Revealing Brazil in Marighella: between the cinematographic reception and Bakhtin’s approaches
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Entrepalavras |
Texto Completo: | http://www.entrepalavras.ufc.br/revista/index.php/Revista/article/view/2041 |
Resumo: | This paper analyzes, through a diachronic view about the formation of brazilian cinema, reactions in reply to production of Marighella (2019), film directed by Wagner Moura. From a clipping of the reader-response criticism proposed by Metz (1977) in semiology of the cinema, I intend to argue how the brazilian film is seen about to be released, according ideological aspects who creates the social representation and the cinematographic critics. Therefore, I follow a relation with the ideas of verbal interaction and dialogism, theorized by Bakhtin (2002; 2003; 2013a; 2013b) and Bakhtin/Volóchinov (2014), the definition of semiotic-ideological unity as expression of human language. Then, I realize a research in brazilian social network Filmow, where films can be rated and reviewed, to analyze the content of the published comments. Based on a qualitative observation of twenty posts, I find an effervescent discussion about the representation of the main character and the metacritics, critics about critics. |
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Revealing Brazil in Marighella: between the cinematographic reception and Bakhtin’s approachesRevelando o Brasil em Marighella: entre a recepção cinematográfica e a perspectiva bakhtinianaBrazilian cinema. Bakhtin’s theory. Marighella.Cinema brasileiro. Teoria bakhtiniana. Marighella.This paper analyzes, through a diachronic view about the formation of brazilian cinema, reactions in reply to production of Marighella (2019), film directed by Wagner Moura. From a clipping of the reader-response criticism proposed by Metz (1977) in semiology of the cinema, I intend to argue how the brazilian film is seen about to be released, according ideological aspects who creates the social representation and the cinematographic critics. Therefore, I follow a relation with the ideas of verbal interaction and dialogism, theorized by Bakhtin (2002; 2003; 2013a; 2013b) and Bakhtin/Volóchinov (2014), the definition of semiotic-ideological unity as expression of human language. Then, I realize a research in brazilian social network Filmow, where films can be rated and reviewed, to analyze the content of the published comments. Based on a qualitative observation of twenty posts, I find an effervescent discussion about the representation of the main character and the metacritics, critics about critics.Este artigo visa analisar, através de um olhar diacrônico sobre a formação do cinema nacional, uma série de reações expressas diante da produção de Marighella (2019), filme de Wagner Moura. A partir de um recorte da estética da recepção de Metz (1977), formulada pela semiologia do cinema, pretende-se discutir como a obra brasileira é vista na emergência de seu lançamento, considerando aspectos ideológicos que moldam a representação social e a crítica cinematográfica. Para depreender as ideologias em jogo, faz-se também um diálogo com as noções de interação verbal e dialogismo, de Bakhtin (2002; 2003; 2013a; 2013b) e Bakhtin/Volóchinov (2014), que preconizam a articulação semiótico-ideológica do signo como expressão máxima da linguagem humana. A partir dessas bases, realiza-se um estudo na rede social brasileira Filmow, destinada à catalogação e à avaliação de obras fílmicas, para analisar a natureza dos comentários publicados sobre o filme selecionado. Dessa maneira, por uma observação qualitativa de vinte críticas, depreende-se um efervescente embate em torno da imagem do guerrilheiro e uma sobreposição da metacrítica, que lança juízos de valor sobre as avaliações dos demais usuários.Universidade Federal do Cearáde Moura Cunha, Guilherme2021-04-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://www.entrepalavras.ufc.br/revista/index.php/Revista/article/view/204110.22168/2237-6321-12041Entrepalavras; v. 11, n. 1 (11)Entrepalavras; v. 11, n. 1 (11)Entrepalavras; v. 11, n. 1 (11)Entrepalavras; v. 11, n. 1 (11)Entrepalavras; v. 11, n. 1 (11)2237-6321reponame:Entrepalavrasinstname:Universidade Federal do Ceará (UFC)instacron:UFCporhttp://www.entrepalavras.ufc.br/revista/index.php/Revista/article/view/2041/785Direitos autorais 2021 Entrepalavrasinfo:eu-repo/semantics/openAccess2022-03-26T00:01:19Zoai:ojs.localhost:article/2041Revistahttp://www.entrepalavras.ufc.br/revista/index.php/Revista/indexPUBhttp://www.entrepalavras.ufc.br/revista/index.php/Revista/oaiwebmaster@entrepalavras.ufc.br||editor@entrepalavras.ufc.br2237-63212237-6321opendoar:2022-03-26T00:01:19Entrepalavras - Universidade Federal do Ceará (UFC)false |
