Entremeios da arte: moda e arte
Autor(a) principal: | |
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Data de Publicação: | 2012 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da UERJ |
Texto Completo: | http://www.bdtd.uerj.br/handle/1/7460 |
Resumo: | This work discusses the art universe touched by fashion, its ephemerality, belongings and its relations. In this context, the purpose is to exemplify how fashion and art are inextricably linked. The starting point is fashion as an experience and as an expression, which can be collective and/or individual. Fashion is mainly comprised by clothes and raiment, because these are the forms that have more influence on the human, his body, his space and his memory, on this way the process of art and fashion approximation occurred in the Twentieth Century, when the vanguards broke down to the classic academicism bringing to art a intersection of feelings and relational systems. The sculptural and pictorial intermittent manifestations gave place to languages that interactes with the spectator. The data presented in this work show how art and fashion approached themselves, focusing on two slopes: the first one is how art seek on clothes its synergies, influencing itself and assuming the effects of the intersection of feelings created by clothes, and the second one is how fashion arrogated art s elements in order to be viewed as a way of expression and not only as an ordinary expenditure |
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Cruz, Jorge Luizhttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4781261Z1&dataRevisao=nullMedeiros, Rogériohttp://lattes.cnpq.br/5263887934823569Gueron, Rodrigohttp://lattes.cnpq.br/7403941651097693http://lattes.cnpq.br/5199984564142988Souza, Nívea Faria de2021-01-05T16:59:20Z2013-04-112012-04-25SOUZA, Nívea Faria de. Entremeios da arte: moda e arte. 2012. 130 f. Dissertação (Mestrado em Arte e Cultura Contemporânea) - Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2012.http://www.bdtd.uerj.br/handle/1/7460This work discusses the art universe touched by fashion, its ephemerality, belongings and its relations. In this context, the purpose is to exemplify how fashion and art are inextricably linked. The starting point is fashion as an experience and as an expression, which can be collective and/or individual. Fashion is mainly comprised by clothes and raiment, because these are the forms that have more influence on the human, his body, his space and his memory, on this way the process of art and fashion approximation occurred in the Twentieth Century, when the vanguards broke down to the classic academicism bringing to art a intersection of feelings and relational systems. The sculptural and pictorial intermittent manifestations gave place to languages that interactes with the spectator. The data presented in this work show how art and fashion approached themselves, focusing on two slopes: the first one is how art seek on clothes its synergies, influencing itself and assuming the effects of the intersection of feelings created by clothes, and the second one is how fashion arrogated art s elements in order to be viewed as a way of expression and not only as an ordinary expenditureEste trabalho versa sobre o universo da arte tangenciado pela moda, sua efemeridade, pertencimentos e seus agenciamentos. Nesse contexto, busca-se exemplificar o quanto a moda e a arte estão intrinsecamente ligadas. O ponto de partida é a moda como experiência e expressão coletiva e/ou individual, principalmente em trajes e formas vestimentares, pois são esses que mais forte influência exercem sobre o homem, seu corpo, seu espaço e memória. Localiza-se esse processo de aproximação entre arte e moda no século XX, quando vanguardas romperam com o academicismo clássico, agregando à arte sinestesias de sistemas relacionais. Rejeitam-se intermitências escultóricas e pictóricas para dar lugar a linguagens que interagem com o espectador. Os dados do presente trabalho traçam o panorama da aproximação entre arte e moda, a partir de duas vertentes: a primeira demonstra como a arte busca, no traje, suas sinergias, influenciando-se e apropriando-se da sinestesia proporcionada pela roupa; a segunda, como a moda apropriou-se de elementos da arte, em busca de um reposicionamento como expressão e não somente consumoSubmitted by Boris Flegr (boris@uerj.br) on 2021-01-05T16:59:20Z No. of bitstreams: 2 Nivea Faria_dissertacao_compactado.pdf: 4540445 bytes, checksum: 38423d5266d2f800a90e844e3a008e1f (MD5) Nivea Faria_Pretextuais.pdf: 65589 bytes, checksum: e6115499e344ad793450a6f5f70c0d9f (MD5)Made available in DSpace on 2021-01-05T16:59:20Z (GMT). No. of bitstreams: 2 Nivea Faria_dissertacao_compactado.pdf: 4540445 bytes, checksum: 38423d5266d2f800a90e844e3a008e1f (MD5) Nivea Faria_Pretextuais.pdf: 65589 bytes, checksum: e6115499e344ad793450a6f5f70c0d9f (MD5) Previous issue date: 2012-04-25application/pdfporUniversidade do Estado do Rio de JaneiroPrograma de Pós-Graduação em ArtesUERJBRCentro de Educação e Humanidades::Instituto de ArtesArtFashionModaPerformanceModa e arteTrajesModa Séc. XXPerformance (Arte)Desfiles de modaCNPQ::LINGUISTICA, LETRAS