Musical aspects and the Soundscape in ‘The Lost Link & Other Tales’, by Charles Kiefer
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Data de Publicação: | 2023 |
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Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Letras Raras |
Texto Completo: | https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1205 |
Resumo: | This paper aims to analyze the soundscape in the tales of the book O Elo Perdido & Outros Contos, of the Brazilian writer Charles Kiefer. The soundscape may be defined as the sonic elements found in a given environment, being this ambient a city, a room, the sounds of nature, or any other place. Considering the different possibilities of analysis that the literary text allows, we intend to highlight the soundscape as an element of the narrative through the presence of the sounds in the selected work, and through this demonstrate the way they are relevant in the construction of the plots. The approach on the sound landscape in literature is a relatively new subject from which one seeks to understand the relation between the sonority and the actions of the characters. David Lodge (2017), Eni Pucinelli Orlandi (2007), Gérson Werlang (2011), and Murray Schafer (2011) give the theoretical basis for this analysis, which takes into consideration also the relations between different arts in the fictional text. |
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Musical aspects and the Soundscape in ‘The Lost Link & Other Tales’, by Charles KieferAspectos musicais e da paisagem sonora em O Elo Perdido & Outros Contos, de Charles KieferPaisagem sonoraLiteraturaSilêncioMúsicasoundscapeLiteratureSilenceMusicThis paper aims to analyze the soundscape in the tales of the book O Elo Perdido & Outros Contos, of the Brazilian writer Charles Kiefer. The soundscape may be defined as the sonic elements found in a given environment, being this ambient a city, a room, the sounds of nature, or any other place. Considering the different possibilities of analysis that the literary text allows, we intend to highlight the soundscape as an element of the narrative through the presence of the sounds in the selected work, and through this demonstrate the way they are relevant in the construction of the plots. The approach on the sound landscape in literature is a relatively new subject from which one seeks to understand the relation between the sonority and the actions of the characters. David Lodge (2017), Eni Pucinelli Orlandi (2007), Gérson Werlang (2011), and Murray Schafer (2011) give the theoretical basis for this analysis, which takes into consideration also the relations between different arts in the fictional text.DOI: https://dx.doi.org/10.35572/rlr.v9i3.1749 Este estudo pretende analisar a paisagem sonora nos contos que compõem o livro O Elo Perdido & Outros Contos, do escritor brasileiro Charles Kiefer. Considera-se a paisagem sonora como os elementos sônicos presentes num determinado ambiente, sejam eles naturais ou produzidos. Levando-se em consideração as diferentes possibilidades de eixos de análise que o texto literário permite, pretende-se evidenciar a paisagem sonora como um elemento da narrativa por meio da presença dos sons na obra selecionada, e através disso demonstrar de que forma eles são relevantes na construção dos enredos. A abordagem sobre a paisagem sonora na literatura é um assunto relativamente novo a partir do qual se busca compreender a relação entre a sonoridade e as ações dos personagens. David Lodge (2017), Eni Pucinelli Orlandi (2007), Gérson Werlang (2011) e Murray Schafer (2011) dão as bases teóricas a esta análise, a qual leva em consideração também as relações interartes no texto ficcional.Editora Universitaria da UFCG2023-09-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo avaliado pelos paresapplication/pdfapplication/pdfhttps://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1205Revista Letras Raras; Vol. 9 No. 3 (2020): Intermidialidade e referências intermidiáticas; Port. 92-109 / Eng. 91-107Revista Letras Raras; Vol. 9 Núm. 3 (2020): Intermidialidade e referências intermidiáticas; Port. 92-109 / Eng. 91-107Revista Letras Raras; Vol. 9 No 3 (2020): Intermidialidade e referências intermidiáticas; Port. 92-109 / Eng. 91-107Revista Letras Raras; v. 9 n. 3 (2020): Intermidialidade e referências intermidiáticas; Port. 92-109 / Eng. 91-1072317-2347reponame:Revista Letras Rarasinstname:Universidade Federal de Campina Grande (UFCG)instacron:UFCGporhttps://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1205/1063https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1205/1064© 2023 Revista Letras Rarashttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessDebortolli, Viviane Aparecida Pandolfo Werlang, Gérson Luís 2024-01-05T00:10:18Zoai:ojs2.revistas.editora.ufcg.edu.br:article/1205Revistahttps://revistas.editora.ufcg.edu.br/index.php/RLRPUBhttps://revistas.editora.ufcg.edu.br/index.php/RLR/oai||letrasrarasufcg@gmail.com2317-23472317-2347opendoar:2024-01-05T00:10:18Revista Letras Raras - Universidade Federal de Campina Grande (UFCG)false |
