O Amálgama: especulações acerca da proposta colaborativa Atrocidades Maravilhosas

• Autor(a) principal: Silva, Ana Emilia da Costa
• Data de Publicação: 2014
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da UERJ
• Texto Completo: http://www.bdtd.uerj.br/handle/1/7498
• topic: Art; Colaborative Actions; Arte; Atrocidades Maravilhosas; Ação Colaborativa; Trabalho de grupo na arte; Espaços públicos; Identidade social na arte; Participação social; Ação coletiva; Política cultural; CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES

The present investigation deals with artistic proposals for the public space and that are organized as collaborative works . We intend to situate the action AtrocidadesMaravilhosas (2000), according to modified to interest of the participating artists as well as environmental conditions that the action was proposal. The research discusses cultural contexts 90s and 2000 , specifically the discursive units , contributing to reflect on the " collective action ". By considerations of authors like Clair Bishop ,Miwon Kwon , André Mesquita and Steward Home , we intend thinking contemporary art space and the commodification of culture´s mainstream. Here, will be questioned identification and identity among social actors as well as between artists and cultural spaces where are designed some artistic proposals . This research enters Brazilian territory in the 2000s ,and pointing this context affinities with some collective artistic proposals in other parts of the world . This research also addresses issues tangential to the negotiations and conflicts inherent for colaboration works _ from them intend to rethink the communication space enabled by these groups , for seeking to decentralize the speeches, from power of dissent . We intend with this panorama illuminate the actions of effective participation , not the new responses to the project of democratization or inclusion of peripheral cultures , but new questions about the old problem about the cultural colonization of art