Mário de Andrade: de mademoiselle Iolanda a Fräulein Elza
Autor(a) principal: | |
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Data de Publicação: | 2002 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Institucional da Universidade Federal do Ceará (UFC) |
Texto Completo: | http://www.repositorio.ufc.br/handle/riufc/16079 |
Resumo: | This work intends to do, in a first step, an approach of the story “Brasilia” of First floor with the Romance To love, intransitive verb - idyll, both of Mário de Andrade. The romance, it can be inferred, was born of the ripening of a process that already announced her in the story. In a second step, it will be reflected the displacement operated by the aesthetics of Mário de Andrade, configured in the option by the a german character’s creation, substituting the French. The approach of the Brazilian culture with the German (subject that unavoidably sees to the tona) or of the absence of culture of both nations, it will allow the approach Mário de Andrade to philosopher Nietzsche, both extremely worried with the cultural subject. The one that more gets the attention, in fact, is the likeness of the process dionysiac (as described in The birth of the tragedy in the spirit of the music of Nietzsche), lived by the respective characters. We will discuss as such a displacement it was extremely productive inside of the prerogatives of the Modernism. |
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Mário de Andrade: de mademoiselle Iolanda a Fräulein ElzaModernismoMário de AndradeNietzscheThis work intends to do, in a first step, an approach of the story “Brasilia” of First floor with the Romance To love, intransitive verb - idyll, both of Mário de Andrade. The romance, it can be inferred, was born of the ripening of a process that already announced her in the story. In a second step, it will be reflected the displacement operated by the aesthetics of Mário de Andrade, configured in the option by the a german character’s creation, substituting the French. The approach of the Brazilian culture with the German (subject that unavoidably sees to the tona) or of the absence of culture of both nations, it will allow the approach Mário de Andrade to philosopher Nietzsche, both extremely worried with the cultural subject. The one that more gets the attention, in fact, is the likeness of the process dionysiac (as described in The birth of the tragedy in the spirit of the music of Nietzsche), lived by the respective characters. We will discuss as such a displacement it was extremely productive inside of the prerogatives of the Modernism.Este trabalho pretende fazer, num primeiro passo, uma aproximação do conto “Brasilia” de Primeiro Andar com o Romance Amar, verbo intransitivo – idílio, ambos de Mário de Andrade. O romance, pode-se inferir, nasceu do amadurecimento de um processo que já se anunciava no conto. Num segundo passo, refletir-se-á o deslocamento operado pela estética de Mário de Andrade, configurado na opção pela criação de uma personagem alemã, substituindo a francesa. A aproximação da cultura brasileira com a alemã (questão que inevitavelmente vira à tona) ou da ausência de cultura de ambas as nações, permitirá a aproximação de Mário de Andrade ao filósofo Nietzsche, ambos extremamente preocupados com a questão cultural. O que mais chama a atenção, aliás, é a semelhança do processo dionisíaco (conforme descrito em O Nascimento da Tragédia no espírito da Música de Nietzsche), vivido pelas respectivas personagens. Discutiremos como tal descolamento foi extremamente produtivo dentro das prerrogativas do Modernismo.Revista de Letras2016-04-06T13:57:59Z2016-04-06T13:57:59Z2002info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfGATTO, Dante. Mário de Andrade: de mademoiselle Iolanda a Fräulein Elza. Rev. de Letras, Fortaleza, v. 24, n. 1/2, p. 105-111, jan./dez. 2002.0101-8051http://www.repositorio.ufc.br/handle/riufc/16079Gatto, Danteinfo:eu-repo/semantics/openAccessporreponame:Repositório Institucional da Universidade Federal do Ceará (UFC)instname:Universidade Federal do Ceará (UFC)instacron:UFC2023-11-16T17:26:08Zoai:repositorio.ufc.br:riufc/16079Repositório InstitucionalPUBhttp://www.repositorio.ufc.br/ri-oai/requestbu@ufc.br || repositorio@ufc.bropendoar:2023-11-16T17:26:08Repositório Institucional da Universidade Federal do Ceará (UFC) - Universidade Federal do Ceará (UFC)false |