dc.title.none.fl_str_mv |
Musical aspects and the Soundscape in ‘The Lost Link & Other Tales’, by Charles Kiefer Aspectos musicais e da paisagem sonora em O Elo Perdido & Outros Contos, de Charles Kiefer |
title |
Musical aspects and the Soundscape in ‘The Lost Link & Other Tales’, by Charles Kiefer |
spellingShingle |
Musical aspects and the Soundscape in ‘The Lost Link & Other Tales’, by Charles Kiefer Debortolli, Viviane Aparecida Pandolfo Paisagem sonora Literatura Silêncio Música soundscape Literature Silence Music |
title_short |
Musical aspects and the Soundscape in ‘The Lost Link & Other Tales’, by Charles Kiefer |
title_full |
Musical aspects and the Soundscape in ‘The Lost Link & Other Tales’, by Charles Kiefer |
title_fullStr |
Musical aspects and the Soundscape in ‘The Lost Link & Other Tales’, by Charles Kiefer |
title_full_unstemmed |
Musical aspects and the Soundscape in ‘The Lost Link & Other Tales’, by Charles Kiefer |
title_sort |
Musical aspects and the Soundscape in ‘The Lost Link & Other Tales’, by Charles Kiefer |
author |
Debortolli, Viviane Aparecida Pandolfo |
author_facet |
Debortolli, Viviane Aparecida Pandolfo Werlang, Gérson Luís |
author_role |
author |
author2 |
Werlang, Gérson Luís |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Debortolli, Viviane Aparecida Pandolfo Werlang, Gérson Luís |
dc.subject.por.fl_str_mv |
Paisagem sonora Literatura Silêncio Música soundscape Literature Silence Music |
topic |
Paisagem sonora Literatura Silêncio Música soundscape Literature Silence Music |
description |
This paper aims to analyze the soundscape in the tales of the book O Elo Perdido & Outros Contos, of the Brazilian writer Charles Kiefer. The soundscape may be defined as the sonic elements found in a given environment, being this ambient a city, a room, the sounds of nature, or any other place. Considering the different possibilities of analysis that the literary text allows, we intend to highlight the soundscape as an element of the narrative through the presence of the sounds in the selected work, and through this demonstrate the way they are relevant in the construction of the plots. The approach on the sound landscape in literature is a relatively new subject from which one seeks to understand the relation between the sonority and the actions of the characters. David Lodge (2017), Eni Pucinelli Orlandi (2007), Gérson Werlang (2011), and Murray Schafer (2011) give the theoretical basis for this analysis, which takes into consideration also the relations between different arts in the fictional text. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-09-26 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artigo avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1205 |
url |
https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1205 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1205/1063 https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1205/1064 |
dc.rights.driver.fl_str_mv |
© 2023 Revista Letras Raras https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
© 2023 Revista Letras Raras https://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
Editora Universitaria da UFCG |
publisher.none.fl_str_mv |
Editora Universitaria da UFCG |
dc.source.none.fl_str_mv |
Revista Letras Raras; Vol. 9 No. 3 (2020): Intermidialidade e referências intermidiáticas; Port. 92-109 / Eng. 91-107 Revista Letras Raras; Vol. 9 Núm. 3 (2020): Intermidialidade e referências intermidiáticas; Port. 92-109 / Eng. 91-107 Revista Letras Raras; Vol. 9 No 3 (2020): Intermidialidade e referências intermidiáticas; Port. 92-109 / Eng. 91-107 Revista Letras Raras; v. 9 n. 3 (2020): Intermidialidade e referências intermidiáticas; Port. 92-109 / Eng. 91-107 2317-2347 reponame:Revista Letras Raras instname:Universidade Federal de Campina Grande (UFCG) instacron:UFCG |
instname_str |
Universidade Federal de Campina Grande (UFCG) |
instacron_str |
UFCG |
institution |
UFCG |
reponame_str |
Revista Letras Raras |
collection |
Revista Letras Raras |
repository.name.fl_str_mv |
Revista Letras Raras - Universidade Federal de Campina Grande (UFCG) |
repository.mail.fl_str_mv |
||letrasrarasufcg@gmail.com |
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