“And I need you now tonight, and I need you more than ever”: Romantismos de artifício no cinema brasileiro contemporâneo
Autor(a) principal: | |
---|---|
Data de Publicação: | 2022 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por eng |
Título da fonte: | Contracampo |
Texto Completo: | https://periodicos.uff.br/contracampo/article/view/52128 |
Resumo: | In this paper we propose the notion of "romanticism of artifice" to designate fabulation modes which are noticeable in contemporary Brazilian queer films that are marked, in its narrative and aesthetics, by traits such as the use of the cliché, intertextuality, mannerism, visual exaggeration and the appropriation of popular and hegemonic audiovisual repertoires. We work with the short films Os últimos românticos do mundo (Henrique Arruda, 2020) and Looping (Maick Hannder, 2019), with the aim of situating the romanticism of artifice, partly legible and partly unnamable, as a kind of blur in the consensual order of the ideal of romantic love, producing a hiatus for the political which is built: 1) as an action of microrresistence capable of showing a space beyond the violence against queer bodies and 2) by the ways in which the films place impasses in the cleavages between Global North and South. |
id |
UFF-5_66e57eca6e22bbd30c1e8179e467c4f7 |
---|---|
oai_identifier_str |
oai:ojs.pkp.sfu.ca:article/52128 |
network_acronym_str |
UFF-5 |
network_name_str |
Contracampo |
repository_id_str |
|
spelling |
“And I need you now tonight, and I need you more than ever”: Romantismos de artifício no cinema brasileiro contemporâneoIn this paper we propose the notion of "romanticism of artifice" to designate fabulation modes which are noticeable in contemporary Brazilian queer films that are marked, in its narrative and aesthetics, by traits such as the use of the cliché, intertextuality, mannerism, visual exaggeration and the appropriation of popular and hegemonic audiovisual repertoires. We work with the short films Os últimos românticos do mundo (Henrique Arruda, 2020) and Looping (Maick Hannder, 2019), with the aim of situating the romanticism of artifice, partly legible and partly unnamable, as a kind of blur in the consensual order of the ideal of romantic love, producing a hiatus for the political which is built: 1) as an action of microrresistence capable of showing a space beyond the violence against queer bodies and 2) by the ways in which the films place impasses in the cleavages between Global North and South.Nesse artigo propomos a noção de “romantismo de artifício” para designar modos de fabulação identificáveis em filmes queer brasileiros contemporâneos que são marcados, em sua narrativa e estética, por traços como o recurso ao clichê, a intertextualidade, a afetação, o exagero visual e a apropriação de repertórios audiovisuais populares e hegemônicos. Trabalhamos com os curtas-metragens Os últimos românticos do mundo (Henrique Arruda, 2020) e Looping (Maick Hannder, 2019), com o objetivo de situar o romantismo de artifício, em parte legível e em parte inominável, como rasura na ordem consensual do ideal do amor romântico, produzindo uma brecha para o político que se constrói: 1) como ação de microrresistência capaz de apontar para um lugar além da violência contra corpos queer e 2) pelas formas como os filmes colocam impasses nas clivagens entre Norte e Sul Global.Programa de Pós-Graduação em Comunicação da Universidade Federal Fluminense2022-08-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://periodicos.uff.br/contracampo/article/view/5212810.22409/contracampo.v41i2.52128Contracampo; v. 41 n. 2 (2022): Dossiê Corpo, Violência e Trauma nas Dobras do Sul Global II2238-25771414-748310.22409/contracampo.v41i2reponame:Contracampoinstname:Universidade Federal Fluminense (UFF)instacron:UFFporenghttps://periodicos.uff.br/contracampo/article/view/52128/32522https://periodicos.uff.br/contracampo/article/view/52128/34438Copyright (c) 2019 Gabriela Machado Ramos de Almeidahttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMarconi, DieisonMachado Ramos de Almeida, Gabriela2022-09-01T01:29:10Zoai:ojs.pkp.sfu.ca:article/52128Revistahttps://periodicos.uff.br/contracampoPUBhttps://periodicos.uff.br/contracampo/oai||contracampo.uff@gmail.com2238-25771414-7483opendoar:2022-09-01T01:29:10Contracampo - Universidade Federal Fluminense (UFF)false |
