Abraham Palatnik: light as a means of plastic expression.
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Poiésis (Niterói. Online) |
Texto Completo: | https://periodicos.uff.br/poiesis/article/view/50822 |
Resumo: | The text reflects on the creation of the Cinechromatic Apparatus authored by the Brazilian Abraham Palatnik (1925-2020) and his participation in the 1st São Paulo International Biennial (1951), as well as the difficulty of Brazilian critics to dialogue with the unusual object endowed with light in movement, for distancing itself from the traditional artistic duopoly, although it did not fail to insinuate itself simultaneously as a sculptural and pictorial object. Although this pioneering kinetic object was still a tributary of the Space-Light Modulator (1930), by the Hungarian artist Moholy-Nagy, the Brazilian Abraham Palatnik showed boldness and perseverance when creating his first lumino-chromatic work in a country which, at the time, was very technologically outdated. |
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Abraham Palatnik: light as a means of plastic expression.Abraham Palatnik: la luz como medio de expresión plástica.Abraham Palatnik: a luz como meio de expressão plásticaKinetic Art, Abraham Palatnik, Kinechromatic Apparatus, Art and Technology, Space/light/time relationArte cinético, Abraham Palatnik, Aparato Cinecromático, Arte y tecnología, Relación espacio / luz / tiempo.Arte Cinética, Abraham Palatnik, Aparelho Cinecromático, Arte e Tecnologia, Relação Espaço/luz/tempo.The text reflects on the creation of the Cinechromatic Apparatus authored by the Brazilian Abraham Palatnik (1925-2020) and his participation in the 1st São Paulo International Biennial (1951), as well as the difficulty of Brazilian critics to dialogue with the unusual object endowed with light in movement, for distancing itself from the traditional artistic duopoly, although it did not fail to insinuate itself simultaneously as a sculptural and pictorial object. Although this pioneering kinetic object was still a tributary of the Space-Light Modulator (1930), by the Hungarian artist Moholy-Nagy, the Brazilian Abraham Palatnik showed boldness and perseverance when creating his first lumino-chromatic work in a country which, at the time, was very technologically outdated. El texto reflexiona sobre la creación del Aparato Cinecromático, del brasileño Abraham Palatnik (1925-2019) y su participación en la I Bienal Internacional de São Paulo (1951), así como la dificultad de la crítica brasileña para dialogar con el objeto insólito dotado de luz en movimiento, por alejarse del tradicional duopolio artístico, aunque no deja de insinuarse a la vez como objeto escultórico y pictórico. Aunque este objeto cinético pionero era todavía afluente del Space-Light Modulator (1930), del artista húngaro Moholy-Nagy, el brasileño Abraham Palatnik mostró audacia y perseverancia al crear su primera obra lumino-cromática en un país que, en ese momento, estaba muy desactualizado tecnológicamente.O texto reflete sobre a criação e a participação do Aparelho Cinecromático de autoria do brasileiro Abraham Palatnik (1925-2019), na I Bienal Internacional de São Paulo (1951), bem como a dificuldade da crítica brasileira de dialogar com o inusitado objeto dotado de luz em movimento, por se distanciar do tradicional duopólio artístico, embora o mesmo não deixasse de se insinuar simultaneamente como objeto escultórico e pictórico. Se esse pioneiro objeto cinético não deixava de ser tributário do Modulador de Espaço-Luz (1930), de autoria do artista húngaro Moholy-Nagy, é inegável a ousadia e a perseverança de Palatnik, ao criar obras lumino-cromáticas em um país defasado tecnologicamente. Editora do PPGCA-UFF2022-01-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdftext/htmlhttps://periodicos.uff.br/poiesis/article/view/5082210.22409/poiesis.v23i39.50822REVISTA POIÉSIS; Vol. 23 No. 39 (2022): Indigestos trópicos; 170-186REVISTA POIÉSIS; Vol. 23 Núm. 39 (2022): Indigestos trópicos; 170-186REVISTA POIÉSIS; v. 23 n. 39 (2022): Indigestos trópicos; 170-1862177-8566reponame:Poiésis (Niterói. Online)instname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/poiesis/article/view/50822/31005https://periodicos.uff.br/poiesis/article/view/50822/31006Copyright (c) 2022 Almerinda da Silva Lopeshttps://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessLopes, Almerinda da Silva2022-06-27T02:51:59Zoai:ojs.pkp.sfu.ca:article/50822Revistahttps://periodicos.uff.br/poiesisPUBhttps://periodicos.uff.br/poiesis/oaipoiesis.uff@gmail.com||oliveira@vm.uff.br2177-85661517-5677opendoar:2022-06-27T02:51:59Poiésis (Niterói. Online) - Universidade Federal Fluminense (UFF)false |
