Between the concrete and the invisible: the space of the house in the narrative of Natalia Ginzburg

Detalhes bibliográficos
Autor(a) principal: Satin, Ionara
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Letras Raras
Texto Completo: https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/441
Resumo: In Il figlio dell’uomo, essay first published in the newspaper Unità in 1946, Natalia Ginzburg states that her generation is close to the substance of things. This statement could give rise to all her writings. Ginzburg's narrative is extremely connected to the concrete, the palpable, the everyday life. Her writing follows the rhythm of a breath, without flowery contours, falling periods or sugary lyricism. Even so, camouflaged in this naturalness, a certain depth of discourse seems to be hidden, which goes beyond the barriers of the visible, of the surface. Perhaps not exactly camouflaged or hidden, but the result of a rhythm of writing and precise choices. Considering this substance of things, the present research intends to analyze the most evident symbol in Natalia Ginzburg's texts: the house. The purpose of this study is to analyze the narrative and thematic space of the house in three of the writer's novels, La strada che va in città, Lessico Famigliare and La città e la casa, aiming to understand the importance of this space in the construction of her narrative as well as how the way she presents the house can show/hide the depth of her speech. For this purpose, the studies of Antonio Dimas (1987), Gaston Bachelard (2000) and Luis Alberto Brandão (2013) on the narrative space will be extremely important.
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spelling Between the concrete and the invisible: the space of the house in the narrative of Natalia GinzburgEspaçoLiteratura ItalianaNatalia GinzburgSpaceItalian LiteratureNatalia GinzburgIn Il figlio dell’uomo, essay first published in the newspaper Unità in 1946, Natalia Ginzburg states that her generation is close to the substance of things. This statement could give rise to all her writings. Ginzburg's narrative is extremely connected to the concrete, the palpable, the everyday life. Her writing follows the rhythm of a breath, without flowery contours, falling periods or sugary lyricism. Even so, camouflaged in this naturalness, a certain depth of discourse seems to be hidden, which goes beyond the barriers of the visible, of the surface. Perhaps not exactly camouflaged or hidden, but the result of a rhythm of writing and precise choices. Considering this substance of things, the present research intends to analyze the most evident symbol in Natalia Ginzburg's texts: the house. The purpose of this study is to analyze the narrative and thematic space of the house in three of the writer's novels, La strada che va in città, Lessico Famigliare and La città e la casa, aiming to understand the importance of this space in the construction of her narrative as well as how the way she presents the house can show/hide the depth of her speech. For this purpose, the studies of Antonio Dimas (1987), Gaston Bachelard (2000) and Luis Alberto Brandão (2013) on the narrative space will be extremely important.Em ensaio intitulado Il figlio dell’uomo publicado primeiramente no jornal Unità em 1946, Natalia Ginzburg afirma que a sua geração está perto da substância das coisas. Esta frase poderia ensejar todos os seus escritos. A narrativa de Ginzburg é extremamente ligada ao concreto, ao palpável, ao cotidiano. Sua escrita segue o ritmo de uma respiração, sem contornos rebuscados, períodos cadentes ou lirismo açucarado. Ainda assim, camuflado nessa naturalidade, parece esconder-se uma certa profundidade do discurso, que ultrapassa as barreiras do visível, da superfície. Talvez não exatamente camuflado ou escondido, mas resultado de um ritmo de escrita e de escolhas precisas. Pensando nessa substância das coisas, esta pesquisa pretende analisar o símbolo mais evidente nos textos de Natalia Ginzburg: a casa. O objetivo deste estudo é analisar o espaço narrativo e temático da casa em três romances da escritora, La strada che va in città, Lessico Famigliare e La città e la casa, tentando buscar entender a importância desse espaço na construção de sua narrativa e em que medida a forma como ela apresenta a casa pode mostrar/esconder a profundidade de seu discurso. Para isso, serão de extrema importância os estudos de Antonio Dimas (1987), Gaston Bachelard (2000) e Luis Alberto Brandão (2013) sobre o espaço narrativo.Editora Universitaria da UFCG2023-04-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo avaliado pelos paresapplication/pdfhttps://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/44110.5281/zenodo.7909633Revista Letras Raras; Vol. 12 No. 1 (2023): Sobre o ensino de língua e de literatura: reflexões sobre o epistemicídio nas Letras; 115-136Revista Letras Raras; Vol. 12 Núm. 1 (2023): Sobre o ensino