Fissures of the real: deviations from mimesis in contemporary Brazilian dramaturgy

Detalhes bibliográficos
Autor(a) principal: de Medeiros, Elen
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: por
Título da fonte: Gragoatá
Texto Completo: https://periodicos.uff.br/gragoata/article/view/33613
Resumo: From the approach of four theatrical pieces – Apocalipse 1,11 (Teatro da Vertigem), Agreste and Projeto Body Art (by Newton Moreno), and Amores surdos (by Grace Passô) –, we intend to recognize propositions of insertion of deviant elements of the real or the referential of representation in contemporary theater. In this sense, the works deal, each with a particular poetics, with strange elements that mark deviations of behavior, thus causing a displacement as to the composition of the theatrical mimesis, and approach the perceptions of social reality in its multiple marginalizations and forms of reading. ---DOI: http://dx.doi.org/10.22409/gragoata.2018n47a1171
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spelling Fissures of the real: deviations from mimesis in contemporary Brazilian dramaturgyFissuras do real: desvios da mimese na dramaturgia brasileira contemporâneacontemporary dramaturgydeviations from the realtheatrical mimesisdramatic literature.dramaturgia contemporâneadesvios do realmimese teatralliteratura dramática.From the approach of four theatrical pieces – Apocalipse 1,11 (Teatro da Vertigem), Agreste and Projeto Body Art (by Newton Moreno), and Amores surdos (by Grace Passô) –, we intend to recognize propositions of insertion of deviant elements of the real or the referential of representation in contemporary theater. In this sense, the works deal, each with a particular poetics, with strange elements that mark deviations of behavior, thus causing a displacement as to the composition of the theatrical mimesis, and approach the perceptions of social reality in its multiple marginalizations and forms of reading. ---DOI: http://dx.doi.org/10.22409/gragoata.2018n47a1171Com base na abordagem de quatro obras, Apocalipse 1,11, do Teatro da Vertigem, Agreste e Projeto Body Art, de Newton Moreno, e Amores surdos, de Grace Passô, pretende-se reconhecer proposições de inserção de elementos desviantes do real ou do referencial de representação no teatro contemporâneo. Nesse sentido, as obras lidabym, cada qual com uma poética particular, com elementos estranhos que marcam desvios de comportamento, provocando assim um deslocamento quanto à composição da mimese teatral, e aproximam-se das percepções da realidade social em suas múltiplas marginalizações e formas de leitura. ---DOI: http://dx.doi.org/10.22409/gragoata.2018n47a1171Universidade Federal Fluminense2018-12-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://periodicos.uff.br/gragoata/article/view/3361310.22409/gragoata.v23i47.33613Gragoatá; Vol. 23 No. 47 (2018): Monstrous Organization; 994-1007Gragoatá; v. 23 n. 47 (2018): Monstruosa organização; 994-10072358-41141413-907310.22409/gragoata.v23i47reponame:Gragoatáinstname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/gragoata/article/view/33613/19600Copyright (c) 2019 Gragoatáinfo:eu-repo/semantics/openAccessde Medeiros, Elen2019-08-23T11:13:59Zoai:ojs.pkp.sfu.ca:article/33613Revistahttps://periodicos.uff.br/gragoataPUBhttps://periodicos.uff.br/gragoata/oai||revistagragoata@gmail.com2358-41141413-9073opendoar:2019-08-23T11:13:59Gragoatá - Universidade Federal Fluminense (UFF)false
dc.title.none.fl_str_mv Fissures of the real: deviations from mimesis in contemporary Brazilian dramaturgy
Fissuras do real: desvios da mimese na dramaturgia brasileira contemporânea
title Fissures of the real: deviations from mimesis in contemporary Brazilian dramaturgy
spellingShingle Fissures of the real: deviations from mimesis in contemporary Brazilian dramaturgy
de Medeiros, Elen
contemporary dramaturgy
deviations from the real
theatrical mimesis
dramatic literature.
dramaturgia contemporânea
desvios do real
mimese teatral
literatura dramática.
title_short Fissures of the real: deviations from mimesis in contemporary Brazilian dramaturgy
title_full Fissures of the real: deviations from mimesis in contemporary Brazilian dramaturgy
title_fullStr Fissures of the real: deviations from mimesis in contemporary Brazilian dramaturgy
title_full_unstemmed Fissures of the real: deviations from mimesis in contemporary Brazilian dramaturgy
title_sort Fissures of the real: deviations from mimesis in contemporary Brazilian dramaturgy
author de Medeiros, Elen
author_facet de Medeiros, Elen
author_role author
dc.contributor.author.fl_str_mv de Medeiros, Elen
dc.subject.por.fl_str_mv contemporary dramaturgy
deviations from the real
theatrical mimesis
dramatic literature.
dramaturgia contemporânea
desvios do real
mimese teatral
literatura dramática.
topic contemporary dramaturgy
deviations from the real
theatrical mimesis
dramatic literature.
dramaturgia contemporânea
desvios do real
mimese teatral
literatura dramática.
description From the approach of four theatrical pieces – Apocalipse 1,11 (Teatro da Vertigem), Agreste and Projeto Body Art (by Newton Moreno), and Amores surdos (by Grace Passô) –, we intend to recognize propositions of insertion of deviant elements of the real or the referential of representation in contemporary theater. In this sense, the works deal, each with a particular poetics, with strange elements that mark deviations of behavior, thus causing a displacement as to the composition of the theatrical mimesis, and approach the perceptions of social reality in its multiple marginalizations and forms of reading. ---DOI: http://dx.doi.org/10.22409/gragoata.2018n47a1171
publishDate 2018
dc.date.none.fl_str_mv 2018-12-29
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.uff.br/gragoata/article/view/33613
10.22409/gragoata.v23i47.33613
url https://periodicos.uff.br/gragoata/article/view/33613
identifier_str_mv 10.22409/gragoata.v23i47.33613
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.uff.br/gragoata/article/view/33613/19600
dc.rights.driver.fl_str_mv Copyright (c) 2019 Gragoatá
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Gragoatá
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal Fluminense
publisher.none.fl_str_mv Universidade Federal Fluminense
dc.source.none.fl_str_mv Gragoatá; Vol. 23 No. 47 (2018): Monstrous Organization; 994-1007
Gragoatá; v. 23 n. 47 (2018): Monstruosa organização; 994-1007
2358-4114
1413-9073
10.22409/gragoata.v23i47
reponame:Gragoatá
instname:Universidade Federal Fluminense (UFF)
instacron:UFF
instname_str Universidade Federal Fluminense (UFF)
instacron_str UFF
institution UFF
reponame_str Gragoatá
collection Gragoatá
repository.name.fl_str_mv Gragoatá - Universidade Federal Fluminense (UFF)
repository.mail.fl_str_mv ||revistagragoata@gmail.com
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