dc.title.none.fl_str_mv |
Mário de Andrade: de mademoiselle Iolanda a Fräulein Elza |
title |
Mário de Andrade: de mademoiselle Iolanda a Fräulein Elza |
spellingShingle |
Mário de Andrade: de mademoiselle Iolanda a Fräulein Elza Gatto, Dante Modernismo Mário de Andrade Nietzsche |
title_short |
Mário de Andrade: de mademoiselle Iolanda a Fräulein Elza |
title_full |
Mário de Andrade: de mademoiselle Iolanda a Fräulein Elza |
title_fullStr |
Mário de Andrade: de mademoiselle Iolanda a Fräulein Elza |
title_full_unstemmed |
Mário de Andrade: de mademoiselle Iolanda a Fräulein Elza |
title_sort |
Mário de Andrade: de mademoiselle Iolanda a Fräulein Elza |
author |
Gatto, Dante |
author_facet |
Gatto, Dante |
author_role |
author |
dc.contributor.author.fl_str_mv |
Gatto, Dante |
dc.subject.por.fl_str_mv |
Modernismo Mário de Andrade Nietzsche |
topic |
Modernismo Mário de Andrade Nietzsche |
description |
This work intends to do, in a first step, an approach of the story “Brasilia” of First floor with the Romance To love, intransitive verb - idyll, both of Mário de Andrade. The romance, it can be inferred, was born of the ripening of a process that already announced her in the story. In a second step, it will be reflected the displacement operated by the aesthetics of Mário de Andrade, configured in the option by the a german character’s creation, substituting the French. The approach of the Brazilian culture with the German (subject that unavoidably sees to the tona) or of the absence of culture of both nations, it will allow the approach Mário de Andrade to philosopher Nietzsche, both extremely worried with the cultural subject. The one that more gets the attention, in fact, is the likeness of the process dionysiac (as described in The birth of the tragedy in the spirit of the music of Nietzsche), lived by the respective characters. We will discuss as such a displacement it was extremely productive inside of the prerogatives of the Modernism. |
publishDate |
2002 |
dc.date.none.fl_str_mv |
2002 2016-04-06T13:57:59Z 2016-04-06T13:57:59Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
GATTO, Dante. Mário de Andrade: de mademoiselle Iolanda a Fräulein Elza. Rev. de Letras, Fortaleza, v. 24, n. 1/2, p. 105-111, jan./dez. 2002. 0101-8051 http://www.repositorio.ufc.br/handle/riufc/16079 |
identifier_str_mv |
GATTO, Dante. Mário de Andrade: de mademoiselle Iolanda a Fräulein Elza. Rev. de Letras, Fortaleza, v. 24, n. 1/2, p. 105-111, jan./dez. 2002. 0101-8051 |
url |
http://www.repositorio.ufc.br/handle/riufc/16079 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
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openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Revista de Letras |
publisher.none.fl_str_mv |
Revista de Letras |
dc.source.none.fl_str_mv |
reponame:Repositório Institucional da Universidade Federal do Ceará (UFC) instname:Universidade Federal do Ceará (UFC) instacron:UFC |
instname_str |
Universidade Federal do Ceará (UFC) |
instacron_str |
UFC |
institution |
UFC |
reponame_str |
Repositório Institucional da Universidade Federal do Ceará (UFC) |
collection |
Repositório Institucional da Universidade Federal do Ceará (UFC) |
repository.name.fl_str_mv |
Repositório Institucional da Universidade Federal do Ceará (UFC) - Universidade Federal do Ceará (UFC) |
repository.mail.fl_str_mv |
bu@ufc.br || repositorio@ufc.br |
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1809935818091921408 |