Mantos de veludo com franjas de algodão: a figura diabólica no Fausto, de Goethe, e em A igreja do diabo, de Machado de Assis

Detalhes bibliográficos
Autor(a) principal: Bellas, João Pedro Lima
Data de Publicação: 2019
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Institucional da Universidade Federal do Ceará (UFC)
Texto Completo: http://www.repositorio.ufc.br/handle/riufc/49535
Resumo: The importance of Clarice Lispector for Brazilian Literature is unquestionable. Since the publication of his first novel, his work has been making a great impact on critics and elicited a legion of fans. Always concerned for her intimacy, Clarice made of her texts a testimony of her restless and questioning identity. The book A Descoberta do Mundo (1984) gathers the chronicles originally published in the weekly column that maintained of Jornal do Brasil, between the years of 1967 and 1973. These texts, essentially and metalinguistics, in which the author seems to point to the desire of apprehending and understanding the writing processes that are of interest to our study. In this way, what is proposed is the analysis of confluent aspects between the chronicle and the essay in the writings of Clarice Lispector collected in the book A Descoberta do Mundo (1984). It is known that the chronicle is a genre that oscillates between the literary and the journalistic; in the chronicles of Clarice Lispector there is, however, the confluence with the essayistic genre. Thus, the study will investigate how this confluence occurs and for what purpose the author uses in her chronicles the reflections on the process of literary doing.
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spelling Mantos de veludo com franjas de algodão: a figura diabólica no Fausto, de Goethe, e em A igreja do diabo, de Machado de AssisVelvet cloaks trimmed with cotton fringes: the diabolic figure in goethe’s faust and Machado de Assis The Devil’s ChurchAssis, MachadoGoetheDiaboThe importance of Clarice Lispector for Brazilian Literature is unquestionable. Since the publication of his first novel, his work has been making a great impact on critics and elicited a legion of fans. Always concerned for her intimacy, Clarice made of her texts a testimony of her restless and questioning identity. The book A Descoberta do Mundo (1984) gathers the chronicles originally published in the weekly column that maintained of Jornal do Brasil, between the years of 1967 and 1973. These texts, essentially and metalinguistics, in which the author seems to point to the desire of apprehending and understanding the writing processes that are of interest to our study. In this way, what is proposed is the analysis of confluent aspects between the chronicle and the essay in the writings of Clarice Lispector collected in the book A Descoberta do Mundo (1984). It is known that the chronicle is a genre that oscillates between the literary and the journalistic; in the chronicles of Clarice Lispector there is, however, the confluence with the essayistic genre. Thus, the study will investigate how this confluence occurs and for what purpose the author uses in her chronicles the reflections on the process of literary doing.Em sua produção literária, Machado de Assis manteve um constante e intenso diálogo com a tradição intelectual ocidental, tanto no que diz respeito aos modelos clássicos de escrita quanto aos temas tratados em suas obras. Por esse motivo, uma análise de natureza comparativa que leve em consideração esse aspecto intertextual da produção machadiana é capaz de proporcionar um olhar interessante sobre o texto do autor. Desse modo, o presente artigo pretende fazer uma abordagem nesse sentido, propondo uma leitura comparativa entre o conto “A igreja do Diabo”, e a primeira parte do Fausto, de Goethe, focalizando, sobretudo, a representação da figura diabólica presente em ambas as obras. O objetivo da análise aqui proposta é explicitar a maneira como os dois escritores exploraram uma personagem bastante significativa da cultura ocidental, esclarecendo as semelhanças e as diferenças entre ambas as representações, para tratar de uma temática universal e atemporal: a condição humana.Revista Entrelaces2020-01-22T15:09:59Z2020-01-22T15:09:59Z2019info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfBELLAS, João Pedro Lima. Mantos de veludo com franjas de algodão: a figura diabólica no Fausto, de Goethe, e em “A igreja do diabo”, de Machado de Assis. Revista Entrelaces, Fortaleza (CE), v. 1, n. 17, p. 63-74, jul./set. 2019.2596-2817http://www.repositorio.ufc.br/handle/riufc/49535Bellas, João Pedro Limainfo:eu-repo/semantics/openAccessporreponame:Repositório Institucional da Universidade Federal do Ceará (UFC)instname:Universidade Federal do Ceará (UFC)instacron:UFC2023-11-17T14:15:23Zoai:repositorio.ufc.br:riufc/49535Repositório InstitucionalPUBhttp://www.repositorio.ufc.br/ri-oai/requestbu@ufc.br || repositorio@ufc.bropendoar:2024-09-11T18:31:10.420025Repositório Institucional da Universidade Federal do Ceará (UFC) - Universidade Federal do Ceará (UFC)false
