The Implementation of a Contour Module for Music21

Detalhes bibliográficos
Autor(a) principal: Sampaio, Marcos
Data de Publicação: 2013
Outros Autores: Kröger Junior, Pedro Ribeiro, Menezes, Mara Pinheiro, Rocha, Jean, Ourives, Natanael, Carvalho, Dennis
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Institucional da UFBA
Texto Completo: http://repositorio.ufba.br/ri/handle/ri/18095
Resumo: In this paper we present a contour module for the Music21 toolkit. The theory of musical contour has operations such as similarly, matrices and reduction that have been used to analyze music from many composers. The contour module can calculate these operations quickly and since the Music21 toolkit reads files in the Humdrum and MusicXML formats, a large corpus of music is available for analysis. To the best of our knowledge, this is the only tool for contour processing available today. We introduce some background information about the Contour Theory, how the contour module can be used and some contour analysis using Bach’s 371 Chorales.
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spelling Sampaio, MarcosKröger Junior, Pedro RibeiroMenezes, Mara PinheiroRocha, JeanOurives, NatanaelCarvalho, DennisSampaio, MarcosKröger Junior, Pedro RibeiroMenezes, Mara PinheiroRocha, JeanOurives, NatanaelCarvalho, Dennis2015-10-09T18:49:44Z2015-10-09T18:49:44Z2013-03Sampaio, Marcos da Silva, Pedro Kroger, Mara Pinheiro Menezes, Jean Menezes da Rocha, Natanael de Souza Ourives, and Dennis Queiroz de Carvalho. 2013. The Implementation of a Contour Module for Music21. ART Music Review 24.2317-6059http://repositorio.ufba.br/ri/handle/ri/18095n.24In this paper we present a contour module for the Music21 toolkit. The theory of musical contour has operations such as similarly, matrices and reduction that have been used to analyze music from many composers. The contour module can calculate these operations quickly and since the Music21 toolkit reads files in the Humdrum and MusicXML formats, a large corpus of music is available for analysis. To the best of our knowledge, this is the only tool for contour processing available today. We introduce some background information about the Contour Theory, how the contour module can be used and some contour analysis using Bach’s 371 Chorales.Submitted by Marcos Sampaio (marcos@sampaio.me) on 2014-02-17T10:21:30Z No. of bitstreams: 1 Sampaio-ea2013-implementation.pdf: 229111 bytes, checksum: 894afe6a1efaf09280046182533a18e1 (MD5)Approved for entry into archive by Rodrigo Meirelles (rodrigomei@ufba.br) on 2015-10-09T18:49:44Z (GMT) No. of bitstreams: 1 Sampaio-ea2013-implementation.pdf: 229111 bytes, checksum: 894afe6a1efaf09280046182533a18e1 (MD5)Made available in DSpace on 2015-10-09T18:49:44Z (GMT). No. of bitstreams: 1 Sampaio-ea2013-implementation.pdf: 229111 bytes, checksum: 894afe6a1efaf09280046182533a18e1 (MD5) Previous issue date: 2013-03Universidade Federal da Bahiahttp://www.revista-art.com/the-implementation-of-a-contour-module-for-music21reponame:Repositório Institucional da UFBAinstname:Universidade Federal da Bahia (UFBA)instacron:UFBAMusical Contour RelationsMusic21Computational MusicologyThe Implementation of a Contour Module for Music21info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleinfo:eu-repo/semantics/openAccessengORIGINALSampaio-ea2013-implementation.pdfSampaio-ea2013-implementation.pdfapplication/pdf229111https://repositorio.ufba.br/bitstream/ri/18095/1/Sampaio-ea2013-implementation.pdf894afe6a1efaf09280046182533a18e1MD51LICENSElicense.txtlicense.txttext/plain1345https://repositorio.ufba.br/bitstream/ri/18095/2/license.txtff6eaa8b858ea317fded99f125f5fcd0MD52TEXTSampaio-ea2013-implementation.pdf.txtSampaio-ea2013-implementation.pdf.txtExtracted texttext/plain22847https://repositorio.ufba.br/bitstream/ri/18095/3/Sampaio-ea2013-implementation.pdf.txt1fd5dacc31d411d67ee5badbef385e19MD53ri/180952022-08-08 13:20:04.127oai:repositorio.ufba.br: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Repositório InstitucionalPUBhttp://192.188.11.11:8080/oai/requestopendoar:19322022-08-08T16:20:04Repositório Institucional da UFBA - Universidade Federal da Bahia (UFBA)false
