Recollection-images and identities in the intercultural cinema of Tila Chitunda
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Poiésis (Niterói. Online) |
Texto Completo: | https://periodicos.uff.br/poiesis/article/view/49114 |
Resumo: | This article proposes a reflection about the presence of the family archive images presented in the short film FotogrÁFRICA, by Tila Chitunda, which leads us to think together with the Deleuzian concept of recollection-image. We carry out this analysis understanding the film as the product of an intercultural cinema, which is located at the intersection of two cultural knowledge regimes, in this case Brazil and Angola, countries on the Black Atlantic route. In view of these images, we access what is visible and virtual and explore its paradoxical aspects. At the time they are presented as family records, the photographs also expose colonial oppression and violence committed against identities and individualities. |
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Poiésis (Niterói. Online) |
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Recollection-images and identities in the intercultural cinema of Tila ChitundaImágenes-recuerdo y identidades en el cine intercultural de Tila Chitunda Imagens-lembrança e identidades no cinema intercultural de Tila ChitundaIntercultural cinemaRecollection-imageIdentityAfro-diasporic experiencesCine interculturalImagen-recuerdoIdentidadExperiencias afro-diaspóricasCinema interculturalImagem-lembrançaIdentidadeExperiências afro-diaspóricasThis article proposes a reflection about the presence of the family archive images presented in the short film FotogrÁFRICA, by Tila Chitunda, which leads us to think together with the Deleuzian concept of recollection-image. We carry out this analysis understanding the film as the product of an intercultural cinema, which is located at the intersection of two cultural knowledge regimes, in this case Brazil and Angola, countries on the Black Atlantic route. In view of these images, we access what is visible and virtual and explore its paradoxical aspects. At the time they are presented as family records, the photographs also expose colonial oppression and violence committed against identities and individualities.Este artículo propone una reflexión acerca de la presencia de imágenes de archivo familiar presentadas en el corto FotogrÁFRICA, de Tila Chitunda, que nos lleva a pensar junto al concepto deleuziano de imagen-memoria. Realizamos este análisis entendiendo la película como producto de un cine intercultural, que se ubica en la intersección de dos regímenes de conocimiento cultural, en este caso Brasil y Angola, países de la ruta del Atlántico Negro. A la vista de estas imágenes, accedemos a lo visible y virtual y exploramos sus aspectos paradójicos. En el momento en que se presentan como registros familiares, las fotografías también exponen la opresión colonial y la violencia cometida contra identidades e individualidades. Este artigo propõe uma reflexão sobre a presença das imagens de arquivo familiar apresentadas no curta FotogrÁFRICA, de Tila Chitunda, que nos encaminha a pensar junto ao conceito deleuziano de imagem-lembrança. Fazemos esta análise compreendendo o filme como produto de um cinema intercultural, que se situa na intersecção de dois regimes culturais de conhecimento, neste caso Brasil e Angola, países da rota do Atlântico Negro. Diante dessas imagens, acessamos o que é visível e virtual e exploramos seus aspectos paradoxais. Ao tempo em que se apresentam como registros familiares, as fotografias também expõem a opressão colonial e violência cometida contra identidades e individualidades.Editora do PPGCA-UFF2022-01-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdftext/htmlhttps://periodicos.uff.br/poiesis/article/view/4911410.22409/poiesis.v23i39.49114 REVISTA POIÉSIS; Vol. 23 No. 39 (2022): Indigestos trópicos; 278-291REVISTA POIÉSIS; Vol. 23 Núm. 39 (2022): Indigestos trópicos; 278-291REVISTA POIÉSIS; v. 23 n. 39 (2022): Indigestos trópicos; 278-2912177-8566reponame:Poiésis (Niterói. Online)instname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/poiesis/article/view/49114/31020https://periodicos.uff.br/poiesis/article/view/49114/31021Copyright (c) 2022 Fernanda Mendes de Mendonçahttps://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessMendonça, Fernanda Mendes de2022-06-27T02:51:59Zoai:ojs.pkp.sfu.ca:article/49114Revistahttps://periodicos.uff.br/poiesisPUBhttps://periodicos.uff.br/poiesis/oaipoiesis.uff@gmail.com||oliveira@vm.uff.br2177-85661517-5677opendoar:2022-06-27T02:51:59Poiésis (Niterói. Online) - Universidade Federal Fluminense (UFF)false |
