Projetos de escuta

Detalhes bibliográficos
Autor(a) principal: Castro, Elisa Marinho
Data de Publicação: 2018
Outros Autores: elisamcastro@gmail.com
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da UERJ
Texto Completo: http://www.bdtd.uerj.br/handle/1/19666
Resumo: This work presents the processes of theoretical research and visual production, from my artistic experience with listening projects, over the last ten years. The dissertation is divided into four chapters. It consists of a presentation of all the projects already done in a way interwoven with the questions related to the desire, that stimulated the listening to the reflections on my speaking place, brought respectively by Georges Bataille and Djamila Ribeiro, as well as the understanding of the spaces chosen by me as heterotopic spaces, Michel Foucault's concept. I present the listening dynamics of the projects and develop the concept of the field of illusion, constructing a dialogue with the transitional phenomena and transitional objects of Donald Winnicot and with the Process of Structuring the Self of Lygia Clark. I approach the production of Helio Oiticica in the realization of the Penetrables, as well as of Lygia Clark in the Structuring of the Self in order to analyze proximities and distances with my own production. Concluding and giving continuity to my artistic process, I close the dissertation with the project Not give in to fear, developed during the writing of this work. Held at a public school in the Sítio de Ferro community in Niterói, the work brings reflections about the connection between people in a space of social violence.
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spelling Guimarães, Cristina Adam Salgadohttp://lattes.cnpq.br/0913585409953676Reinaldim, Ivair Juniorhttp://lattes.cnpq.br/8262670584863922Paixão, Alexandre Sá Barretto dahttp://lattes.cnpq.br/0137944963846547http://lattes.cnpq.br/1751090751012692Castro, Elisa Marinhoelisamcastro@gmail.com2023-05-29T17:35:00Z2018-12-05CASTRO, Elisa Marinho. Projetos de escuta. 2018. 70 f. Dissertação (Mestrado em Arte e Cultura Contemporânea) – Instituto de Artes, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2018.http://www.bdtd.uerj.br/handle/1/19666This work presents the processes of theoretical research and visual production, from my artistic experience with listening projects, over the last ten years. The dissertation is divided into four chapters. It consists of a presentation of all the projects already done in a way interwoven with the questions related to the desire, that stimulated the listening to the reflections on my speaking place, brought respectively by Georges Bataille and Djamila Ribeiro, as well as the understanding of the spaces chosen by me as heterotopic spaces, Michel Foucault's concept. I present the listening dynamics of the projects and develop the concept of the field of illusion, constructing a dialogue with the transitional phenomena and transitional objects of Donald Winnicot and with the Process of Structuring the Self of Lygia Clark. I approach the production of Helio Oiticica in the realization of the Penetrables, as well as of Lygia Clark in the Structuring of the Self in order to analyze proximities and distances with my own production. Concluding and giving continuity to my artistic process, I close the dissertation with the project Not give in to fear, developed during the writing of this work. Held at a public school in the Sítio de Ferro community in Niterói, the work brings reflections about the connection between people in a space of social violence.Este trabalho apresenta os processos de pesquisa teórica e produção visual elaborados a partir de minha experiência artística com os Projetos de escuta ao longo dos últimos dez anos. A dissertação divide-se em quatro capítulos e consiste em uma apresentação de todos os projetos já realizados – apresentados de forma entrelaçada às questões relativas ao desejo, fator que impulsionou a escuta das reflexões sobre lugar de fala, trazidas por Georges Bataille e Djamila Ribeiro. A pesquisa apresenta também a compreensão dos lugares escolhidos para a escuta como espaços heterotópicos, conceito pensado por Michel Foucault. Em paralelo à apresentação das dinâmicas de escuta dos projetos, buscou-se desenvolver o conceito de “campo de ilusão”, a partir do diálogo com as noções de “fenômenos transicionais” e “objetos transicionais”, de Douglas Winnicott, bem como com o processo de “estruturação do self”, proposto por Lygia Clark. O processo pensado pela artista neoconcreta, assim como os Penetráveis de Hélio Oiticica, constituem pontos de referência, de onde se aproximam ou distanciam as produções artísticas desenvolvidas ao longo desta pesquisa. Por fim, apresenta-se o projeto de escuta Não ceder ao medo, – realizado em uma escola pública da comunidade Sítio de Ferro, em Niterói – trabalho que busca trazer reflexões a respeito da conexão entre pessoas dentro de um contexto de violência social.Submitted by Helio CEH/B (hagoncalves137@yahoo.com.br) on 2023-05-29T17:35:00Z No. of bitstreams: 1 Dissertação-Elisa Marinho Castro-2018-Completo.pdf: 6487849 bytes, checksum: 9f4816db4c49c7f4d0d8af536af4a20e (MD5)Made available in DSpace on 2023-05-29T17:35:00Z (GMT). No. of bitstreams: 1 Dissertação-Elisa Marinho Castro-2018-Completo.pdf: 6487849 bytes, checksum: 9f4816db4c49c7f4d0d8af536af4a20e (MD5) Previous issue date: 2018-12-05application/pdfporUniversidade do Estado do Rio de JaneiroPrograma de Pós-Graduação em ArtesUERJBrasilCentro de Educação e Humanidades::Instituto de ArtesContemporary artPerformancePhotographyPhotoperformanceArte contemporâneaSubjetividade e o outroEscutaArte moderna – Séc. XXISubjetividade na arteViolência – Aspectos sociaisArte e