Víctor Jara y la representación del trabajo y del socialismo en "El Arado"

Detalhes bibliográficos
Autor(a) principal: Ribeiro, Letícia Porto
Data de Publicação: 2022
Outros Autores: Messina, Marcello
Tipo de documento: Artigo
Idioma: por
Título da fonte: Muiraquitã (Online)
Texto Completo: https://periodicos.ufac.br/index.php/mui/article/view/6150
Resumo: In this article we intend to show how, in the song “El Arado” (1965), composed by the Chilean musician Víctor Jara, the composer combines lyrics, melody and harmony in order to represent the work of the rural worker, as well as his hope in the face of the possibilities of change. As references, we make use of the Decolonial Theory and the Tripartite Model of Musical Semiology, as presented by Nattiez. As a conclusion, we could perceive that in this song Jara not only combines musical and expressive elements in order to represent both repetitive manual labor and elements of the environment that surrounds the lyrical self but also the hope of the worker in the face of the option brought about by socialism, placing music as a form of political and revolutionary struggle.
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spelling Víctor Jara y la representación del trabajo y del socialismo en "El Arado"Víctor Jara and the representation of work and socialism in “El Arado”Víctor Jara e a representação do trabalho e do socialismo em “El Arado” Nova canção chilena. Música. Decolonialidade. América Latina.Nueva canción chilena; Music; Decoloniality; Latin America.Nueva Canción ChilenaMúsicaHistoriaDecolonialidadIn this article we intend to show how, in the song “El Arado” (1965), composed by the Chilean musician Víctor Jara, the composer combines lyrics, melody and harmony in order to represent the work of the rural worker, as well as his hope in the face of the possibilities of change. As references, we make use of the Decolonial Theory and the Tripartite Model of Musical Semiology, as presented by Nattiez. As a conclusion, we could perceive that in this song Jara not only combines musical and expressive elements in order to represent both repetitive manual labor and elements of the environment that surrounds the lyrical self but also the hope of the worker in the face of the option brought about by socialism, placing music as a form of political and revolutionary struggle.Neste artigo pretendemos mostrar como, na canção “El Arado” (1965), composta pelo músico chileno Víctor Jara (1932-1973), o compositor combina letra, melodia e harmonia para representar o trabalho do trabalhador rural, bem como sua esperança diante das possibilidades de mudança. Como referências, utilizamos a Teoria Decolonial e o Modelo Tripartite de Semiologia Musical. Com a análise, percebemos que, nessa canção, Jara não só combina elementos musicais e expressivos de forma a representar tanto o trabalho braçal repetitivo e os elementos do ambiente que circunda o eu-poético, mas também a esperança do trabalhador frente à opção trazida pelo socialismo, colocando em relevância a música como forma de luta política e revolucionária.Nepan Editora2022-07-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufac.br/index.php/mui/article/view/615010.29327/210932.10.1-9Muiraquitã: Revista de Letras e Humanidades; v. 10 n. 1 (2022): Muiraquitã: Revista de Letras e Humanidades 2525-59241807-185610.29327/10.29327/210932.10.1reponame:Muiraquitã (Online)instname:Universidade Federal do Acre (UFAC)instacron:UFACporhttps://periodicos.ufac.br/index.php/mui/article/view/6150/3709Ribeiro, Letícia Porto Messina, Marcelloinfo:eu-repo/semantics/openAccess2022-08-10T02:10:42Zoai:ojs.pkp.sfu.ca:article/6150Revistahttps://periodicos.ufac.br/revista/index.php/mui/indexPUBhttps://periodicos.ufac.br/revista/index.php/mui/oaimuiraquita.ppgli@ufac.br2525-59241807-1856opendoar:2022-08-10T02:10:42Muiraquitã (Online) - Universidade Federal do Acre (UFAC)false
dc.title.none.fl_str_mv Víctor Jara y la representación del trabajo y del socialismo en "El Arado"
Víctor Jara and the representation of work and socialism in “El Arado”
Víctor Jara e a representação do trabalho e do socialismo em “El Arado”
title Víctor Jara y la representación del trabajo y del socialismo en "El Arado"
spellingShingle Víctor Jara y la representación del trabajo y del socialismo en "El Arado"
Ribeiro, Letícia Porto
Nova canção chilena. Música. Decolonialidade. América Latina.
Nueva canción chilena; Music; Decoloniality; Latin America.
Nueva Canción Chilena
Música
Historia
Decolonialidad
title_short Víctor Jara y la representación del trabajo y del socialismo en "El Arado"
title_full Víctor Jara y la representación del trabajo y del socialismo en "El Arado"
title_fullStr Víctor Jara y la representación del trabajo y del socialismo en "El Arado"
title_full_unstemmed Víctor Jara y la representación del trabajo y del socialismo en "El Arado"
title_sort Víctor Jara y la representación del trabajo y del socialismo en "El Arado"
author Ribeiro, Letícia Porto
author_facet Ribeiro, Letícia Porto
Messina, Marcello
author_role author
author2 Messina, Marcello
author2_role author
dc.contributor.author.fl_str_mv Ribeiro, Letícia Porto
Messina, Marcello
dc.subject.por.fl_str_mv Nova canção chilena. Música. Decolonialidade. América Latina.
Nueva canción chilena; Music; Decoloniality; Latin America.
Nueva Canción Chilena
Música
Historia
Decolonialidad
topic Nova canção chilena. Música. Decolonialidade. América Latina.
Nueva canción chilena; Music; Decoloniality; Latin America.
Nueva Canción Chilena
Música
Historia
Decolonialidad
description In this article we intend to show how, in the song “El Arado” (1965), composed by the Chilean musician Víctor Jara, the composer combines lyrics, melody and harmony in order to represent the work of the rural worker, as well as his hope in the face of the possibilities of change. As references, we make use of the Decolonial Theory and the Tripartite Model of Musical Semiology, as presented by Nattiez. As a conclusion, we could perceive that in this song Jara not only combines musical and expressive elements in order to represent both repetitive manual labor and elements of the environment that surrounds the lyrical self but also the hope of the worker in the face of the option brought about by socialism, placing music as a form of political and revolutionary struggle.
publishDate 2022
dc.date.none.fl_str_mv 2022-07-28
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufac.br/index.php/mui/article/view/6150
10.29327/210932.10.1-9
url https://periodicos.ufac.br/index.php/mui/article/view/6150
identifier_str_mv 10.29327/210932.10.1-9
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufac.br/index.php/mui/article/view/6150/3709
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Nepan Editora
publisher.none.fl_str_mv Nepan Editora
dc.source.none.fl_str_mv Muiraquitã: Revista de Letras e Humanidades; v. 10 n. 1 (2022): Muiraquitã: Revista de Letras e Humanidades
2525-5924
1807-1856
10.29327/10.29327/210932.10.1
reponame:Muiraquitã (Online)
instname:Universidade Federal do Acre (UFAC)
instacron:UFAC
instname_str Universidade Federal do Acre (UFAC)
instacron_str UFAC
institution UFAC
reponame_str Muiraquitã (Online)
collection Muiraquitã (Online)
repository.name.fl_str_mv Muiraquitã (Online) - Universidade Federal do Acre (UFAC)
repository.mail.fl_str_mv muiraquita.ppgli@ufac.br
_version_ 1798329507090792448

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