instacron:UERJORIGINALTese - Leonardo Perdigao Leite - 2020 - Completa.pdfTese - Leonardo Perdigao Leite - 2020 - Completa.pdfapplication/pdf5174559http://www.bdtd.uerj.br/bitstream/1/17229/5/Tese+-+Leonardo+Perdigao+Leite+-+2020+-+Completa.pdff6a7080669d7dafa5b458e98888bf2d7MD55CC-LICENSElicense_urllicense_urltext/plain; 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dc.title.por.fl_str_mv |
Entre a margem e o culto: graffiti na sociedade contemporânea |
dc.title.alternative.eng.fl_str_mv |
Between the margin and the cult: graffiti in contemporary society |
title |
Entre a margem e o culto: graffiti na sociedade contemporânea |
spellingShingle |
Entre a margem e o culto: graffiti na sociedade contemporânea Leite, Leonardo Perdigão Graffiti City Actor-Network Theory Museum In between Psicologia Social Graffiti Cidade Museu Teoria Ator-Rede Entre CIENCIAS HUMANAS::PSICOLOGIA::PSICOLOGIA SOCIAL |
title_short |
Entre a margem e o culto: graffiti na sociedade contemporânea |
title_full |
Entre a margem e o culto: graffiti na sociedade contemporânea |
title_fullStr |
Entre a margem e o culto: graffiti na sociedade contemporânea |
title_full_unstemmed |
Entre a margem e o culto: graffiti na sociedade contemporânea |
title_sort |
Entre a margem e o culto: graffiti na sociedade contemporânea |
author |
Leite, Leonardo Perdigão |
author_facet |
Leite, Leonardo Perdigão leoperdigaoleite@yahoo.com.br |
author_role |
author |
author2 |
leoperdigaoleite@yahoo.com.br |
author2_role |
author |
dc.contributor.advisor1.fl_str_mv |
Arendt, Ronald João Jacques |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/2688544008838556 |
dc.contributor.referee1.fl_str_mv |
Tsallis, Alexandra Cleopatre |
dc.contributor.referee1Lattes.fl_str_mv |
http://lattes.cnpq.br/9571574419530510 |
dc.contributor.referee2.fl_str_mv |
Silva, Angela Maria Carneiro |
dc.contributor.referee2Lattes.fl_str_mv |
http://lattes.cnpq.br/4007132692691950 |
dc.contributor.referee3.fl_str_mv |
Ferreira, Arthur Arruda Leal |
dc.contributor.referee3Lattes.fl_str_mv |
http://lattes.cnpq.br/3017047566344316 |
dc.contributor.referee4.fl_str_mv |
Pedro, Rosa Maria Leite Ribeiro |
dc.contributor.referee4Lattes.fl_str_mv |
http://lattes.cnpq.br/4495049080980125 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/5753307996665412 |
dc.contributor.author.fl_str_mv |
Leite, Leonardo Perdigão leoperdigaoleite@yahoo.com.br |
contributor_str_mv |
Arendt, Ronald João Jacques Tsallis, Alexandra Cleopatre Silva, Angela Maria Carneiro Ferreira, Arthur Arruda Leal Pedro, Rosa Maria Leite Ribeiro |
dc.subject.eng.fl_str_mv |
Graffiti City Actor-Network Theory Museum In between |
topic |
Graffiti City Actor-Network Theory Museum In between Psicologia Social Graffiti Cidade Museu Teoria Ator-Rede Entre CIENCIAS HUMANAS::PSICOLOGIA::PSICOLOGIA SOCIAL |
dc.subject.por.fl_str_mv |
Psicologia Social Graffiti Cidade Museu Teoria Ator-Rede Entre |
dc.subject.cnpq.fl_str_mv |
CIENCIAS HUMANAS::PSICOLOGIA::PSICOLOGIA SOCIAL |
description |
The present thesis thinks graffiti practice in the contemporary context as a movement in between, that is, from the enacting and the performance of this activity in various contexts. The ideas developed here are not meant to identify graffiti into binary poles, neither to close it in a precise concept. The goal is to consider that there are trades and relations between human, non human and environments. For that, I adopt the theorical and methodological ideas from the Actor-Network Theory (ANT), especially the work of Bruno Latour (2005), in the description of the field works that took place in three favelas of Rio de Janeiro: Favela Museum, located at the Pavão-Pavãozinho Cantagalo; the Providência Gallery, located at Providência; and the Nami Museum located at Tavares Bastos community. It's possible to see through the ethnographies that the three spaces have some common issues, as the use of graffiti in open air galleries, the reafirmation that favelas are a constitutive part of cities and the use of art to create affections. It's also possible to see that the locals have their own peculiarities, particularities that goes according with connections and alliances that are composed, undone and redone. In this sense issues like gender, removals, city rights, local memories, heritage, among others, emerge from links between actors and places. |
publishDate |
2020 |
dc.date.issued.fl_str_mv |
2020-03-02 |
dc.date.accessioned.fl_str_mv |
2022-03-09T14:05:30Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
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doctoralThesis |
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publishedVersion |
dc.identifier.citation.fl_str_mv |
LEITE, Leonardo Perdigão. Entre a margem e o culto: graffiti na sociedade contemporânea. 2020. 203 f. Tese (Doutorado em Psicologia Social) - Instituto de Psicologia, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2020. |
dc.identifier.uri.fl_str_mv |
http://www.bdtd.uerj.br/handle/1/17229 |
identifier_str_mv |
LEITE, Leonardo Perdigão. Entre a margem e o culto: graffiti na sociedade contemporânea. 2020. 203 f. Tese (Doutorado em Psicologia Social) - Instituto de Psicologia, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2020. |
url |
http://www.bdtd.uerj.br/handle/1/17229 |
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por |
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openAccess |
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Universidade do Estado do Rio de Janeiro |
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Programa de Pós-Graduação em Psicologia Social |
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UERJ |
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Brasil |
dc.publisher.department.fl_str_mv |
Centro de Educação e Humanidades::Instituto de Psicologia |
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Universidade do Estado do Rio de Janeiro |
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