sociedadeLINGUISTICA, LETRAS E ARTES::ARTES::ARTES PLASTICASProjetos de escutaListening projectsinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UERJinstname:Universidade do Estado do Rio de Janeiro (UERJ)instacron:UERJORIGINALDissertação- Elisa Marinho Castro - 2018 - Completo.pdfDissertação- Elisa Marinho Castro - 2018 - Completo.pdfapplication/pdf6487849http://www.bdtd.uerj.br/bitstream/1/19666/2/Disserta%C3%A7%C3%A3o-+Elisa+Marinho+Castro+-+2018+-+Completo.pdf9f4816db4c49c7f4d0d8af536af4a20eMD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82123http://www.bdtd.uerj.br/bitstream/1/19666/1/license.txte5502652da718045d7fcd832b79fca29MD511/196662024-02-26 16:04:24.385oai:www.bdtd.uerj.br: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Biblioteca Digital de Teses e Dissertaçõeshttp://www.bdtd.uerj.br/PUBhttps://www.bdtd.uerj.br:8443/oai/requestbdtd.suporte@uerj.bropendoar:29032024-02-26T19:04:24Biblioteca Digital de Teses e Dissertações da UERJ - Universidade do Estado do Rio de Janeiro (UERJ)false
dc.title.por.fl_str_mv Projetos de escuta
dc.title.alternative.eng.fl_str_mv Listening projects
title Projetos de escuta
spellingShingle Projetos de escuta
Castro, Elisa Marinho
Contemporary art
Performance
Photography
Photoperformance
Arte contemporânea
Subjetividade e o outro
Escuta
Arte moderna – Séc. XXI
Subjetividade na arte
Violência – Aspectos sociais
Arte e sociedade
LINGUISTICA, LETRAS E ARTES::ARTES::ARTES PLASTICAS
title_short Projetos de escuta
title_full Projetos de escuta
title_fullStr Projetos de escuta
title_full_unstemmed Projetos de escuta
title_sort Projetos de escuta
author Castro, Elisa Marinho
author_facet Castro, Elisa Marinho
elisamcastro@gmail.com
author_role author
author2 elisamcastro@gmail.com
author2_role author
dc.contributor.advisor1.fl_str_mv Guimarães, Cristina Adam Salgado
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/0913585409953676
dc.contributor.referee1.fl_str_mv Reinaldim, Ivair Junior
dc.contributor.referee1Lattes.fl_str_mv http://lattes.cnpq.br/8262670584863922
dc.contributor.referee2.fl_str_mv Paixão, Alexandre Sá Barretto da
dc.contributor.referee2Lattes.fl_str_mv http://lattes.cnpq.br/0137944963846547
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/1751090751012692
dc.contributor.author.fl_str_mv Castro, Elisa Marinho
elisamcastro@gmail.com
contributor_str_mv Guimarães, Cristina Adam Salgado
Reinaldim, Ivair Junior
Paixão, Alexandre Sá Barretto da
dc.subject.eng.fl_str_mv Contemporary art
Performance
Photography
Photoperformance
topic Contemporary art
Performance
Photography
Photoperformance
Arte contemporânea
Subjetividade e o outro
Escuta
Arte moderna – Séc. XXI
Subjetividade na arte
Violência – Aspectos sociais
Arte e sociedade
LINGUISTICA, LETRAS E ARTES::ARTES::ARTES PLASTICAS
dc.subject.por.fl_str_mv Arte contemporânea
Subjetividade e o outro
Escuta
Arte moderna – Séc. XXI
Subjetividade na arte
Violência – Aspectos sociais
Arte e sociedade
dc.subject.cnpq.fl_str_mv LINGUISTICA, LETRAS E ARTES::ARTES::ARTES PLASTICAS
description This work presents the processes of theoretical research and visual production, from my artistic experience with listening projects, over the last ten years. The dissertation is divided into four chapters. It consists of a presentation of all the projects already done in a way interwoven with the questions related to the desire, that stimulated the listening to the reflections on my speaking place, brought respectively by Georges Bataille and Djamila Ribeiro, as well as the understanding of the spaces chosen by me as heterotopic spaces, Michel Foucault's concept. I present the listening dynamics of the projects and develop the concept of the field of illusion, constructing a dialogue with the transitional phenomena and transitional objects of Donald Winnicot and with the Process of Structuring the Self of Lygia Clark. I approach the production of Helio Oiticica in the realization of the Penetrables, as well as of Lygia Clark in the Structuring of the Self in order to analyze proximities and distances with my own production. Concluding and giving continuity to my artistic process, I close the dissertation with the project Not give in to fear, developed during the writing of this work. Held at a public school in the Sítio de Ferro community in Niterói, the work brings reflections about the connection between people in a space of social violence.
publishDate 2018
dc.date.issued.fl_str_mv 2018-12-05
dc.date.accessioned.fl_str_mv 2023-05-29T17:35:00Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
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status_str publishedVersion
dc.identifier.citation.fl_str_mv CASTRO, Elisa Marinho. Projetos de escuta. 2018. 70 f. Dissertação (Mestrado em Arte e Cultura Contemporânea) – Instituto de Artes, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2018.
dc.identifier.uri.fl_str_mv http://www.bdtd.uerj.br/handle/1/19666
identifier_str_mv CASTRO, Elisa Marinho. Projetos de escuta. 2018. 70 f. Dissertação (Mestrado em Arte e Cultura Contemporânea) – Instituto de Artes, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2018.
url http://www.bdtd.uerj.br/handle/1/19666
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
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dc.publisher.none.fl_str_mv Universidade do Estado do Rio de Janeiro
dc.publisher.program.fl_str_mv Programa de Pós-Graduação em Artes
dc.publisher.initials.fl_str_mv UERJ
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Centro de Educação e Humanidades::Instituto de Artes
publisher.none.fl_str_mv Universidade do Estado do Rio de Janeiro
dc.source.none.fl_str_mv reponame:Biblioteca Digital de Teses e Dissertações da UERJ
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