dc.title.none.fl_str_mv |
Abraham Palatnik: light as a means of plastic expression. Abraham Palatnik: la luz como medio de expresión plástica. Abraham Palatnik: a luz como meio de expressão plástica |
title |
Abraham Palatnik: light as a means of plastic expression. |
spellingShingle |
Abraham Palatnik: light as a means of plastic expression. Lopes, Almerinda da Silva Kinetic Art, Abraham Palatnik, Kinechromatic Apparatus, Art and Technology, Space/light/time relation Arte cinético, Abraham Palatnik, Aparato Cinecromático, Arte y tecnología, Relación espacio / luz / tiempo. Arte Cinética, Abraham Palatnik, Aparelho Cinecromático, Arte e Tecnologia, Relação Espaço/luz/tempo. |
title_short |
Abraham Palatnik: light as a means of plastic expression. |
title_full |
Abraham Palatnik: light as a means of plastic expression. |
title_fullStr |
Abraham Palatnik: light as a means of plastic expression. |
title_full_unstemmed |
Abraham Palatnik: light as a means of plastic expression. |
title_sort |
Abraham Palatnik: light as a means of plastic expression. |
author |
Lopes, Almerinda da Silva |
author_facet |
Lopes, Almerinda da Silva |
author_role |
author |
dc.contributor.author.fl_str_mv |
Lopes, Almerinda da Silva |
dc.subject.por.fl_str_mv |
Kinetic Art, Abraham Palatnik, Kinechromatic Apparatus, Art and Technology, Space/light/time relation Arte cinético, Abraham Palatnik, Aparato Cinecromático, Arte y tecnología, Relación espacio / luz / tiempo. Arte Cinética, Abraham Palatnik, Aparelho Cinecromático, Arte e Tecnologia, Relação Espaço/luz/tempo. |
topic |
Kinetic Art, Abraham Palatnik, Kinechromatic Apparatus, Art and Technology, Space/light/time relation Arte cinético, Abraham Palatnik, Aparato Cinecromático, Arte y tecnología, Relación espacio / luz / tiempo. Arte Cinética, Abraham Palatnik, Aparelho Cinecromático, Arte e Tecnologia, Relação Espaço/luz/tempo. |
description |
The text reflects on the creation of the Cinechromatic Apparatus authored by the Brazilian Abraham Palatnik (1925-2020) and his participation in the 1st São Paulo International Biennial (1951), as well as the difficulty of Brazilian critics to dialogue with the unusual object endowed with light in movement, for distancing itself from the traditional artistic duopoly, although it did not fail to insinuate itself simultaneously as a sculptural and pictorial object. Although this pioneering kinetic object was still a tributary of the Space-Light Modulator (1930), by the Hungarian artist Moholy-Nagy, the Brazilian Abraham Palatnik showed boldness and perseverance when creating his first lumino-chromatic work in a country which, at the time, was very technologically outdated. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-01-30 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.uff.br/poiesis/article/view/50822 10.22409/poiesis.v23i39.50822 |
url |
https://periodicos.uff.br/poiesis/article/view/50822 |
identifier_str_mv |
10.22409/poiesis.v23i39.50822 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.uff.br/poiesis/article/view/50822/31005 https://periodicos.uff.br/poiesis/article/view/50822/31006 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Almerinda da Silva Lopes https://creativecommons.org/licenses/by-nc-nd/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Almerinda da Silva Lopes https://creativecommons.org/licenses/by-nc-nd/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf text/html |
dc.publisher.none.fl_str_mv |
Editora do PPGCA-UFF |
publisher.none.fl_str_mv |
Editora do PPGCA-UFF |
dc.source.none.fl_str_mv |
REVISTA POIÉSIS; Vol. 23 No. 39 (2022): Indigestos trópicos; 170-186 REVISTA POIÉSIS; Vol. 23 Núm. 39 (2022): Indigestos trópicos; 170-186 REVISTA POIÉSIS; v. 23 n. 39 (2022): Indigestos trópicos; 170-186 2177-8566 reponame:Poiésis (Niterói. Online) instname:Universidade Federal Fluminense (UFF) instacron:UFF |
instname_str |
Universidade Federal Fluminense (UFF) |
instacron_str |
UFF |
institution |
UFF |
reponame_str |
Poiésis (Niterói. Online) |
collection |
Poiésis (Niterói. Online) |
repository.name.fl_str_mv |
Poiésis (Niterói. Online) - Universidade Federal Fluminense (UFF) |
repository.mail.fl_str_mv |
poiesis.uff@gmail.com||oliveira@vm.uff.br |
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1797220418961014784 |