A representaÃÃo da morte, do julgamento e da salvaÃÃo no Teatro Medieval PortuguÃs de Gil Vicente e seus aspectos residuais no teatro contemporÃneo brasileiro de Ariano Suassuna

Detalhes bibliográficos
Autor(a) principal: Francisco Wellington Rodrigues Lima
Data de Publicação: 2018
Tipo de documento: Tese
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da UFC
Texto Completo: http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=20785
Resumo: The work proposed here is to analyze the representation of death, judgment and salvation in the Portuguese medieval theater of Gil Vicente, and its residual aspects in the contemporary Brazilian theater of Ariano Suassuna. In the dramaturgy of their respective authors, thinking of God, of life, of the world, of sin, of death, of judgment after death, and of salvation for an eternal life of peace and harmony in the Hereafter was an act of great concern. The earthly life was troubled, full of traps of Evil, fleeting, tormented by bodily desires and complex in the face of the dogmas elaborated and spread by the Catholic Church during the Middle Ages. Thus we can observe both the Vincentian works (Trilogia das Barcas, Auto da Alma, Auto da HistÃria de Deus) and those of Ariano Suassuna (Auto de JoÃo da Cruz, Auto da Compadecida, Farsa da Boa PreguiÃa, As ConchambranÃas de Quaderna) death came to have a complex meaning in the process of Christianization, since the canons of the Catholic Church spread the idea of sin, virtue and sanctified life, as well as the fear of death. Thus, death in these authors would be a ritual of passage, a crossing in which man would be judged and saved for a Beyond of dignification beside God, the angels and saints or, judged and condemned to a world of darkness , sorrow, anguish, sorrow, and wailing beside the Devil and his demons, or else judged and condemned to a place of atonement for sins, waiting for salvation. In this context, the Christian man, both in Gil Vicente and in Ariano Suassuna, began to fight for his salvation, thus doing good deeds, repenting of his sins, doing penances and prayers, leaving in search of a sanctified life in churches, monasteries, deserts, forests, crusades, pilgrimages. All these actions of exemplary life symbolized, in the Middle Ages represented in Vincentian dramaturgy and, in the contemporary Suassuna proceedings, the journey towards a meeting of peace with God, and also the possibility of understanding oneself and living away from sins worldly, out of reach of the temptations of the Devil, seeking to do Good, to the Hereafter, to enjoy the divine virtues. The comparative study of the representation of death, judgment and salvation between the medieval work of Gil Vicente and the contemporary one of Suassuna is carried out by the bias of the Theory of Residuality, in view of this being a work of scrutinizing residues of mentality of a medieval period manifested in a crystallized, updated way, in the way of thinking evidenced in the Suassunian dramaturgy produced and staged in the full twentieth century.
id UFC_0f7eaeb6d3980a37d2a43c134ff52545
oai_identifier_str oai:www.teses.ufc.br:13146
network_acronym_str UFC
network_name_str Biblioteca Digital de Teses e Dissertações da UFC
spelling info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisA representaÃÃo da morte, do julgamento e da salvaÃÃo no Teatro Medieval PortuguÃs de Gil Vicente e seus aspectos residuais no teatro contemporÃneo brasileiro de Ariano Suassuna2018-11-00Elizabeth Dias Martins1550280538712121245855Francisco Wellington Rodrigues Lima Universidade Federal do CearÃPrograma de PÃs-GraduaÃÃo em LetrasUFCBRResÃduos Morte Julgamento SalvaÃÃo Literatura brasileira Morte na literatura Suassuna, Ariano, 1927-2014. â AnÃlise Critica Teatro (Literatura) Teatro brasileiro Teatro medieval - Portugal Vicente, Gil.1465?