Musical aspects and the Soundscape in ‘The Lost Link & Other Tales’, by Charles Kiefer

Detalhes bibliográficos
Autor(a) principal: Debortolli, Viviane Aparecida Pandolfo
Data de Publicação: 2023
Outros Autores: Werlang, Gérson Luís
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Letras Raras
Texto Completo: https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1205
Resumo: This paper aims to analyze the soundscape in the tales of the book O Elo Perdido & Outros Contos, of the Brazilian writer Charles Kiefer. The soundscape may be defined as the sonic elements found in a given environment, being this ambient a city, a room, the sounds of nature, or any other place. Considering the different possibilities of analysis that the literary text allows, we intend to highlight the soundscape as an element of the narrative through the presence of the sounds in the selected work, and through this demonstrate the way they are relevant in the construction of the plots. The approach on the sound landscape in literature is a relatively new subject from which one seeks to understand the relation between the sonority and the actions of the characters. David Lodge (2017), Eni Pucinelli Orlandi (2007), Gérson Werlang (2011), and Murray Schafer (2011) give the theoretical basis for this analysis, which takes into consideration also the relations between different arts in the fictional text.
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spelling Musical aspects and the Soundscape in ‘The Lost Link & Other Tales’, by Charles KieferAspectos musicais e da paisagem sonora em O Elo Perdido & Outros Contos, de Charles KieferPaisagem sonoraLiteraturaSilêncioMúsicasoundscapeLiteratureSilenceMusicThis paper aims to analyze the soundscape in the tales of the book O Elo Perdido & Outros Contos, of the Brazilian writer Charles Kiefer. The soundscape may be defined as the sonic elements found in a given environment, being this ambient a city, a room, the sounds of nature, or any other place. Considering the different possibilities of analysis that the literary text allows, we intend to highlight the soundscape as an element of the narrative through the presence of the sounds in the selected work, and through this demonstrate the way they are relevant in the construction of the plots. The approach on the sound landscape in literature is a relatively new subject from which one seeks to understand the relation between the sonority and the actions of the characters. David Lodge (2017), Eni Pucinelli Orlandi (2007), Gérson Werlang (2011), and Murray Schafer (2011) give the theoretical basis for this analysis, which takes into consideration also the relations between different arts in the fictional text.DOI: https://dx.doi.org/10.35572/rlr.v9i3.1749 Este estudo pretende analisar a paisagem sonora nos contos que compõem o livro O Elo Perdido & Outros Contos, do escritor brasileiro Charles Kiefer. Considera-se a paisagem sonora como os elementos sônicos presentes num determinado ambiente, sejam eles naturais ou produzidos. Levando-se em consideração as diferentes possibilidades de eixos de análise que o texto literário permite, pretende-se evidenciar a paisagem sonora como um elemento da narrativa por meio da presença dos sons na obra selecionada, e através disso demonstrar de que forma eles são relevantes na construção dos enredos. A abordagem sobre a paisagem sonora na literatura é um assunto relativamente novo a partir do qual se busca compreender a relação entre a sonoridade e as ações dos personagens. David Lodge (2017), Eni Pucinelli Orlandi (2007), Gérson Werlang (2011) e Murray Schafer (2011) dão as bases teóricas a esta análise, a qual leva em consideração também as relações interartes no texto ficcional.Editora Universitaria da UFCG2023-09-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo avaliado pelos paresapplication/pdfapplication/pdfhttps://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1205Revista Letras Raras; Vol. 9 No. 3 (2020): Intermidialidade e referências intermidiáticas; Port. 92-109 / Eng. 91-107Revista Letras Raras; Vol. 9 Núm. 3 (2020): Intermidialidade e referências intermidiáticas; Port. 92-109 / Eng. 91-107Revista Letras Raras; Vol. 9 No 3 (2020): Intermidialidade e referências intermidiáticas; Port. 92-109 / Eng. 91-107Revista Letras Raras; v. 9 n. 3 (2020): Intermidialidade e referências intermidiáticas; Port. 92-109 / Eng. 91-1072317-2347reponame:Revista Letras Rarasinstname:Universidade Federal de Campina Grande (UFCG)instacron:UFCGporhttps://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1205/1063https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1205/1064© 2023 Revista Letras Rarashttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessDebortolli, Viviane Aparecida Pandolfo Werlang, Gérson Luís 2024-01-05T00:10:18Zoai:ojs2.revistas.editora.ufcg.edu.br:article/1205Revistahttps://revistas.editora.ufcg.edu.br/index.php/RLRPUBhttps://revistas.editora.ufcg.edu.br/index.php/RLR/oai||letrasrarasufcg@gmail.com2317-23472317-2347opendoar:2024-01-05T00:10:18Revista Letras Raras - Universidade Federal de Campina Grande (UFCG)false
