Poet among painters
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Poiésis (Niterói. Online) |
Texto Completo: | https://periodicos.uff.br/poiesis/article/view/50654 |
Resumo: | The essay approaches the relations between Frank O’Hara’s poetry and painting, especially with the abstract expressionism avant-garde artists in New York scene during the 1950s and 1960s. The text integrates the third chapter of the homonymous book, written by Marjorie Perloff, yet unreleased in Portuguese. Analyzing the relations between O’Hara and visual artists from an affective, intellectual, professional and creative perspective, Perloff emphasizes the formal experimentations of the author whose poetry was directly impacted by action painting, happening and his role as art critic and curator at MOMA. The essay presents two artistic collaborations of O’Hara with Larry Rivers and Norman Bluhm, referred by Perloff as Poem-Paintings, given their formal in-between space, poet and painter acting simultaneously on the same surface. In O’Hara’s lyric, poetry and painting reveal themselves to be, after all, parts from the same living substance. (Abstract and Keywords written by the translators). |
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Poet among paintersUn poeta entre los pintoresPoeta entre pintoresFrank O’HaraMarjorie PerloffPoetryPaintingLiterature in the expanded fieldFrank O’HaraMarjorie PerloffPoesíaPinturaLiteratura en campo ampliadoFrank O’HaraMarjorie PerloffPoesiaPinturaLiteratura no campo expandidoThe essay approaches the relations between Frank O’Hara’s poetry and painting, especially with the abstract expressionism avant-garde artists in New York scene during the 1950s and 1960s. The text integrates the third chapter of the homonymous book, written by Marjorie Perloff, yet unreleased in Portuguese. Analyzing the relations between O’Hara and visual artists from an affective, intellectual, professional and creative perspective, Perloff emphasizes the formal experimentations of the author whose poetry was directly impacted by action painting, happening and his role as art critic and curator at MOMA. The essay presents two artistic collaborations of O’Hara with Larry Rivers and Norman Bluhm, referred by Perloff as Poem-Paintings, given their formal in-between space, poet and painter acting simultaneously on the same surface. In O’Hara’s lyric, poetry and painting reveal themselves to be, after all, parts from the same living substance. (Abstract and Keywords written by the translators).El ensayo trata de la relación entre la poesía de Frank O’Hara y la pintura, sobre todo en lo que respecta a las vanguardias del expresionismo abstracto en la escena artística de Nueva York en los anos 1950 y 1960. El texto forma parte del tercer capítulo del libro homónimo de la crítica y ensayista Marjorie Perloff, aún no publicado en lengua portuguesa. Analizando las relaciones de O’Hara con artistas visuales en perspectiva afectiva, intelectual, profesional y artística, Perloff subraya las experimentaciones formales de ese autor cuya poesía fue directamente influenciada por la action painting, por el happening y por su actuación como crítico y curador del MOMA. El ensayo presenta aún dos colaboraciones artísticas de O’Hara con los pintores Larry Rivers y Norman Bluhm, que Perloff llama de poemapinturas, debido al entre-lugar formal que los califica, poeta y pintor actuando simultáneamente sobre una misma superficie. Poesía y pintura resultan, en la poética O’Hariana, partes de una misma materia viviente. (Resumen y palabras-clave escritos por los traductores)O ensaio trata da relação entre a obra poética de Frank O’Hara e a pintura, em especial com as vanguardas do expressionismo abstrato na cena artística da Nova York dos anos 1950 e 1960. O texto integra o terceiro capítulo do livro homônimo escrito pela crítica e ensaísta Marjorie Perloff, todavia inédito em língua portuguesa. Analisando as relações de O’Hara com artistas visuais no plano afetivo, intelectual, profissional e artístico, Perloff enfatiza as experimentações formais desse autor cuja poesia foi diretamente influenciada pela action painting, pelo happening e pela sua atuação como crítico e curador do MOMA. O ensaio apresenta ainda duas colaborações artísticas de O’Hara com os pintores Larry Rivers e Norman Bluhm, que Perloff denomina poemapinturas, dado o entrelugar formal que os caracteriza, poeta e pintor agindo simultaneamente sobre uma mesma superfície. Poesia e pintura revelam-se, na obra de O’Hara, partes de uma mesma matéria vivente. (Resumo e palavras-chave elaborados pelos tradutores). Editora do PPGCA-UFF2021-07-07info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdftext/htmlhttps://periodicos.uff.br/poiesis/article/view/5065410.22409/poiesis.v22i38.50654REVISTA POIÉSIS; Vol. 22 No. 38 (2021): Dry Leaves: Art, Memory, and Politics of the Forest; 191-245REVISTA POIÉSIS; Vol. 22 Núm. 38 (2021): Hojas secas: arte, memoria y política del