-1537â AnÃlise CriticaLETRASThe work proposed here is to analyze the representation of death, judgment and salvation in the Portuguese medieval theater of Gil Vicente, and its residual aspects in the contemporary Brazilian theater of Ariano Suassuna. In the dramaturgy of their respective authors, thinking of God, of life, of the world, of sin, of death, of judgment after death, and of salvation for an eternal life of peace and harmony in the Hereafter was an act of great concern. The earthly life was troubled, full of traps of Evil, fleeting, tormented by bodily desires and complex in the face of the dogmas elaborated and spread by the Catholic Church during the Middle Ages. Thus we can observe both the Vincentian works (Trilogia das Barcas, Auto da Alma, Auto da HistÃria de Deus) and those of Ariano Suassuna (Auto de JoÃo da Cruz, Auto da Compadecida, Farsa da Boa PreguiÃa, As ConchambranÃas de Quaderna) death came to have a complex meaning in the process of Christianization, since the canons of the Catholic Church spread the idea of sin, virtue and sanctified life, as well as the fear of death. Thus, death in these authors would be a ritual of passage, a crossing in which man would be judged and saved for a Beyond of dignification beside God, the angels and saints or, judged and condemned to a world of darkness , sorrow, anguish, sorrow, and wailing beside the Devil and his demons, or else judged and condemned to a place of atonement for sins, waiting for salvation. In this context, the Christian man, both in Gil Vicente and in Ariano Suassuna, began to fight for his salvation, thus doing good deeds, repenting of his sins, doing penances and prayers, leaving in search of a sanctified life in churches, monasteries, deserts, forests, crusades, pilgrimages. All these actions of exemplary life symbolized, in the Middle Ages represented in Vincentian dramaturgy and, in the contemporary Suassuna proceedings, the journey towards a meeting of peace with God, and also the possibility of understanding oneself and living away from sins worldly, out of reach of the temptations of the Devil, seeking to do Good, to the Hereafter, to enjoy the divine virtues. The comparative study of the representation of death, judgment and salvation between the medieval work of Gil Vicente and the contemporary one of Suassuna is carried out by the bias of the Theory of Residuality, in view of this being a work of scrutinizing residues of mentality of a medieval period manifested in a crystallized, updated way, in the way of thinking evidenced in the Suassunian dramaturgy produced and staged in the full twentieth century.O trabalho aqui proposto consiste em analisar as representaÃÃes da morte, do julgamento e da salvaÃÃo no teatro medieval portuguÃs de Gil Vicente, e os seus aspectos residuais no teatro brasileiro contemporÃneo de Ariano Suassuna. Na dramaturgia dos respectivos autores, pensar em Deus, na vida, no mundo, no pecado, na morte, no julgamento apÃs a morte e na salvaÃÃo para uma vida eterna de paz e harmonia no AlÃm, era um ato de grande preocupaÃÃo. A vida terrena era conturbada, repleta de armadilhas do Mal, passageira, atormentada por desejos corporais e complexa perante os dogmas elaborados e difundidos pela Igreja catÃlica durante a Idade MÃdia. Assim, podemos observar tanto nas obras vicentinas (Trilogia das Barcas, Auto da Alma, Auto da HistÃria de Deus) quanto nas de Ariano Suassuna (Auto de JoÃo da Cruz, Auto da Compadecida, Farsa da Boa PreguiÃa, As ConchambranÃas de Quaderna) que a morte passou a ter um significado complexo no processo de cristianizaÃÃo, uma vez que os cÃnones da Igreja catÃlica difundiram a ideia de pecado, de virtude e de vida santificada, bem como a do medo da morte. Dessa forma, a morte, nos referidos autores, seria um ritual de passagem, uma travessia em que o homem seria julgado e salvo para um AlÃm de dignificaÃÃes ao lado de Deus, dos anjos e santos ou, julgado e condenado a um mundo de escuridÃo, sofrimento, angÃstia, dor e lamentaÃÃes ao lado do Diabo e seus demÃnios, ou ainda, julgado e condenado a um lugar de expiaÃÃo dos pecados, à espera da salvaÃÃo. Diante desse contexto, o homem cristÃo, tanto em Gil Vicente quanto em Ariano Suassuna, passou a lutar pela sua salvaÃÃo, praticando assim, bons atos, arrependendo-se dos seus pecados, fazendo penitÃncias e oraÃÃes, partindo em busca de uma vida santificada em igrejas, mosteiros, desertos, florestas, cruzadas e peregrinaÃÃes. Todas essas aÃÃes de vida exemplar simbolizavam, no medievo representado na dramaturgia vicentina e, residualmente na contemporaneidade dos autos de Suassuna, a caminhada para um encontro de paz com Deus e, ainda, a possibilidade de entender a si mesmo e de viver longe dos pecados mundanos, fora do alcance das tentaÃÃes do Diabo, buscando fazer o Bem, para na eternidade, gozar as virtudes divinas. O estudo comparado da representaÃÃo da morte, do