“And I need you now tonight, and I need you more than ever”: Romantismos de artifício no cinema brasileiro contemporâneo

Detalhes bibliográficos
Autor(a) principal: Marconi, Dieison
Data de Publicação: 2022
Outros Autores: Machado Ramos de Almeida, Gabriela
Tipo de documento: Artigo
Idioma: por
eng
Título da fonte: Contracampo
Texto Completo: https://periodicos.uff.br/contracampo/article/view/52128
Resumo: In this paper we propose the notion of "romanticism of artifice" to designate fabulation modes which are noticeable in contemporary Brazilian queer films that are marked, in its narrative and aesthetics, by traits such as the use of the cliché, intertextuality, mannerism, visual exaggeration and the appropriation of popular and hegemonic audiovisual repertoires. We work with the short films Os últimos românticos do mundo (Henrique Arruda, 2020) and Looping (Maick Hannder, 2019), with the aim of situating the romanticism of artifice, partly legible and partly unnamable, as a kind of blur in the consensual order of the ideal of romantic love, producing a hiatus for the political which is built: 1) as an action of microrresistence capable of showing a space beyond the violence against queer bodies and 2) by the ways in which the films place impasses in the cleavages between Global North and South.
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spelling “And I need you now tonight, and I need you more than ever”: Romantismos de artifício no cinema brasileiro contemporâneoIn this paper we propose the notion of "romanticism of artifice" to designate fabulation modes which are noticeable in contemporary Brazilian queer films that are marked, in its narrative and aesthetics, by traits such as the use of the cliché, intertextuality, mannerism, visual exaggeration and the appropriation of popular and hegemonic audiovisual repertoires. We work with the short films Os últimos românticos do mundo (Henrique Arruda, 2020) and Looping (Maick Hannder, 2019), with the aim of situating the romanticism of artifice, partly legible and partly unnamable, as a kind of blur in the consensual order of the ideal of romantic love, producing a hiatus for the political which is built: 1) as an action of microrresistence capable of showing a space beyond the violence against queer bodies and 2) by the ways in which the films place impasses in the cleavages between Global North and South.Nesse artigo propomos a noção de “romantismo de artifício” para designar modos de fabulação identificáveis em filmes queer brasileiros contemporâneos que são marcados, em sua narrativa e estética, por traços como o recurso ao clichê, a intertextualidade, a afetação, o exagero visual e a apropriação de repertórios audiovisuais populares e hegemônicos. Trabalhamos com os curtas-metragens Os últimos românticos do mundo (Henrique Arruda, 2020) e Looping (Maick Hannder, 2019), com o objetivo de situar o romantismo de artifício, em parte legível e em parte inominável, como rasura na ordem consensual do ideal do amor romântico, produzindo uma brecha para o político que se constrói: 1) como ação de microrresistência capaz de apontar para um lugar além da violência contra corpos queer e 2) pelas formas como os filmes colocam impasses nas clivagens entre Norte e Sul Global.Programa de Pós-Graduação em Comunicação da Universidade Federal Fluminense2022-08-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://periodicos.uff.br/contracampo/article/view/5212810.22409/contracampo.v41i2.52128Contracampo; v. 41 n. 2 (2022): Dossiê Corpo, Violência e Trauma nas Dobras do Sul Global II2238-25771414-748310.22409/contracampo.v41i2reponame:Contracampoinstname:Universidade Federal Fluminense (UFF)instacron:UFFporenghttps://periodicos.uff.br/contracampo/article/view/52128/32522https://periodicos.uff.br/contracampo/article/view/52128/34438Copyright (c) 2019 Gabriela Machado Ramos de Almeidahttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMarconi, DieisonMachado Ramos de Almeida, Gabriela2022-09-01T01:29:10Zoai:ojs.pkp.sfu.ca:article/52128Revistahttps://periodicos.uff.br/contracampoPUBhttps://periodicos.uff.br/contracampo/oai||contracampo.uff@gmail.com2238-25771414-7483opendoar:2022-09-01T01:29:10Contracampo - Universidade Federal Fluminense (UFF)false
dc.title.none.fl_str_mv “And I need you now tonight, and I need you more than ever”: Romantismos de artifício no cinema brasileiro contemporâneo
title “And I need you now tonight, and I need you more than ever”: Romantismos de artifício no cinema brasileiro contemporâneo
spellingShingle “And I need you now tonight, and I need you more than ever”: Romantismos de artifício no cinema brasileiro contemporâneo
Marconi, Dieison
title_short “And I need you now tonight, and I need you more than ever”: Romantismos de artifício no cinema brasileiro contemporâneo
title_full “And I need you now tonight, and I need you more than ever”: Romantismos de artifício no cinema brasileiro contemporâneo
title_fullStr “And I need you now tonight, and I need you more than ever”: Romantismos de artifício no cinema brasileiro contemporâneo
title_full_unstemmed “And I need you now tonight, and I need you more than ever”: Romantismos de artifício no cinema brasileiro contemporâneo
title_sort “And I need you now tonight, and I need you more than ever”: Romantismos de artifício no cinema brasileiro contemporâneo
author Marconi, Dieison
author_facet Marconi, Dieison
Machado Ramos de Almeida, Gabriela
author_role author
author2 Machado Ramos de Almeida, Gabriela
author2_role author
dc.contributor.author.fl_str_mv Marconi, Dieison
Machado Ramos de Almeida, Gabriela
description In this paper we propose the notion of "romanticism of artifice" to designate fabulation modes which are noticeable in contemporary Brazilian queer films that are marked, in its narrative and aesthetics, by traits such as the use of the cliché, intertextuality, mannerism, visual exaggeration and the appropriation of popular and hegemonic audiovisual repertoires. We work with the short films Os últimos românticos do mundo (Henrique Arruda, 2020) and Looping (Maick Hannder, 2019), with the aim of situating the romanticism of artifice, partly legible and partly unnamable, as a kind of blur in the consensual order of the ideal of romantic love, producing a hiatus for the political which is built: 1) as an action of microrresistence capable of showing a space beyond the violence against queer bodies and 2) by the ways in which the films place impasses in the cleavages between Global North and South.
publishDate 2022
dc.date.none.fl_str_mv 2022-08-31
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.uff.br/contracampo/article/view/52128
10.22409/contracampo.v41i2.52128
url https://periodicos.uff.br/contracampo/article/view/52128
identifier_str_mv 10.22409/contracampo.v41i2.52128
dc.language.iso.fl_str_mv por
eng
language por
eng
dc.relation.none.fl_str_mv https://periodicos.uff.br/contracampo/article/view/52128/32522
https://periodicos.uff.br/contracampo/article/view/52128/34438
dc.rights.driver.fl_str_mv Copyright (c) 2019 Gabriela Machado Ramos de Almeida
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Gabriela Machado Ramos de Almeida
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Programa de Pós-Graduação em Comunicação da Universidade Federal Fluminense
publisher.none.fl_str_mv Programa de Pós-Graduação em Comunicação da Universidade Federal Fluminense
dc.source.none.fl_str_mv Contracampo; v. 41 n. 2 (2022): Dossiê Corpo, Violência e Trauma nas Dobras do Sul Global II
2238-2577
1414-7483
10.22409/contracampo.v41i2
reponame:Contracampo
instname:Universidade Federal Fluminense (UFF)
instacron:UFF
instname_str Universidade Federal Fluminense (UFF)
instacron_str UFF
institution UFF
reponame_str Contracampo
collection Contracampo
repository.name.fl_str_mv Contracampo - Universidade Federal Fluminense (UFF)
repository.mail.fl_str_mv ||contracampo.uff@gmail.com
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