dc.title.none.fl_str_mv |
Recollection-images and identities in the intercultural cinema of Tila Chitunda Imágenes-recuerdo y identidades en el cine intercultural de Tila Chitunda Imagens-lembrança e identidades no cinema intercultural de Tila Chitunda |
title |
Recollection-images and identities in the intercultural cinema of Tila Chitunda |
spellingShingle |
Recollection-images and identities in the intercultural cinema of Tila Chitunda Mendonça, Fernanda Mendes de Intercultural cinema Recollection-image Identity Afro-diasporic experiences Cine intercultural Imagen-recuerdo Identidad Experiencias afro-diaspóricas Cinema intercultural Imagem-lembrança Identidade Experiências afro-diaspóricas |
title_short |
Recollection-images and identities in the intercultural cinema of Tila Chitunda |
title_full |
Recollection-images and identities in the intercultural cinema of Tila Chitunda |
title_fullStr |
Recollection-images and identities in the intercultural cinema of Tila Chitunda |
title_full_unstemmed |
Recollection-images and identities in the intercultural cinema of Tila Chitunda |
title_sort |
Recollection-images and identities in the intercultural cinema of Tila Chitunda |
author |
Mendonça, Fernanda Mendes de |
author_facet |
Mendonça, Fernanda Mendes de |
author_role |
author |
dc.contributor.author.fl_str_mv |
Mendonça, Fernanda Mendes de |
dc.subject.por.fl_str_mv |
Intercultural cinema Recollection-image Identity Afro-diasporic experiences Cine intercultural Imagen-recuerdo Identidad Experiencias afro-diaspóricas Cinema intercultural Imagem-lembrança Identidade Experiências afro-diaspóricas |
topic |
Intercultural cinema Recollection-image Identity Afro-diasporic experiences Cine intercultural Imagen-recuerdo Identidad Experiencias afro-diaspóricas Cinema intercultural Imagem-lembrança Identidade Experiências afro-diaspóricas |
description |
This article proposes a reflection about the presence of the family archive images presented in the short film FotogrÁFRICA, by Tila Chitunda, which leads us to think together with the Deleuzian concept of recollection-image. We carry out this analysis understanding the film as the product of an intercultural cinema, which is located at the intersection of two cultural knowledge regimes, in this case Brazil and Angola, countries on the Black Atlantic route. In view of these images, we access what is visible and virtual and explore its paradoxical aspects. At the time they are presented as family records, the photographs also expose colonial oppression and violence committed against identities and individualities. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-01-30 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.uff.br/poiesis/article/view/49114 10.22409/poiesis.v23i39.49114 |
url |
https://periodicos.uff.br/poiesis/article/view/49114 |
identifier_str_mv |
10.22409/poiesis.v23i39.49114 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.uff.br/poiesis/article/view/49114/31020 https://periodicos.uff.br/poiesis/article/view/49114/31021 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Fernanda Mendes de Mendonça https://creativecommons.org/licenses/by-nc-nd/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Fernanda Mendes de Mendonça https://creativecommons.org/licenses/by-nc-nd/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf text/html |
dc.publisher.none.fl_str_mv |
Editora do PPGCA-UFF |
publisher.none.fl_str_mv |
Editora do PPGCA-UFF |
dc.source.none.fl_str_mv |
REVISTA POIÉSIS; Vol. 23 No. 39 (2022): Indigestos trópicos; 278-291 REVISTA POIÉSIS; Vol. 23 Núm. 39 (2022): Indigestos trópicos; 278-291 REVISTA POIÉSIS; v. 23 n. 39 (2022): Indigestos trópicos; 278-291 2177-8566 reponame:Poiésis (Niterói. Online) instname:Universidade Federal Fluminense (UFF) instacron:UFF |
instname_str |
Universidade Federal Fluminense (UFF) |
instacron_str |
UFF |
institution |
UFF |
reponame_str |
Poiésis (Niterói. Online) |
collection |
Poiésis (Niterói. Online) |
repository.name.fl_str_mv |
Poiésis (Niterói. Online) - Universidade Federal Fluminense (UFF) |
repository.mail.fl_str_mv |
poiesis.uff@gmail.com||oliveira@vm.uff.br |
_version_ |
1797220418941091840 |