de língua e de literatura: reflexões sobre o epistemicídio nas Letras; 115-136Revista Letras Raras; Vol. 12 No 1 (2023): Sobre o ensino de língua e de literatura: reflexões sobre o epistemicídio nas Letras; 115-136Revista Letras Raras; v. 12 n. 1 (2023): Sobre o ensino de língua e de literatura: reflexões sobre o epistemicídio nas Letras; 115-1362317-2347reponame:Revista Letras Rarasinstname:Universidade Federal de Campina Grande (UFCG)instacron:UFCGporhttps://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/441/433© 2023 Revista Letras Rarashttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessSatin, Ionara2023-09-21T16:29:52Zoai:ojs2.revistas.editora.ufcg.edu.br:article/441Revistahttps://revistas.editora.ufcg.edu.br/index.php/RLRPUBhttps://revistas.editora.ufcg.edu.br/index.php/RLR/oai||letrasrarasufcg@gmail.com2317-23472317-2347opendoar:2023-09-21T16:29:52Revista Letras Raras - Universidade Federal de Campina Grande (UFCG)false
dc.title.none.fl_str_mv Between the concrete and the invisible: the space of the house in the narrative of Natalia Ginzburg
title Between the concrete and the invisible: the space of the house in the narrative of Natalia Ginzburg
spellingShingle Between the concrete and the invisible: the space of the house in the narrative of Natalia Ginzburg
Satin, Ionara
Espaço
Literatura Italiana
Natalia Ginzburg
Space
Italian Literature
Natalia Ginzburg
title_short Between the concrete and the invisible: the space of the house in the narrative of Natalia Ginzburg
title_full Between the concrete and the invisible: the space of the house in the narrative of Natalia Ginzburg
title_fullStr Between the concrete and the invisible: the space of the house in the narrative of Natalia Ginzburg
title_full_unstemmed Between the concrete and the invisible: the space of the house in the narrative of Natalia Ginzburg
title_sort Between the concrete and the invisible: the space of the house in the narrative of Natalia Ginzburg
author Satin, Ionara
author_facet Satin, Ionara
author_role author
dc.contributor.author.fl_str_mv Satin, Ionara
dc.subject.por.fl_str_mv Espaço
Literatura Italiana
Natalia Ginzburg
Space
Italian Literature
Natalia Ginzburg
topic Espaço
Literatura Italiana
Natalia Ginzburg
Space
Italian Literature
Natalia Ginzburg
description In Il figlio dell’uomo, essay first published in the newspaper Unità in 1946, Natalia Ginzburg states that her generation is close to the substance of things. This statement could give rise to all her writings. Ginzburg's narrative is extremely connected to the concrete, the palpable, the everyday life. Her writing follows the rhythm of a breath, without flowery contours, falling periods or sugary lyricism. Even so, camouflaged in this naturalness, a certain depth of discourse seems to be hidden, which goes beyond the barriers of the visible, of the surface. Perhaps not exactly camouflaged or hidden, but the result of a rhythm of writing and precise choices. Considering this substance of things, the present research intends to analyze the most evident symbol in Natalia Ginzburg's texts: the house. The purpose of this study is to analyze the narrative and thematic space of the house in three of the writer's novels, La strada che va in città, Lessico Famigliare and La città e la casa, aiming to understand the importance of this space in the construction of her narrative as well as how the way she presents the house can show/hide the depth of her speech. For this purpose, the studies of Antonio Dimas (1987), Gaston Bachelard (2000) and Luis Alberto Brandão (2013) on the narrative space will be extremely important.
publishDate 2023
dc.date.none.fl_str_mv 2023-04-29
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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Artigo avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/441
10.5281/zenodo.7909633
url https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/441
identifier_str_mv 10.5281/zenodo.7909633
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/441/433
dc.rights.driver.fl_str_mv © 2023 Revista Letras Raras
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv © 2023 Revista Letras Raras
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora Universitaria da UFCG
publisher.none.fl_str_mv Editora Universitaria da UFCG
dc.source.none.fl_str_mv Revista Letras Raras; Vol. 12 No. 1 (2023): Sobre o ensino de língua e de literatura: reflexões sobre o epistemicídio nas Letras; 115-136
Revista Letras Raras; Vol. 12 Núm. 1 (2023): Sobre o ensino de língua e de literatura: reflexões sobre o epistemicídio nas Letras; 115-136
Revista Letras Raras; Vol. 12 No 1 (2023): Sobre o ensino de língua e de literatura: reflexões sobre o epistemicídio nas Letras; 115-136
Revista Letras Raras; v. 12 n. 1 (2023): Sobre o ensino de língua e de literatura: reflexões sobre o epistemicídio nas Letras; 115-136
2317-2347
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