Oficina de produção de instrumentos musicais: um estudo de caso na concepção Deweyana da experiência

Detalhes bibliográficos
Autor(a) principal: Santos, Manoel Tadeu Alves dos
Data de Publicação: 2019
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da Universidade Federal do Espírito Santo (riUfes)
Texto Completo: http://repositorio.ufes.br/handle/10/13540
Resumo: This study aimed to identify and evaluate possibilities of contributing to the teaching and learning process, from a proper environment for a reconciliation of theorical and pratical, interdisciplinary and transdisciplinary activities. Therefore, in order to facilitate the monitoring and observation of the actions undertaken by the participants, we implemented an augmented product to the development of such activities: the “Musical Instrument Production Workshop” (OPIM), which is the object of the research; having as target audience the students and graduates of the technical courses in electrotechnics and mechanics of the Instituto Federal do Espírito Santo, campus São Mateus. Based on the qualitative research, the methodology adopted prioritized the use of Unsystematic Participant Observation, as Case Study. With the purpose of providing students with an opportunity for active, autonomous and democratic participation and immersion in activities, the conduction of this research was based on the Dewey’s Theory of Educative Experience. The production of data was done through several means namely: logbooks (individual and collective), audio visual records, semi-structured questionnaire and, mainly, observation and follow-up of the researcher. It is noteworthy that, in order to provide greater fluency of interaction and collaboration between students and, in order to favor the exercise of educational autonomy and democracy, We opted for the minimal intervention of the researcher in the creative process of the ‘workshoppers’. Therefore, based on the perspectives of the Dewey’s Pedagogy of Projects, the analysis and results showed that the opportunity to reconcile prior knowledge with the technical contents acquired (or in acquisition) provided students with new possibilities for meaning in learning and (re)construction of knowledge. Since for most ‘workshoppers’, similar activities – that is, “learning by doing” through experience – can contribute positively to the processes of knowledge acquisition, meaning and retention. But even if some students may not feel able to exercise their autonomy and freedom of action in the learning process itself, the careful and more individualized monitoring of the teacher may gradually serve as a as triggering elements of their “educative interest”. Considering, therefore, the persistent tendency of technical and vocational education to preserve certain dualities and rigidity in its teaching plans, it was concluded that the proposal under analysis can contribute, even if minimally, as an integrative didactic alternative, capable of reconciling the methods current didactics.
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spelling Morila, Ailton Pereirahttps://orcid.org/0000000250803819http://lattes.cnpq.br/2380448103587931Santos, Manoel Tadeu Alves doshttps://orcid.org/0000000346719267http://lattes.cnpq.br/6813593789290505Pinto, Antonio Henriquehttps://orcid.org/http://lattes.cnpq.br/1422316224223725Senatore, Regina Celia Mendeshttps://orcid.org/0000000282870522http://lattes.cnpq.br/69227327898226692024-05-29T22:11:33Z2024-05-29T22:11:33Z2019-10-02This study aimed to identify and evaluate possibilities of contributing to the teaching and learning process, from a proper environment for a reconciliation of theorical and pratical, interdisciplinary and transdisciplinary activities. Therefore, in order to facilitate the monitoring and observation of the actions undertaken by the participants, we implemented an augmented product to the development of such activities: the “Musical Instrument Production Workshop” (OPIM), which is the object of the research; having as target audience the students and graduates of the technical courses in electrotechnics and mechanics of the Instituto Federal do Espírito Santo, campus São Mateus. Based on the qualitative research, the methodology adopted prioritized the use of Unsystematic Participant Observation, as Case Study. With the purpose of providing students with an opportunity for active, autonomous and democratic participation and immersion in activities, the conduction of this research was based on the Dewey’s Theory of Educative Experience. The production of data was done through several means namely: logbooks (individual and collective), audio visual records, semi-structured questionnaire and, mainly, observation and follow-up of the researcher. It is noteworthy that, in order to provide greater fluency of interaction and collaboration between students and, in order to favor the exercise of educational autonomy and democracy, We opted for the minimal intervention of the researcher in the creative process of the ‘workshoppers’. Therefore, based on the perspectives of the Dewey’s Pedagogy of Projects, the analysis and results showed that the opportunity to reconcile prior knowledge with the technical contents acquired (or in acquisition) provided students with new possibilities for meaning in learning and (re)construction of knowledge. Since