dc.title.none.fl_str_mv Mantos de veludo com franjas de algodão: a figura diabólica no Fausto, de Goethe, e em A igreja do diabo, de Machado de Assis
Velvet cloaks trimmed with cotton fringes: the diabolic figure in goethe’s faust and Machado de Assis The Devil’s Church
title Mantos de veludo com franjas de algodão: a figura diabólica no Fausto, de Goethe, e em A igreja do diabo, de Machado de Assis
spellingShingle Mantos de veludo com franjas de algodão: a figura diabólica no Fausto, de Goethe, e em A igreja do diabo, de Machado de Assis
Bellas, João Pedro Lima
Assis, Machado
Goethe
Diabo
title_short Mantos de veludo com franjas de algodão: a figura diabólica no Fausto, de Goethe, e em A igreja do diabo, de Machado de Assis
title_full Mantos de veludo com franjas de algodão: a figura diabólica no Fausto, de Goethe, e em A igreja do diabo, de Machado de Assis
title_fullStr Mantos de veludo com franjas de algodão: a figura diabólica no Fausto, de Goethe, e em A igreja do diabo, de Machado de Assis
title_full_unstemmed Mantos de veludo com franjas de algodão: a figura diabólica no Fausto, de Goethe, e em A igreja do diabo, de Machado de Assis
title_sort Mantos de veludo com franjas de algodão: a figura diabólica no Fausto, de Goethe, e em A igreja do diabo, de Machado de Assis
author Bellas, João Pedro Lima
author_facet Bellas, João Pedro Lima
author_role author
dc.contributor.author.fl_str_mv Bellas, João Pedro Lima
dc.subject.por.fl_str_mv Assis, Machado
Goethe
Diabo
topic Assis, Machado
Goethe
Diabo
description The importance of Clarice Lispector for Brazilian Literature is unquestionable. Since the publication of his first novel, his work has been making a great impact on critics and elicited a legion of fans. Always concerned for her intimacy, Clarice made of her texts a testimony of her restless and questioning identity. The book A Descoberta do Mundo (1984) gathers the chronicles originally published in the weekly column that maintained of Jornal do Brasil, between the years of 1967 and 1973. These texts, essentially and metalinguistics, in which the author seems to point to the desire of apprehending and understanding the writing processes that are of interest to our study. In this way, what is proposed is the analysis of confluent aspects between the chronicle and the essay in the writings of Clarice Lispector collected in the book A Descoberta do Mundo (1984). It is known that the chronicle is a genre that oscillates between the literary and the journalistic; in the chronicles of Clarice Lispector there is, however, the confluence with the essayistic genre. Thus, the study will investigate how this confluence occurs and for what purpose the author uses in her chronicles the reflections on the process of literary doing.
publishDate 2019
dc.date.none.fl_str_mv 2019
2020-01-22T15:09:59Z
2020-01-22T15:09:59Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv BELLAS, João Pedro Lima. Mantos de veludo com franjas de algodão: a figura diabólica no Fausto, de Goethe, e em “A igreja do diabo”, de Machado de Assis. Revista Entrelaces, Fortaleza (CE), v. 1, n. 17, p. 63-74, jul./set. 2019.
2596-2817
http://www.repositorio.ufc.br/handle/riufc/49535
identifier_str_mv BELLAS, João Pedro Lima. Mantos de veludo com franjas de algodão: a figura diabólica no Fausto, de Goethe, e em “A igreja do diabo”, de Machado de Assis. Revista Entrelaces, Fortaleza (CE), v. 1, n. 17, p. 63-74, jul./set. 2019.
2596-2817
url http://www.repositorio.ufc.br/handle/riufc/49535
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Revista Entrelaces
publisher.none.fl_str_mv Revista Entrelaces
dc.source.none.fl_str_mv reponame:Repositório Institucional da Universidade Federal do Ceará (UFC)
instname:Universidade Federal do Ceará (UFC)
instacron:UFC
instname_str Universidade Federal do Ceará (UFC)
instacron_str UFC
institution UFC
reponame_str Repositório Institucional da Universidade Federal do Ceará (UFC)
collection Repositório Institucional da Universidade Federal do Ceará (UFC)
repository.name.fl_str_mv Repositório Institucional da Universidade Federal do Ceará (UFC) - Universidade Federal do Ceará (UFC)
repository.mail.fl_str_mv bu@ufc.br || repositorio@ufc.br
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