dc.title.none.fl_str_mv Musical aspects and the Soundscape in ‘The Lost Link & Other Tales’, by Charles Kiefer
Aspectos musicais e da paisagem sonora em O Elo Perdido & Outros Contos, de Charles Kiefer
title Musical aspects and the Soundscape in ‘The Lost Link & Other Tales’, by Charles Kiefer
spellingShingle Musical aspects and the Soundscape in ‘The Lost Link & Other Tales’, by Charles Kiefer
Debortolli, Viviane Aparecida Pandolfo
Paisagem sonora
Literatura
Silêncio
Música
soundscape
Literature
Silence
Music
title_short Musical aspects and the Soundscape in ‘The Lost Link & Other Tales’, by Charles Kiefer
title_full Musical aspects and the Soundscape in ‘The Lost Link & Other Tales’, by Charles Kiefer
title_fullStr Musical aspects and the Soundscape in ‘The Lost Link & Other Tales’, by Charles Kiefer
title_full_unstemmed Musical aspects and the Soundscape in ‘The Lost Link & Other Tales’, by Charles Kiefer
title_sort Musical aspects and the Soundscape in ‘The Lost Link & Other Tales’, by Charles Kiefer
author Debortolli, Viviane Aparecida Pandolfo
author_facet Debortolli, Viviane Aparecida Pandolfo
Werlang, Gérson Luís
author_role author
author2 Werlang, Gérson Luís
author2_role author
dc.contributor.author.fl_str_mv Debortolli, Viviane Aparecida Pandolfo
Werlang, Gérson Luís
dc.subject.por.fl_str_mv Paisagem sonora
Literatura
Silêncio
Música
soundscape
Literature
Silence
Music
topic Paisagem sonora
Literatura
Silêncio
Música
soundscape
Literature
Silence
Music
description This paper aims to analyze the soundscape in the tales of the book O Elo Perdido & Outros Contos, of the Brazilian writer Charles Kiefer. The soundscape may be defined as the sonic elements found in a given environment, being this ambient a city, a room, the sounds of nature, or any other place. Considering the different possibilities of analysis that the literary text allows, we intend to highlight the soundscape as an element of the narrative through the presence of the sounds in the selected work, and through this demonstrate the way they are relevant in the construction of the plots. The approach on the sound landscape in literature is a relatively new subject from which one seeks to understand the relation between the sonority and the actions of the characters. David Lodge (2017), Eni Pucinelli Orlandi (2007), Gérson Werlang (2011), and Murray Schafer (2011) give the theoretical basis for this analysis, which takes into consideration also the relations between different arts in the fictional text.
publishDate 2023
dc.date.none.fl_str_mv 2023-09-26
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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Artigo avaliado pelos pares
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dc.identifier.uri.fl_str_mv https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1205
url https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1205
dc.language.iso.fl_str_mv por
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dc.relation.none.fl_str_mv https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1205/1063
https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1205/1064
dc.rights.driver.fl_str_mv © 2023 Revista Letras Raras
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv © 2023 Revista Letras Raras
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
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dc.publisher.none.fl_str_mv Editora Universitaria da UFCG
publisher.none.fl_str_mv Editora Universitaria da UFCG
dc.source.none.fl_str_mv Revista Letras Raras; Vol. 9 No. 3 (2020): Intermidialidade e referências intermidiáticas; Port. 92-109 / Eng. 91-107
Revista Letras Raras; Vol. 9 Núm. 3 (2020): Intermidialidade e referências intermidiáticas; Port. 92-109 / Eng. 91-107
Revista Letras Raras; Vol. 9 No 3 (2020): Intermidialidade e referências intermidiáticas; Port. 92-109 / Eng. 91-107
Revista Letras Raras; v. 9 n. 3 (2020): Intermidialidade e referências intermidiáticas; Port. 92-109 / Eng. 91-107
2317-2347
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reponame_str Revista Letras Raras
collection Revista Letras Raras
repository.name.fl_str_mv Revista Letras Raras - Universidade Federal de Campina Grande (UFCG)
repository.mail.fl_str_mv ||letrasrarasufcg@gmail.com
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