for most ‘workshoppers’, similar activities – that is, “learning by doing” through experience – can contribute positively to the processes of knowledge acquisition, meaning and retention. But even if some students may not feel able to exercise their autonomy and freedom of action in the learning process itself, the careful and more individualized monitoring of the teacher may gradually serve as a as triggering elements of their “educative interest”. Considering, therefore, the persistent tendency of technical and vocational education to preserve certain dualities and rigidity in its teaching plans, it was concluded that the proposal under analysis can contribute, even if minimally, as an integrative didactic alternative, capable of reconciling the methods current didactics.Este estudo teve como objetivo central identificar e avaliar possibilidades de contribuição ao processo de ensino e aprendizagem, a partir de um ambiente próprio para uma conciliação de atividades práticas e teóricas, interdisciplinares e transdisciplinares. Para tanto, a fim de viabilizar o acompanhamento e a observação das ações empreendidas pelos participantes, implantamos um ambiente propício ao desenvolvimento de tais atividades: a Oficina de Produção de Instrumentos Musicais – OPIM, a qual, constitui o objeto da pesquisa; tendo como público-alvo os estudantes e egressos dos cursos técnicos em eletrotécnica e mecânica do Instituto Federal do Espírito Santo, campus São Mateus. Pautada na pesquisa qualitativa, a metodologia adotada priorizou o uso da observação participante assistemática, aplicada como estudo de caso. Com a proposta de propiciar aos estudantes uma oportunidade de participação e imersão nas atividades de maneira ativa, autônoma e democrática, a condução da pesquisa foi fundamentada na teoria da experiência educativa de John Dewey. A produção dos dados foi efetuada por meio diversos, a saber: diários de bordo (individuais e coletivo), registros áudio visuais, questionário semiestruturado e, principalmente, observação e acompanhamento do pesquisador. Ressalta-se, ainda, que, no intuito de oportunizar maior fluência da interação e colaboração entre o(a)s estudantes e, bem como, a fim de favorecer o exercício da autonomia e democracia educacionais, optamos pela mínima intervenção do pesquisador no processo criativo do(a)s oficineiro(a)s. Portanto, pautados nas perspectivas da pedagogia de projetos deweyana, a análise e os resultados demonstraram que a oportunidade de conciliação dos saberes prévios aos conteúdos técnicos adquiridos (ou em aquisição), proporcionou aos estudantes novas possibilidades de significação da aprendizagem e de (re)construção do conhecimento. Sendo que, para a maioria do(a)s oficineiro(a)s, atividades semelhantes – ou seja, “aprender fazendo” por meio da experiência – podem contribuir positivamente nos processos de aquisição, significação e retenção de conhecimentos. Contudo, mesmo que algun(ma)s estudantes eventualmente não possam se sentir inaptos a exercer sua autonomia e liberdade de ação no próprio processo de aprendizagem, o acompanhamento atento e mais individualizado do professor, podem servir, gradualmente, como elementos deflagradores do ‘interesse educativo’ dos mesmos. Considerando, pois, a persistente tendência da educação técnica e profissionalizante de conservar certas dualidades e rigidez nos seus planos de ensino, concluiu-se que a proposta ora analisada pode contribuir, mesmo que minimamente, como uma alternativa didática integradora, passível de conciliação aos métodos didáticos vigentes.Texthttp://repositorio.ufes.br/handle/10/13540porUniversidade Federal do Espírito SantoMestrado em Ensino na Educação BásicaPrograma de Pós-Graduação em Ensino na Educação BásicaUFESBRCentro Universitário Norte do Espírito Santosubject.br-rjbnEnsinoAtividades colaborativasExperiência educativaJohn DeweyInstrumentos musicaisPedagogia de projetosCollaborative activitiesEducational experienceMusical instrumentsPedagogy of projectsOficina de produção de instrumentos musicais: um estudo de caso na concepção Deweyana da experiênciatitle.alternativeinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da Universidade Federal do Espírito Santo (riUfes)instname:Universidade Federal do Espírito Santo (UFES)instacron:UFESORIGINALDissertação - Manoel Tadeu (Final - Banca).pdfapplication/pdf11148740http://repositorio.ufes.br/bitstreams/652950c9-c65b-4ef2-ad27-ec730c57be78/download0d69fd00f1a36ff5560bdd12db2d5211MD5110/135402024-09-12 16:06:37.846oai:repositorio.ufes.br:10/13540http://repositorio.ufes.brRepositório InstitucionalPUBhttp://repositorio.ufes.br/oai/requestopendoar:21082024-10-15T17:56:32.720830Repositório Institucional da Universidade Federal do Espírito Santo (riUfes) - Universidade Federal do Espírito Santo (UFES)false
dc.title.none.fl_str_mv Oficina de produção de instrumentos musicais: um estudo de caso na concepção Deweyana da experiência
dc.title.alternative.none.fl_str_mv title.alternative
title Oficina de produção de instrumentos musicais: um estudo de caso na concepção Deweyana da experiência
spellingShingle Oficina de produção de instrumentos musicais: um estudo de caso na concepção Deweyana da experiência
Santos, Manoel Tadeu Alves dos
Ensino
Atividades colaborativas
Experiência educativa
John Dewey
Instrumentos musicais
Pedagogia de projetos
Collaborative activities
