Política nacional de fomento ao audiovisual e o desenvolvimento do cinema de animação no Ceará

• Autor(a) principal: Barroso, Roberta Filizola Custodio
• Data de Publicação: 2019
• Tipo de documento: Trabalho de conclusão de curso
• Idioma: por
• Título da fonte: Repositório Institucional da Universidade Federal do Ceará (UFC)
• Texto Completo: http://www.repositorio.ufc.br/handle/riufc/49354
• topic: Cinema de animação; Política Audiovisual; Lei da TV Paga; Animação cearense

In the scenario of national contemporary cinema, could be highlighted the animation’s segment, which is is currently experiencing an unique moment on it’s trajectory, not only because of the quantity of productions, but also because of the quality of what is being displayed. In Ceará, the sector was also contempladed with a perceptible increase due to the production of “Astrobaldo” TV series, by Lunart production company, and “Um Conto em Cada Ponto” TV series, by Tusche, which, in 2017, participated at the TV O POVO programming. On this context, the present work aimed to analyze the impact of audiovisual public policies in Brazil and their repercussion for the animation made in Ceará. In this way, the bases that structure the sector’s promotion policies were discussed: the National Film Agency (ANCINE), Sectorial Audiovisual Fund (FSA), exploited through Cinema National Development Program (PRODECINE) and Audiovisual Development Support Program (PRODAV), pointing out PRODAV 09/2015, directed to Brazil’s Northeast Public TVs (currently known as PRODAV Public TVs 2018), the law 12.485 enacted in 2011, known as the pay TV regulatory milestone, and their respective obstacles and effects as well. Moreover, were considered the efforts which aimed to democratize the access to pay TV market for professionals from different regions of Brazil, and also decentralize the resources for outside Rio de Janeiro-São Paulo region and, thus, foster regional production. As result, the articulation between independent production from Ceará and local Public TV was induced and, hence, animated series made in Ceará were producted and displayed in the comunal, university, educational and cultural TV sector. Lastly, the animation cinema context in Ceará was explored through Ceará audiovisual cartography. Were outlined the political conflicts confronted by animators category in the state, represented by means of Ceará Animation Forum (FOCA), who were contempladed with exclusive vacancies for this genre in 2016, at Cinema and Video public notice, besides others achievements, as the I Anima Ceará (northeast Animation, Game and Web Festival) realization.