julgamento e da salvaÃÃo entre a obra medieval de Gil Vicente e a contemporÃnea de Suassuna à levado a efeito pelo viÃs da Teoria da Residualidade, tendo em vista ser este um trabalho de perscrutaÃÃo de resÃduos de mentalidade de uma Ãpoca medieval manifestados de maneira cristalizada, atualizada, no modo de pensar evidenciado na dramaturgia suassuniana produzida e encenada em pleno sÃculo XX. nÃo hÃhttp://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=20785application/pdfinfo:eu-repo/semantics/openAccessporreponame:Biblioteca Digital de Teses e Dissertações da UFCinstname:Universidade Federal do Cearáinstacron:UFC2019-06-01T10:06:31Zmail@mail.com -
dc.title.pt.fl_str_mv A representaÃÃo da morte, do julgamento e da salvaÃÃo no Teatro Medieval PortuguÃs de Gil Vicente e seus aspectos residuais no teatro contemporÃneo brasileiro de Ariano Suassuna
title A representaÃÃo da morte, do julgamento e da salvaÃÃo no Teatro Medieval PortuguÃs de Gil Vicente e seus aspectos residuais no teatro contemporÃneo brasileiro de Ariano Suassuna
spellingShingle A representaÃÃo da morte, do julgamento e da salvaÃÃo no Teatro Medieval PortuguÃs de Gil Vicente e seus aspectos residuais no teatro contemporÃneo brasileiro de Ariano Suassuna
Francisco Wellington Rodrigues Lima
ResÃduos
Morte
Julgamento
SalvaÃÃo
Literatura brasileira
Morte na literatura
Suassuna, Ariano, 1927-2014. â AnÃlise Critica
Teatro (Literatura)
Teatro brasileiro
Teatro medieval - Portugal
Vicente, Gil.1465?-1537â AnÃlise Critica
LETRAS
title_short A representaÃÃo da morte, do julgamento e da salvaÃÃo no Teatro Medieval PortuguÃs de Gil Vicente e seus aspectos residuais no teatro contemporÃneo brasileiro de Ariano Suassuna
title_full A representaÃÃo da morte, do julgamento e da salvaÃÃo no Teatro Medieval PortuguÃs de Gil Vicente e seus aspectos residuais no teatro contemporÃneo brasileiro de Ariano Suassuna
title_fullStr A representaÃÃo da morte, do julgamento e da salvaÃÃo no Teatro Medieval PortuguÃs de Gil Vicente e seus aspectos residuais no teatro contemporÃneo brasileiro de Ariano Suassuna
title_full_unstemmed A representaÃÃo da morte, do julgamento e da salvaÃÃo no Teatro Medieval PortuguÃs de Gil Vicente e seus aspectos residuais no teatro contemporÃneo brasileiro de Ariano Suassuna
title_sort A representaÃÃo da morte, do julgamento e da salvaÃÃo no Teatro Medieval PortuguÃs de Gil Vicente e seus aspectos residuais no teatro contemporÃneo brasileiro de Ariano Suassuna
author Francisco Wellington Rodrigues Lima
author_facet Francisco Wellington Rodrigues Lima
author_role author
dc.contributor.advisor1.fl_str_mv Elizabeth Dias Martins
dc.contributor.advisor1ID.fl_str_mv 15502805387
dc.contributor.authorID.fl_str_mv 12121245855
dc.contributor.author.fl_str_mv Francisco Wellington Rodrigues Lima
contributor_str_mv Elizabeth Dias Martins
dc.subject.por.fl_str_mv ResÃduos
Morte
Julgamento
SalvaÃÃo
Literatura brasileira
Morte na literatura
Suassuna, Ariano, 1927-2014. â AnÃlise Critica
Teatro (Literatura)
Teatro brasileiro
Teatro medieval - Portugal
Vicente, Gil.1465?-1537â AnÃlise Critica
topic ResÃduos
Morte
Julgamento
SalvaÃÃo
Literatura brasileira
Morte na literatura
Suassuna, Ariano, 1927-2014. â AnÃlise Critica
Teatro (Literatura)
Teatro brasileiro
Teatro medieval - Portugal
Vicente, Gil.1465?-1537â AnÃlise Critica
LETRAS
dc.subject.cnpq.fl_str_mv LETRAS
dc.description.sponsorship.fl_txt_mv nÃo hÃ
dc.description.abstract..fl_txt_mv The work proposed here is to analyze the representation of death, judgment and salvation in the Portuguese medieval theater of Gil Vicente, and its residual aspects in the contemporary Brazilian theater of Ariano Suassuna. In the dramaturgy of their respective authors, thinking of God, of life, of the world, of sin, of death, of judgment after death, and of salvation for an eternal life of peace and harmony in the Hereafter was an act of great concern. The earthly life was troubled, full of traps of Evil, fleeting, tormented by bodily desires and complex in the face of the dogmas elaborated and spread by the Catholic Church during the Middle Ages. Thus we can observe both the Vincentian works (Trilogia das Barcas, Auto da Alma, Auto da HistÃria de Deus) and those of Ariano Suassuna (Auto de JoÃo da Cruz, Auto da Compadecida, Farsa da Boa PreguiÃa, As ConchambranÃas de Quaderna) death came to have a complex meaning in the process