dc.title.pt_BR.fl_str_mv The Implementation of a Contour Module for Music21
title The Implementation of a Contour Module for Music21
spellingShingle The Implementation of a Contour Module for Music21
Sampaio, Marcos
Musical Contour Relations
Music21
Computational Musicology
title_short The Implementation of a Contour Module for Music21
title_full The Implementation of a Contour Module for Music21
title_fullStr The Implementation of a Contour Module for Music21
title_full_unstemmed The Implementation of a Contour Module for Music21
title_sort The Implementation of a Contour Module for Music21
author Sampaio, Marcos
author_facet Sampaio, Marcos
Kröger Junior, Pedro Ribeiro
Menezes, Mara Pinheiro
Rocha, Jean
Ourives, Natanael
Carvalho, Dennis
author_role author
author2 Kröger Junior, Pedro Ribeiro
Menezes, Mara Pinheiro
Rocha, Jean
Ourives, Natanael
Carvalho, Dennis
author2_role author
author
author
author
author
dc.contributor.author.fl_str_mv Sampaio, Marcos
Kröger Junior, Pedro Ribeiro
Menezes, Mara Pinheiro
Rocha, Jean
Ourives, Natanael
Carvalho, Dennis
Sampaio, Marcos
Kröger Junior, Pedro Ribeiro
Menezes, Mara Pinheiro
Rocha, Jean
Ourives, Natanael
Carvalho, Dennis
dc.subject.por.fl_str_mv Musical Contour Relations
Music21
Computational Musicology
topic Musical Contour Relations
Music21
Computational Musicology
description In this paper we present a contour module for the Music21 toolkit. The theory of musical contour has operations such as similarly, matrices and reduction that have been used to analyze music from many composers. The contour module can calculate these operations quickly and since the Music21 toolkit reads files in the Humdrum and MusicXML formats, a large corpus of music is available for analysis. To the best of our knowledge, this is the only tool for contour processing available today. We introduce some background information about the Contour Theory, how the contour module can be used and some contour analysis using Bach’s 371 Chorales.
publishDate 2013
dc.date.issued.fl_str_mv 2013-03
dc.date.accessioned.fl_str_mv 2015-10-09T18:49:44Z
dc.date.available.fl_str_mv 2015-10-09T18:49:44Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.citation.fl_str_mv Sampaio, Marcos da Silva, Pedro Kroger, Mara Pinheiro Menezes, Jean Menezes da Rocha, Natanael de Souza Ourives, and Dennis Queiroz de Carvalho. 2013. The Implementation of a Contour Module for Music21. ART Music Review 24.
dc.identifier.uri.fl_str_mv http://repositorio.ufba.br/ri/handle/ri/18095
dc.identifier.issn.none.fl_str_mv 2317-6059
dc.identifier.number.pt_BR.fl_str_mv n.24
identifier_str_mv Sampaio, Marcos da Silva, Pedro Kroger, Mara Pinheiro Menezes, Jean Menezes da Rocha, Natanael de Souza Ourives, and Dennis Queiroz de Carvalho. 2013. The Implementation of a Contour Module for Music21. ART Music Review 24.
2317-6059
n.24
url http://repositorio.ufba.br/ri/handle/ri/18095
dc.language.iso.fl_str_mv eng
language eng
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal da Bahia
publisher.none.fl_str_mv Universidade Federal da Bahia
dc.source.pt_BR.fl_str_mv http://www.revista-art.com/the-implementation-of-a-contour-module-for-music21
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instname:Universidade Federal da Bahia (UFBA)
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