Mulheres e uma distopia estética com o Conto de Aia
Autor(a) principal: | |
---|---|
Data de Publicação: | 2021 |
Outros Autores: | |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da UERJ |
Texto Completo: | http://www.bdtd.uerj.br/handle/1/19892 |
Resumo: | This research maps the first season of the series The Hands Made Tale – O Conto da Aia. This is a dystopian series based on the book by Canadian writer Margaret Atwood, which portrays a Republic called Gilead, which consolidates itself as a theocratic and authoritarian regime. In this context, fertile women have the role of procreation, called Aias, wear a red dress and wear white brims on their heads, in order to have their vision limited. Gilead is structured in castes and, in addition to the Maids, there are Commanders, Wives, Eyes, Martas. The objective of this study, therefore, is to make people see and talk about the women who permeate social and educational spaces, having the series as an aesthetic point, forging a conversation between concepts and intercessors. With what forces us to think – intercessors – the writing of the dissertation, carried out in women, takes place through the ten episodes of the first season, being crossed by current events, seeking, at the same time, an ethical, aesthetic and political position. There are concepts and authors that work in favor of this cartography: device, panoptism, disciplinary processes that cross society, gender, discourse, subjection and women's bodies, among others. Interdictions, discursive practices that reinforce the subjection of women, are analyzed. To do so, there are other intercessors such as the characters in the series, such as Guacira Lopes Louro, Silvia Federici, Judith Butler, Michel Foucault, Gilles Deleuze and Felix Guattari. Given this, the bet is to discuss the issue of women and their heated networks, the training processes and the uniqueness that led us to this research. |
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Dias , Rosimeri de Oliveirahttp://lattes.cnpq.br/4701136188544538Nunes , Iran de Maria Leitãohttp://lattes.cnpq.br/2313634756775278Rodrigues, Heliana de Barros Condehttp://lattes.cnpq.br/0551266336066458http://lattes.cnpq.br/7600955711003792Fonseca, Priscila Limapaz.priscila@hotmail.com2023-06-28T18:11:34Z2021-07-23FONSECA, Priscila Lima. Mulheres e uma distopia estética com o Conto de Aia. 2021. 89 f. Dissertação (Mestrado em Educação – Processos Formativos e Desigualdades Sociais) – Faculdade de Formação de Professores, Universidade do Estado do Rio de Janeiro. São Gonçalo, 2021.http://www.bdtd.uerj.br/handle/1/19892This research maps the first season of the series The Hands Made Tale – O Conto da Aia. This is a dystopian series based on the book by Canadian writer Margaret Atwood, which portrays a Republic called Gilead, which consolidates itself as a theocratic and authoritarian regime. In this context, fertile women have the role of procreation, called Aias, wear a red dress and wear white brims on their heads, in order to have their vision limited. Gilead is structured in castes and, in addition to the Maids, there are Commanders, Wives, Eyes, Martas. The objective of this study, therefore, is to make people see and talk about the women who permeate social and educational spaces, having the series as an aesthetic point, forging a conversation between concepts and intercessors. With what forces us to think – intercessors – the writing of the dissertation, carried out in women, takes place through the ten episodes of the first season, being crossed by current events, seeking, at the same time, an ethical, aesthetic and political position. There are concepts and authors that work in favor of this cartography: device, panoptism, disciplinary processes that cross society, gender, discourse, subjection and women's bodies, among others. Interdictions, discursive practices that reinforce the subjection of women, are analyzed. To do so, there are other intercessors such as the characters in the series, such as Guacira Lopes Louro, Silvia Federici, Judith Butler, Michel Foucault, Gilles Deleuze and Felix Guattari. Given this, the bet is to discuss the issue of women and their heated networks, the training processes and the uniqueness that led us to this research.A presente pesquisa cartografa a primeira temporada da série The Hands MadeTale – O Conto da Aia. Trata-se de uma série distópica baseada no livro da escritora canadense Margaret Atwood, que retrata uma República chamada Gilead, que se consolida como um regime teocrático e autoritário. Nesse contexto, as mulheres férteis têm como função a procriação, denominada Aias, vestem um vestido vermelho e usam abas brancas na cabeça, para terem sua visão limitada. Gilead se estrutura em castas e, além das Aias, existem os Comandantes, Esposas, Olhos, Martas. O objetivo deste estudo, portanto, é fazer ver e falar sobre as mulheres que permeiam os espaços sociais e formativos tendo como ponta estética a série, forjando uma conversa entre conceitos e intercessoras. Com o que nos força a pensar – intercessoras – a escrita da dissertação, realizada no feminino, acontece por meio dos dez episódios da primeira temporada, sendo atravessada por acontecimentos do presente, buscando, ao mesmo tempo, um posicionamento ético, estético e político. Há conceitos e autoras que funcionam a favor desta cartografia: dispositivo, panoptismo, processos disciplinares que atravessam a sociedade, gênero, discurso, sujeição e os corpos das mulheres, dentre outros. Coloca-se em análise interdições, práticas discursivas que reforçam os assujeitamentos das mulheres. Para tanto, há outras intercessoras como as personagens da série, a exemplo de Guacira Lopes Louro, Silvia Federici, Judith Butler, Michel Foucault, Gilles Deleuze e Felix Guattari. Face a isto, a aposta é a de problematizar o tema das mulheres e suas redes aquecidas, os processos formativos e a singularidade que nos levaram a essa pesquisa.Submitted by Andréia CEH/D (deiacehd@gmail.com) on 2023-06-28T18:11:34Z No. of bitstreams: 1 Dissertação Priscila Lima Fonseca - 2021 - Completa.pdf: 483625 bytes, checksum: 1e5ebfb7f72701a845695da3c792db78 (MD5)Made available in DSpace on 2023-06-28T18:11:34Z (GMT). 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dc.title.por.fl_str_mv |