of Christianization, since the canons of the Catholic Church spread the idea of sin, virtue and sanctified life, as well as the fear of death. Thus, death in these authors would be a ritual of passage, a crossing in which man would be judged and saved for a Beyond of dignification beside God, the angels and saints or, judged and condemned to a world of darkness , sorrow, anguish, sorrow, and wailing beside the Devil and his demons, or else judged and condemned to a place of atonement for sins, waiting for salvation. In this context, the Christian man, both in Gil Vicente and in Ariano Suassuna, began to fight for his salvation, thus doing good deeds, repenting of his sins, doing penances and prayers, leaving in search of a sanctified life in churches, monasteries, deserts, forests, crusades, pilgrimages. All these actions of exemplary life symbolized, in the Middle Ages represented in Vincentian dramaturgy and, in the contemporary Suassuna proceedings, the journey towards a meeting of peace with God, and also the possibility of understanding oneself and living away from sins worldly, out of reach of the temptations of the Devil, seeking to do Good, to the Hereafter, to enjoy the divine virtues. The comparative study of the representation of death, judgment and salvation between the medieval work of Gil Vicente and the contemporary one of Suassuna is carried out by the bias of the Theory of Residuality, in view of this being a work of scrutinizing residues of mentality of a medieval period manifested in a crystallized, updated way, in the way of thinking evidenced in the Suassunian dramaturgy produced and staged in the full twentieth century.
dc.description.abstract.por.fl_txt_mv O trabalho aqui proposto consiste em analisar as representaÃÃes da morte, do julgamento e da salvaÃÃo no teatro medieval portuguÃs de Gil Vicente, e os seus aspectos residuais no teatro brasileiro contemporÃneo de Ariano Suassuna. Na dramaturgia dos respectivos autores, pensar em Deus, na vida, no mundo, no pecado, na morte, no julgamento apÃs a morte e na salvaÃÃo para uma vida eterna de paz e harmonia no AlÃm, era um ato de grande preocupaÃÃo. A vida terrena era conturbada, repleta de armadilhas do Mal, passageira, atormentada por desejos corporais e complexa perante os dogmas elaborados e difundidos pela Igreja catÃlica durante a Idade MÃdia. Assim, podemos observar tanto nas obras vicentinas (Trilogia das Barcas, Auto da Alma, Auto da HistÃria de Deus) quanto nas de Ariano Suassuna (Auto de JoÃo da Cruz, Auto da Compadecida, Farsa da Boa PreguiÃa, As ConchambranÃas de Quaderna) que a morte passou a ter um significado complexo no processo de cristianizaÃÃo, uma vez que os cÃnones da Igreja catÃlica difundiram a ideia de pecado, de virtude e de vida santificada, bem como a do medo da morte. Dessa forma, a morte, nos referidos autores, seria um ritual de passagem, uma travessia em que o homem seria julgado e salvo para um AlÃm de dignificaÃÃes ao lado de Deus, dos anjos e santos ou, julgado e condenado a um mundo de escuridÃo, sofrimento, angÃstia, dor e lamentaÃÃes ao lado do Diabo e seus demÃnios, ou ainda, julgado e condenado a um lugar de expiaÃÃo dos pecados, à espera da salvaÃÃo. Diante desse contexto, o homem cristÃo, tanto em Gil Vicente quanto em Ariano Suassuna, passou a lutar pela sua salvaÃÃo, praticando assim, bons atos, arrependendo-se dos seus pecados, fazendo penitÃncias e oraÃÃes, partindo em busca de uma vida santificada em igrejas, mosteiros, desertos, florestas, cruzadas e peregrinaÃÃes. Todas essas aÃÃes de vida exemplar simbolizavam, no medievo representado na dramaturgia vicentina e, residualmente na contemporaneidade dos autos de Suassuna, a caminhada para um encontro de paz com Deus e, ainda, a possibilidade de entender a si mesmo e de viver longe dos pecados mundanos, fora do alcance das tentaÃÃes do Diabo, buscando fazer o Bem, para na eternidade, gozar as virtudes divinas. O estudo comparado da representaÃÃo da morte, do julgamento e da salvaÃÃo entre a obra medieval de Gil Vicente e a contemporÃnea de Suassuna à levado a efeito pelo viÃs da Teoria da Residualidade, tendo em vista ser este um trabalho de perscrutaÃÃo de resÃduos de mentalidade de uma Ãpoca medieval manifestados de maneira cristalizada, atualizada, no modo de pensar evidenciado na dramaturgia suassuniana produzida e encenada em pleno sÃculo XX.