dc.title.none.fl_str_mv |
Revealing Brazil in Marighella: between the cinematographic reception and Bakhtin’s approaches Revelando o Brasil em Marighella: entre a recepção cinematográfica e a perspectiva bakhtiniana |
title |
Revealing Brazil in Marighella: between the cinematographic reception and Bakhtin’s approaches |
spellingShingle |
Revealing Brazil in Marighella: between the cinematographic reception and Bakhtin’s approaches de Moura Cunha, Guilherme Brazilian cinema. Bakhtin’s theory. Marighella. Cinema brasileiro. Teoria bakhtiniana. Marighella. |
title_short |
Revealing Brazil in Marighella: between the cinematographic reception and Bakhtin’s approaches |
title_full |
Revealing Brazil in Marighella: between the cinematographic reception and Bakhtin’s approaches |
title_fullStr |
Revealing Brazil in Marighella: between the cinematographic reception and Bakhtin’s approaches |
title_full_unstemmed |
Revealing Brazil in Marighella: between the cinematographic reception and Bakhtin’s approaches |
title_sort |
Revealing Brazil in Marighella: between the cinematographic reception and Bakhtin’s approaches |
author |
de Moura Cunha, Guilherme |
author_facet |
de Moura Cunha, Guilherme |
author_role |
author |
dc.contributor.none.fl_str_mv |
|
dc.contributor.author.fl_str_mv |
de Moura Cunha, Guilherme |
dc.subject.por.fl_str_mv |
Brazilian cinema. Bakhtin’s theory. Marighella. Cinema brasileiro. Teoria bakhtiniana. Marighella. |
topic |
Brazilian cinema. Bakhtin’s theory. Marighella. Cinema brasileiro. Teoria bakhtiniana. Marighella. |
description |
This paper analyzes, through a diachronic view about the formation of brazilian cinema, reactions in reply to production of Marighella (2019), film directed by Wagner Moura. From a clipping of the reader-response criticism proposed by Metz (1977) in semiology of the cinema, I intend to argue how the brazilian film is seen about to be released, according ideological aspects who creates the social representation and the cinematographic critics. Therefore, I follow a relation with the ideas of verbal interaction and dialogism, theorized by Bakhtin (2002; 2003; 2013a; 2013b) and Bakhtin/Volóchinov (2014), the definition of semiotic-ideological unity as expression of human language. Then, I realize a research in brazilian social network Filmow, where films can be rated and reviewed, to analyze the content of the published comments. Based on a qualitative observation of twenty posts, I find an effervescent discussion about the representation of the main character and the metacritics, critics about critics. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-04-19 |
dc.type.none.fl_str_mv |
|
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://www.entrepalavras.ufc.br/revista/index.php/Revista/article/view/2041 10.22168/2237-6321-12041 |
url |
http://www.entrepalavras.ufc.br/revista/index.php/Revista/article/view/2041 |
identifier_str_mv |
10.22168/2237-6321-12041 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://www.entrepalavras.ufc.br/revista/index.php/Revista/article/view/2041/785 |
dc.rights.driver.fl_str_mv |
Direitos autorais 2021 Entrepalavras info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Direitos autorais 2021 Entrepalavras |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal do Ceará |
publisher.none.fl_str_mv |
Universidade Federal do Ceará |
dc.source.none.fl_str_mv |
Entrepalavras; v. 11, n. 1 (11) Entrepalavras; v. 11, n. 1 (11) Entrepalavras; v. 11, n. 1 (11) Entrepalavras; v. 11, n. 1 (11) Entrepalavras; v. 11, n. 1 (11) 2237-6321 reponame:Entrepalavras instname:Universidade Federal do Ceará (UFC) instacron:UFC |
instname_str |
Universidade Federal do Ceará (UFC) |
instacron_str |
UFC |
institution |
UFC |
reponame_str |
Entrepalavras |
collection |
Entrepalavras |
repository.name.fl_str_mv |
Entrepalavras - Universidade Federal do Ceará (UFC) |
repository.mail.fl_str_mv |
webmaster@entrepalavras.ufc.br||editor@entrepalavras.ufc.br |
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1798329730080964608 |