Educational experience
Musical instruments
Pedagogy of projects
subject.br-rjbn
title_short Oficina de produção de instrumentos musicais: um estudo de caso na concepção Deweyana da experiência
title_full Oficina de produção de instrumentos musicais: um estudo de caso na concepção Deweyana da experiência
title_fullStr Oficina de produção de instrumentos musicais: um estudo de caso na concepção Deweyana da experiência
title_full_unstemmed Oficina de produção de instrumentos musicais: um estudo de caso na concepção Deweyana da experiência
title_sort Oficina de produção de instrumentos musicais: um estudo de caso na concepção Deweyana da experiência
author Santos, Manoel Tadeu Alves dos
author_facet Santos, Manoel Tadeu Alves dos
author_role author
dc.contributor.authorID.none.fl_str_mv https://orcid.org/0000000346719267
dc.contributor.authorLattes.none.fl_str_mv http://lattes.cnpq.br/6813593789290505
dc.contributor.advisor1.fl_str_mv Morila, Ailton Pereira
dc.contributor.advisor1ID.fl_str_mv https://orcid.org/0000000250803819
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/2380448103587931
dc.contributor.author.fl_str_mv Santos, Manoel Tadeu Alves dos
dc.contributor.referee1.fl_str_mv Pinto, Antonio Henrique
dc.contributor.referee1ID.fl_str_mv https://orcid.org/
dc.contributor.referee1Lattes.fl_str_mv http://lattes.cnpq.br/1422316224223725
dc.contributor.referee2.fl_str_mv Senatore, Regina Celia Mendes
dc.contributor.referee2ID.fl_str_mv https://orcid.org/0000000282870522
dc.contributor.referee2Lattes.fl_str_mv http://lattes.cnpq.br/6922732789822669
contributor_str_mv Morila, Ailton Pereira
Pinto, Antonio Henrique
Senatore, Regina Celia Mendes
dc.subject.cnpq.fl_str_mv Ensino
topic Ensino
Atividades colaborativas
Experiência educativa
John Dewey
Instrumentos musicais
Pedagogia de projetos
Collaborative activities
Educational experience
Musical instruments
Pedagogy of projects
subject.br-rjbn
dc.subject.por.fl_str_mv Atividades colaborativas
Experiência educativa
John Dewey
Instrumentos musicais
Pedagogia de projetos
Collaborative activities
Educational experience
Musical instruments
Pedagogy of projects
dc.subject.br-rjbn.none.fl_str_mv subject.br-rjbn
description This study aimed to identify and evaluate possibilities of contributing to the teaching and learning process, from a proper environment for a reconciliation of theorical and pratical, interdisciplinary and transdisciplinary activities. Therefore, in order to facilitate the monitoring and observation of the actions undertaken by the participants, we implemented an augmented product to the development of such activities: the “Musical Instrument Production Workshop” (OPIM), which is the object of the research; having as target audience the students and graduates of the technical courses in electrotechnics and mechanics of the Instituto Federal do Espírito Santo, campus São Mateus. Based on the qualitative research, the methodology adopted prioritized the use of Unsystematic Participant Observation, as Case Study. With the purpose of providing students with an opportunity for active, autonomous and democratic participation and immersion in activities, the conduction of this research was based on the Dewey’s Theory of Educative Experience. The production of data was done through several means namely: logbooks (individual and collective), audio visual records, semi-structured questionnaire and, mainly, observation and follow-up of the researcher. It is noteworthy that, in order to provide greater fluency of interaction and collaboration between students and, in order to favor the exercise of educational autonomy and democracy, We opted for the minimal intervention of the researcher in the creative process of the ‘workshoppers’. Therefore, based on the perspectives of the Dewey’s Pedagogy of Projects, the analysis and results showed that the opportunity to reconcile prior knowledge with the technical contents acquired (or in acquisition) provided students with new possibilities for meaning in learning and (re)construction of knowledge. Since for most ‘workshoppers’, similar activities – that is, “learning by doing” through experience – can contribute positively to the processes of knowledge acquisition, meaning and retention. But even if some students may not feel able to exercise their autonomy and freedom of action in the learning process itself, the careful and more individualized monitoring of the teacher may gradually serve as a as triggering elements of their “educative interest”. Considering, therefore, the persistent tendency of technical and vocational education to preserve certain dualities and rigidity in its teaching plans, it was concluded that the proposal under analysis can contribute, even if minimally, as an integrative didactic alternative, capable of reconciling the methods current didactics.
publishDate 2019
dc.date.issued.fl_str_mv 2019-10-02
dc.date.accessioned.fl_str_mv 2024-05-29T22:11:33Z
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Mestrado em Ensino na Educação Básica
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dc.publisher.country.fl_str_mv BR
dc.publisher.department.fl_str_mv Centro Universitário Norte do Espírito Santo
publisher.none.fl_str_mv Universidade Federal do Espírito Santo
Mestrado em Ensino na Educação Básica
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