bosque; 191-245REVISTA POIÉSIS; v. 22 n. 38 (2021): Folhas secas: memória política da floresta; 191-2452177-8566reponame:Poiésis (Niterói. Online)instname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/poiesis/article/view/50654/29522https://periodicos.uff.br/poiesis/article/view/50654/29523Copyright (c) 2021 Marjorie Perloff; Ana Clara Mattoso, Augusto Melo Brandãohttps://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessPerloff, Marjorie Mattoso, Ana ClaraBrandão, Augusto Melo 2021-07-07T20:05:49Zoai:ojs.pkp.sfu.ca:article/50654Revistahttps://periodicos.uff.br/poiesisPUBhttps://periodicos.uff.br/poiesis/oaipoiesis.uff@gmail.com||oliveira@vm.uff.br2177-85661517-5677opendoar:2021-07-07T20:05:49Poiésis (Niterói. Online) - Universidade Federal Fluminense (UFF)false |
dc.title.none.fl_str_mv |
Poet among painters Un poeta entre los pintores Poeta entre pintores |
title |
Poet among painters |
spellingShingle |
Poet among painters Perloff, Marjorie Frank O’Hara Marjorie Perloff Poetry Painting Literature in the expanded field Frank O’Hara Marjorie Perloff Poesía Pintura Literatura en campo ampliado Frank O’Hara Marjorie Perloff Poesia Pintura Literatura no campo expandido |
title_short |
Poet among painters |
title_full |
Poet among painters |
title_fullStr |
Poet among painters |
title_full_unstemmed |
Poet among painters |
title_sort |
Poet among painters |
author |
Perloff, Marjorie |
author_facet |
Perloff, Marjorie Mattoso, Ana Clara Brandão, Augusto Melo |
author_role |
author |
author2 |
Mattoso, Ana Clara Brandão, Augusto Melo |
author2_role |
author author |
dc.contributor.author.fl_str_mv |
Perloff, Marjorie Mattoso, Ana Clara Brandão, Augusto Melo |
dc.subject.por.fl_str_mv |
Frank O’Hara Marjorie Perloff Poetry Painting Literature in the expanded field Frank O’Hara Marjorie Perloff Poesía Pintura Literatura en campo ampliado Frank O’Hara Marjorie Perloff Poesia Pintura Literatura no campo expandido |
topic |
Frank O’Hara Marjorie Perloff Poetry Painting Literature in the expanded field Frank O’Hara Marjorie Perloff Poesía Pintura Literatura en campo ampliado Frank O’Hara Marjorie Perloff Poesia Pintura Literatura no campo expandido |
description |
The essay approaches the relations between Frank O’Hara’s poetry and painting, especially with the abstract expressionism avant-garde artists in New York scene during the 1950s and 1960s. The text integrates the third chapter of the homonymous book, written by Marjorie Perloff, yet unreleased in Portuguese. Analyzing the relations between O’Hara and visual artists from an affective, intellectual, professional and creative perspective, Perloff emphasizes the formal experimentations of the author whose poetry was directly impacted by action painting, happening and his role as art critic and curator at MOMA. The essay presents two artistic collaborations of O’Hara with Larry Rivers and Norman Bluhm, referred by Perloff as Poem-Paintings, given their formal in-between space, poet and painter acting simultaneously on the same surface. In O’Hara’s lyric, poetry and painting reveal themselves to be, after all, parts from the same living substance. (Abstract and Keywords written by the translators). |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-07-07 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.uff.br/poiesis/article/view/50654 10.22409/poiesis.v22i38.50654 |
url |
https://periodicos.uff.br/poiesis/article/view/50654 |
identifier_str_mv |
10.22409/poiesis.v22i38.50654 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.uff.br/poiesis/article/view/50654/29522 https://periodicos.uff.br/poiesis/article/view/50654/29523 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Marjorie Perloff; Ana Clara Mattoso, Augusto Melo Brandão https://creativecommons.org/licenses/by-nc-nd/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Marjorie Perloff; Ana Clara Mattoso, Augusto Melo Brandão https://creativecommons.org/licenses/by-nc-nd/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf text/html |
dc.publisher.none.fl_str_mv |
Editora do PPGCA-UFF |
publisher.none.fl_str_mv |
Editora do PPGCA-UFF |
dc.source.none.fl_str_mv |
REVISTA POIÉSIS; Vol. 22 No. 38 (2021): Dry Leaves: Art, Memory, and Politics of the Forest; 191-245 REVISTA POIÉSIS; Vol. 22 Núm. 38 (2021): Hojas secas: arte, memoria y política del bosque; 191-245 REVISTA POIÉSIS; v. 22 n. 38 (2021): Folhas secas: memória política da floresta; 191-245 2177-8566 reponame:Poiésis (Niterói. Online) instname:Universidade Federal Fluminense (UFF) instacron:UFF |
instname_str |
Universidade Federal Fluminense (UFF) |
instacron_str |
UFF |
institution |
UFF |
reponame_str |
Poiésis (Niterói. Online) |
collection |
Poiésis (Niterói. Online) |
repository.name.fl_str_mv |
Poiésis (Niterói. Online) - Universidade Federal Fluminense (UFF) |
repository.mail.fl_str_mv |
poiesis.uff@gmail.com||oliveira@vm.uff.br |
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1797220418951577600 |