The lyrics of the songs “Coco livre” and “Taquarulua”- poetry, culture and imaginary
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Letras Raras |
Texto Completo: | https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1144 |
Resumo: | This article analyzes the lyrics of the songs “Coco Livre”, on the CD Brasís: as canções e o povo (1998), by Genésio Tocantins, and “Taquarulua”, on the CD Taquarulua (2009), by Dorivã, exploring the words that relate to local culture, poetry and the imaginary of Tocantins. Genésio Tocantins began his musical career in the 1970s and Dorivã a decade later, around the 1980s. The two artists have been active in the art and culture of the state of Tocantins for over 40 years, participating in and winning several song festivals in the state and around Brazil, as well as being invited to international events to represent Tocantins and the Brazilian music. The guiding question asks whether the lyrics of the analyzed songs address regional themes and can be considered representatives of regional music. Following on from this, it is our intention to discuss how these themes can be acknowledged as identity and cultural representations present in the imaginary of the state of Tocantins. The main objective is to present the two Tocantins musicians and their musical productions, specifically the lyrics of the songs mentioned above. The theorists that support this reflection are: Cândido (1995), Compagnon (2001), Hall (2015), and Moraes (2000). |
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The lyrics of the songs “Coco livre” and “Taquarulua”- poetry, culture and imaginaryTocantinsSong lyricsPoetryCultureImaginary This article analyzes the lyrics of the songs “Coco Livre”, on the CD Brasís: as canções e o povo (1998), by Genésio Tocantins, and “Taquarulua”, on the CD Taquarulua (2009), by Dorivã, exploring the words that relate to local culture, poetry and the imaginary of Tocantins. Genésio Tocantins began his musical career in the 1970s and Dorivã a decade later, around the 1980s. The two artists have been active in the art and culture of the state of Tocantins for over 40 years, participating in and winning several song festivals in the state and around Brazil, as well as being invited to international events to represent Tocantins and the Brazilian music. The guiding question asks whether the lyrics of the analyzed songs address regional themes and can be considered representatives of regional music. Following on from this, it is our intention to discuss how these themes can be acknowledged as identity and cultural representations present in the imaginary of the state of Tocantins. The main objective is to present the two Tocantins musicians and their musical productions, specifically the lyrics of the songs mentioned above. The theorists that support this reflection are: Cândido (1995), Compagnon (2001), Hall (2015), and Moraes (2000). Editora Universitaria da UFCG2022-03-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo avaliado pelos paresapplication/pdfhttps://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/114410.5281/zenodo.8367439Revista Letras Raras; Vol. 11 No. 1 (2022): Linguagens na contemporaneidade; 128-147Revista Letras Raras; Vol. 11 Núm. 1 (2022): Linguagens na contemporaneidade; 128-147Revista Letras Raras; Vol. 11 No 1 (2022): Linguagens na contemporaneidade; 128-147Revista Letras Raras; v. 11 n. 1 (2022): Linguagens na contemporaneidade; 128-1472317-2347reponame:Revista Letras Rarasinstname:Universidade Federal de Campina Grande (UFCG)instacron:UFCGporhttps://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1144/1009© 2023 Revista Letras Rarashttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessAlmeida, Juliana Santana deBodnar, Nivaldo Monteiro Camilo da Silva2023-09-21T16:31:42Zoai:ojs2.revistas.editora.ufcg.edu.br:article/1144Revistahttps://revistas.editora.ufcg.edu.br/index.php/RLRPUBhttps://revistas.editora.ufcg.edu.br/index.php/RLR/oai||letrasrarasufcg@gmail.com2317-23472317-2347opendoar:2023-09-21T16:31:42Revista Letras Raras - Universidade Federal de Campina Grande (UFCG)false |
dc.title.none.fl_str_mv |