description The work proposed here is to analyze the representation of death, judgment and salvation in the Portuguese medieval theater of Gil Vicente, and its residual aspects in the contemporary Brazilian theater of Ariano Suassuna. In the dramaturgy of their respective authors, thinking of God, of life, of the world, of sin, of death, of judgment after death, and of salvation for an eternal life of peace and harmony in the Hereafter was an act of great concern. The earthly life was troubled, full of traps of Evil, fleeting, tormented by bodily desires and complex in the face of the dogmas elaborated and spread by the Catholic Church during the Middle Ages. Thus we can observe both the Vincentian works (Trilogia das Barcas, Auto da Alma, Auto da HistÃria de Deus) and those of Ariano Suassuna (Auto de JoÃo da Cruz, Auto da Compadecida, Farsa da Boa PreguiÃa, As ConchambranÃas de Quaderna) death came to have a complex meaning in the process of Christianization, since the canons of the Catholic Church spread the idea of sin, virtue and sanctified life, as well as the fear of death. Thus, death in these authors would be a ritual of passage, a crossing in which man would be judged and saved for a Beyond of dignification beside God, the angels and saints or, judged and condemned to a world of darkness , sorrow, anguish, sorrow, and wailing beside the Devil and his demons, or else judged and condemned to a place of atonement for sins, waiting for salvation. In this context, the Christian man, both in Gil Vicente and in Ariano Suassuna, began to fight for his salvation, thus doing good deeds, repenting of his sins, doing penances and prayers, leaving in search of a sanctified life in churches, monasteries, deserts, forests, crusades, pilgrimages. All these actions of exemplary life symbolized, in the Middle Ages represented in Vincentian dramaturgy and, in the contemporary Suassuna proceedings, the journey towards a meeting of peace with God, and also the possibility of understanding oneself and living away from sins worldly, out of reach of the temptations of the Devil, seeking to do Good, to the Hereafter, to enjoy the divine virtues. The comparative study of the representation of death, judgment and salvation between the medieval work of Gil Vicente and the contemporary one of Suassuna is carried out by the bias of the Theory of Residuality, in view of this being a work of scrutinizing residues of mentality of a medieval period manifested in a crystallized, updated way, in the way of thinking evidenced in the Suassunian dramaturgy produced and staged in the full twentieth century.
publishDate 2018
dc.date.issued.fl_str_mv 2018-11-00
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/doctoralThesis
status_str publishedVersion
format doctoralThesis
dc.identifier.uri.fl_str_mv http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=20785
url http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=20785
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do CearÃ
dc.publisher.program.fl_str_mv Programa de PÃs-GraduaÃÃo em Letras
dc.publisher.initials.fl_str_mv UFC
dc.publisher.country.fl_str_mv BR
publisher.none.fl_str_mv Universidade Federal do CearÃ
dc.source.none.fl_str_mv reponame:Biblioteca Digital de Teses e Dissertações da UFC
instname:Universidade Federal do Ceará
instacron:UFC
reponame_str Biblioteca Digital de Teses e Dissertações da UFC
collection Biblioteca Digital de Teses e Dissertações da UFC
instname_str Universidade Federal do Ceará
instacron_str UFC
institution UFC
repository.name.fl_str_mv -
repository.mail.fl_str_mv mail@mail.com
_version_ 1643295649807990784

Registros relacionados