Projetos de escuta

• Autor(a) principal: Castro, Elisa Marinho
• Data de Publicação: 2018
• Outros Autores: [e-mail]
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da UERJ
• Texto Completo: http://www.bdtd.uerj.br/handle/1/19666
• topic: Contemporary art; Performance; Photography; Photoperformance; Arte contemporânea; Subjetividade e o outro; Escuta; Arte moderna – Séc. XXI; Subjetividade na arte; Violência – Aspectos sociais; Arte e sociedade; LINGUISTICA, LETRAS E ARTES::ARTES::ARTES PLASTICAS

This work presents the processes of theoretical research and visual production, from my artistic experience with listening projects, over the last ten years. The dissertation is divided into four chapters. It consists of a presentation of all the projects already done in a way interwoven with the questions related to the desire, that stimulated the listening to the reflections on my speaking place, brought respectively by Georges Bataille and Djamila Ribeiro, as well as the understanding of the spaces chosen by me as heterotopic spaces, Michel Foucault's concept. I present the listening dynamics of the projects and develop the concept of the field of illusion, constructing a dialogue with the transitional phenomena and transitional objects of Donald Winnicot and with the Process of Structuring the Self of Lygia Clark. I approach the production of Helio Oiticica in the realization of the Penetrables, as well as of Lygia Clark in the Structuring of the Self in order to analyze proximities and distances with my own production. Concluding and giving continuity to my artistic process, I close the dissertation with the project Not give in to fear, developed during the writing of this work. Held at a public school in the Sítio de Ferro community in Niterói, the work brings reflections about the connection between people in a space of social violence.