dc.title.none.fl_str_mv |
“And I need you now tonight, and I need you more than ever”: Romantismos de artifício no cinema brasileiro contemporâneo |
title |
“And I need you now tonight, and I need you more than ever”: Romantismos de artifício no cinema brasileiro contemporâneo |
spellingShingle |
“And I need you now tonight, and I need you more than ever”: Romantismos de artifício no cinema brasileiro contemporâneo Marconi, Dieison |
title_short |
“And I need you now tonight, and I need you more than ever”: Romantismos de artifício no cinema brasileiro contemporâneo |
title_full |
“And I need you now tonight, and I need you more than ever”: Romantismos de artifício no cinema brasileiro contemporâneo |
title_fullStr |
“And I need you now tonight, and I need you more than ever”: Romantismos de artifício no cinema brasileiro contemporâneo |
title_full_unstemmed |
“And I need you now tonight, and I need you more than ever”: Romantismos de artifício no cinema brasileiro contemporâneo |
title_sort |
“And I need you now tonight, and I need you more than ever”: Romantismos de artifício no cinema brasileiro contemporâneo |
author |
Marconi, Dieison |
author_facet |
Marconi, Dieison Machado Ramos de Almeida, Gabriela |
author_role |
author |
author2 |
Machado Ramos de Almeida, Gabriela |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Marconi, Dieison Machado Ramos de Almeida, Gabriela |
description |
In this paper we propose the notion of "romanticism of artifice" to designate fabulation modes which are noticeable in contemporary Brazilian queer films that are marked, in its narrative and aesthetics, by traits such as the use of the cliché, intertextuality, mannerism, visual exaggeration and the appropriation of popular and hegemonic audiovisual repertoires. We work with the short films Os últimos românticos do mundo (Henrique Arruda, 2020) and Looping (Maick Hannder, 2019), with the aim of situating the romanticism of artifice, partly legible and partly unnamable, as a kind of blur in the consensual order of the ideal of romantic love, producing a hiatus for the political which is built: 1) as an action of microrresistence capable of showing a space beyond the violence against queer bodies and 2) by the ways in which the films place impasses in the cleavages between Global North and South. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-08-31 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.uff.br/contracampo/article/view/52128 10.22409/contracampo.v41i2.52128 |
url |
https://periodicos.uff.br/contracampo/article/view/52128 |
identifier_str_mv |
10.22409/contracampo.v41i2.52128 |
dc.language.iso.fl_str_mv |
por eng |
language |
por eng |
dc.relation.none.fl_str_mv |
https://periodicos.uff.br/contracampo/article/view/52128/32522 https://periodicos.uff.br/contracampo/article/view/52128/34438 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Gabriela Machado Ramos de Almeida https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Gabriela Machado Ramos de Almeida https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
Programa de Pós-Graduação em Comunicação da Universidade Federal Fluminense |
publisher.none.fl_str_mv |
Programa de Pós-Graduação em Comunicação da Universidade Federal Fluminense |
dc.source.none.fl_str_mv |
Contracampo; v. 41 n. 2 (2022): Dossiê Corpo, Violência e Trauma nas Dobras do Sul Global II 2238-2577 1414-7483 10.22409/contracampo.v41i2 reponame:Contracampo instname:Universidade Federal Fluminense (UFF) instacron:UFF |
instname_str |
Universidade Federal Fluminense (UFF) |
instacron_str |
UFF |
institution |
UFF |
reponame_str |
Contracampo |
collection |
Contracampo |
repository.name.fl_str_mv |
Contracampo - Universidade Federal Fluminense (UFF) |
repository.mail.fl_str_mv |
||contracampo.uff@gmail.com |
_version_ |
1799705522722570240 |