The lyrics of the songs “Coco livre” and “Taquarulua”- poetry, culture and imaginary |
title |
The lyrics of the songs “Coco livre” and “Taquarulua”- poetry, culture and imaginary |
spellingShingle |
The lyrics of the songs “Coco livre” and “Taquarulua”- poetry, culture and imaginary Almeida, Juliana Santana de Tocantins Song lyrics Poetry Culture Imaginary |
title_short |
The lyrics of the songs “Coco livre” and “Taquarulua”- poetry, culture and imaginary |
title_full |
The lyrics of the songs “Coco livre” and “Taquarulua”- poetry, culture and imaginary |
title_fullStr |
The lyrics of the songs “Coco livre” and “Taquarulua”- poetry, culture and imaginary |
title_full_unstemmed |
The lyrics of the songs “Coco livre” and “Taquarulua”- poetry, culture and imaginary |
title_sort |
The lyrics of the songs “Coco livre” and “Taquarulua”- poetry, culture and imaginary |
author |
Almeida, Juliana Santana de |
author_facet |
Almeida, Juliana Santana de Bodnar, Nivaldo Monteiro Camilo da Silva |
author_role |
author |
author2 |
Bodnar, Nivaldo Monteiro Camilo da Silva |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Almeida, Juliana Santana de Bodnar, Nivaldo Monteiro Camilo da Silva |
dc.subject.por.fl_str_mv |
Tocantins Song lyrics Poetry Culture Imaginary |
topic |
Tocantins Song lyrics Poetry Culture Imaginary |
description |
This article analyzes the lyrics of the songs “Coco Livre”, on the CD Brasís: as canções e o povo (1998), by Genésio Tocantins, and “Taquarulua”, on the CD Taquarulua (2009), by Dorivã, exploring the words that relate to local culture, poetry and the imaginary of Tocantins. Genésio Tocantins began his musical career in the 1970s and Dorivã a decade later, around the 1980s. The two artists have been active in the art and culture of the state of Tocantins for over 40 years, participating in and winning several song festivals in the state and around Brazil, as well as being invited to international events to represent Tocantins and the Brazilian music. The guiding question asks whether the lyrics of the analyzed songs address regional themes and can be considered representatives of regional music. Following on from this, it is our intention to discuss how these themes can be acknowledged as identity and cultural representations present in the imaginary of the state of Tocantins. The main objective is to present the two Tocantins musicians and their musical productions, specifically the lyrics of the songs mentioned above. The theorists that support this reflection are: Cândido (1995), Compagnon (2001), Hall (2015), and Moraes (2000). |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-03-31 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artigo avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1144 10.5281/zenodo.8367439 |
url |
https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1144 |
identifier_str_mv |
10.5281/zenodo.8367439 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1144/1009 |
dc.rights.driver.fl_str_mv |
© 2023 Revista Letras Raras https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
© 2023 Revista Letras Raras https://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Editora Universitaria da UFCG |
publisher.none.fl_str_mv |
Editora Universitaria da UFCG |
dc.source.none.fl_str_mv |
Revista Letras Raras; Vol. 11 No. 1 (2022): Linguagens na contemporaneidade; 128-147 Revista Letras Raras; Vol. 11 Núm. 1 (2022): Linguagens na contemporaneidade; 128-147 Revista Letras Raras; Vol. 11 No 1 (2022): Linguagens na contemporaneidade; 128-147 Revista Letras Raras; v. 11 n. 1 (2022): Linguagens na contemporaneidade; 128-147 2317-2347 reponame:Revista Letras Raras instname:Universidade Federal de Campina Grande (UFCG) instacron:UFCG |
instname_str |
Universidade Federal de Campina Grande (UFCG) |
instacron_str |
UFCG |
institution |
UFCG |
reponame_str |
Revista Letras Raras |
collection |
Revista Letras Raras |
repository.name.fl_str_mv |
Revista Letras Raras - Universidade Federal de Campina Grande (UFCG) |
repository.mail.fl_str_mv |
||letrasrarasufcg@gmail.com |
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