Mulheres e uma distopia estética com o Conto de Aia |
title |
Mulheres e uma distopia estética com o Conto de Aia |
spellingShingle |
Mulheres e uma distopia estética com o Conto de Aia Fonseca, Priscila Lima Mulheres Panoptismo Discurso Formação Women Panoptism Speech Formation CIENCIAS HUMANAS::EDUCACAO |
title_short |
Mulheres e uma distopia estética com o Conto de Aia |
title_full |
Mulheres e uma distopia estética com o Conto de Aia |
title_fullStr |
Mulheres e uma distopia estética com o Conto de Aia |
title_full_unstemmed |
Mulheres e uma distopia estética com o Conto de Aia |
title_sort |
Mulheres e uma distopia estética com o Conto de Aia |
author |
Fonseca, Priscila Lima |
author_facet |
Fonseca, Priscila Lima paz.priscila@hotmail.com |
author_role |
author |
author2 |
paz.priscila@hotmail.com |
author2_role |
author |
dc.contributor.advisor1.fl_str_mv |
Dias , Rosimeri de Oliveira |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/4701136188544538 |
dc.contributor.referee1.fl_str_mv |
Nunes , Iran de Maria Leitão |
dc.contributor.referee1Lattes.fl_str_mv |
http://lattes.cnpq.br/2313634756775278 |
dc.contributor.referee2.fl_str_mv |
Rodrigues, Heliana de Barros Conde |
dc.contributor.referee2Lattes.fl_str_mv |
http://lattes.cnpq.br/0551266336066458 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/7600955711003792 |
dc.contributor.author.fl_str_mv |
Fonseca, Priscila Lima paz.priscila@hotmail.com |
contributor_str_mv |
Dias , Rosimeri de Oliveira Nunes , Iran de Maria Leitão Rodrigues, Heliana de Barros Conde |
dc.subject.por.fl_str_mv |
Mulheres Panoptismo Discurso Formação Women Panoptism Speech Formation |
topic |
Mulheres Panoptismo Discurso Formação Women Panoptism Speech Formation CIENCIAS HUMANAS::EDUCACAO |
dc.subject.cnpq.fl_str_mv |
CIENCIAS HUMANAS::EDUCACAO |
description |
This research maps the first season of the series The Hands Made Tale – O Conto da Aia. This is a dystopian series based on the book by Canadian writer Margaret Atwood, which portrays a Republic called Gilead, which consolidates itself as a theocratic and authoritarian regime. In this context, fertile women have the role of procreation, called Aias, wear a red dress and wear white brims on their heads, in order to have their vision limited. Gilead is structured in castes and, in addition to the Maids, there are Commanders, Wives, Eyes, Martas. The objective of this study, therefore, is to make people see and talk about the women who permeate social and educational spaces, having the series as an aesthetic point, forging a conversation between concepts and intercessors. With what forces us to think – intercessors – the writing of the dissertation, carried out in women, takes place through the ten episodes of the first season, being crossed by current events, seeking, at the same time, an ethical, aesthetic and political position. There are concepts and authors that work in favor of this cartography: device, panoptism, disciplinary processes that cross society, gender, discourse, subjection and women's bodies, among others. Interdictions, discursive practices that reinforce the subjection of women, are analyzed. To do so, there are other intercessors such as the characters in the series, such as Guacira Lopes Louro, Silvia Federici, Judith Butler, Michel Foucault, Gilles Deleuze and Felix Guattari. Given this, the bet is to discuss the issue of women and their heated networks, the training processes and the uniqueness that led us to this research. |
publishDate |
2021 |
dc.date.issued.fl_str_mv |
2021-07-23 |
dc.date.accessioned.fl_str_mv |
2023-06-28T18:11:34Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
FONSECA, Priscila Lima. Mulheres e uma distopia estética com o Conto de Aia. 2021. 89 f. Dissertação (Mestrado em Educação – Processos Formativos e Desigualdades Sociais) – Faculdade de Formação de Professores, Universidade do Estado do Rio de Janeiro. São Gonçalo, 2021. |
dc.identifier.uri.fl_str_mv |
http://www.bdtd.uerj.br/handle/1/19892 |
identifier_str_mv |
FONSECA, Priscila Lima. Mulheres e uma distopia estética com o Conto de Aia. 2021. 89 f. Dissertação (Mestrado em Educação – Processos Formativos e Desigualdades Sociais) – Faculdade de Formação de Professores, Universidade do Estado do Rio de Janeiro. São Gonçalo, 2021. |
url |
http://www.bdtd.uerj.br/handle/1/19892 |
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por |
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Universidade do Estado do Rio de Janeiro |
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Programa de Pós-Graduação em Educação - Processos Formativos e Desigualdades Sociais |
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UERJ |
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Brasil |
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Universidade do Estado do Rio de Janeiro |
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