E ARTES::ARTESEntremeios da arte: moda e arteInsertion of art: fashion and artinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UERJinstname:Universidade do Estado do Rio de Janeiro (UERJ)instacron:UERJORIGINALNivea Faria_dissertacao_compactado.pdfapplication/pdf4540445http://www.bdtd.uerj.br/bitstream/1/7460/1/Nivea+Faria_dissertacao_compactado.pdf38423d5266d2f800a90e844e3a008e1fMD51Nivea Faria_Pretextuais.pdfapplication/pdf65589http://www.bdtd.uerj.br/bitstream/1/7460/2/Nivea+Faria_Pretextuais.pdfe6115499e344ad793450a6f5f70c0d9fMD521/74602024-02-26 16:04:37.391oai:www.bdtd.uerj.br:1/7460Biblioteca Digital de Teses e Dissertaçõeshttp://www.bdtd.uerj.br/PUBhttps://www.bdtd.uerj.br:8443/oai/requestbdtd.suporte@uerj.bropendoar:29032024-02-26T19:04:37Biblioteca Digital de Teses e Dissertações da UERJ - Universidade do Estado do Rio de Janeiro (UERJ)false |
dc.title.por.fl_str_mv |
Entremeios da arte: moda e arte |
dc.title.alternative.eng.fl_str_mv |
Insertion of art: fashion and art |
title |
Entremeios da arte: moda e arte |
spellingShingle |
Entremeios da arte: moda e arte Souza, Nívea Faria de Art Fashion Moda Performance Moda e arte Trajes Moda Séc. XX Performance (Arte) Desfiles de moda CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES |
title_short |
Entremeios da arte: moda e arte |
title_full |
Entremeios da arte: moda e arte |
title_fullStr |
Entremeios da arte: moda e arte |
title_full_unstemmed |
Entremeios da arte: moda e arte |
title_sort |
Entremeios da arte: moda e arte |
author |
Souza, Nívea Faria de |
author_facet |
Souza, Nívea Faria de |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Cruz, Jorge Luiz |
dc.contributor.advisor1Lattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4781261Z1&dataRevisao=null |
dc.contributor.referee1.fl_str_mv |
Medeiros, Rogério |
dc.contributor.referee1Lattes.fl_str_mv |
http://lattes.cnpq.br/5263887934823569 |
dc.contributor.referee2.fl_str_mv |
Gueron, Rodrigo |
dc.contributor.referee2Lattes.fl_str_mv |
http://lattes.cnpq.br/7403941651097693 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/5199984564142988 |
dc.contributor.author.fl_str_mv |
Souza, Nívea Faria de |
contributor_str_mv |
Cruz, Jorge Luiz Medeiros, Rogério Gueron, Rodrigo |
dc.subject.eng.fl_str_mv |
Art Fashion |
topic |
Art Fashion Moda Performance Moda e arte Trajes Moda Séc. XX Performance (Arte) Desfiles de moda CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES |
dc.subject.por.fl_str_mv |
Moda Performance Moda e arte Trajes Moda Séc. XX Performance (Arte) Desfiles de moda |
dc.subject.cnpq.fl_str_mv |
CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES |
description |
This work discusses the art universe touched by fashion, its ephemerality, belongings and its relations. In this context, the purpose is to exemplify how fashion and art are inextricably linked. The starting point is fashion as an experience and as an expression, which can be collective and/or individual. Fashion is mainly comprised by clothes and raiment, because these are the forms that have more influence on the human, his body, his space and his memory, on this way the process of art and fashion approximation occurred in the Twentieth Century, when the vanguards broke down to the classic academicism bringing to art a intersection of feelings and relational systems. The sculptural and pictorial intermittent manifestations gave place to languages that interactes with the spectator. The data presented in this work show how art and fashion approached themselves, focusing on two slopes: the first one is how art seek on clothes its synergies, influencing itself and assuming the effects of the intersection of feelings created by clothes, and the second one is how fashion arrogated art s elements in order to be viewed as a way of expression and not only as an ordinary expenditure |
publishDate |
2012 |
dc.date.issued.fl_str_mv |
2012-04-25 |
dc.date.available.fl_str_mv |
2013-04-11 |
dc.date.accessioned.fl_str_mv |
2021-01-05T16:59:20Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
SOUZA, Nívea Faria de. Entremeios da arte: moda e arte. 2012. 130 f. Dissertação (Mestrado em Arte e Cultura Contemporânea) - Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2012. |
dc.identifier.uri.fl_str_mv |
http://www.bdtd.uerj.br/handle/1/7460 |
identifier_str_mv |
SOUZA, Nívea Faria de. Entremeios da arte: moda e arte. 2012. 130 f. Dissertação (Mestrado em Arte e Cultura Contemporânea) - Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2012. |
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http://www.bdtd.uerj.br/handle/1/7460 |
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Universidade do Estado do Rio de Janeiro |
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Programa de Pós-Graduação em Artes |
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UERJ |
dc.publisher.country.fl_str_mv |
BR |
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Centro de Educação e Humanidades::Instituto de Artes |
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Universidade do Estado do Rio de Janeiro |
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