Fissures of the real: deviations from mimesis in contemporary Brazilian dramaturgy
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Gragoatá |
Texto Completo: | https://periodicos.uff.br/gragoata/article/view/33613 |
Resumo: | From the approach of four theatrical pieces – Apocalipse 1,11 (Teatro da Vertigem), Agreste and Projeto Body Art (by Newton Moreno), and Amores surdos (by Grace Passô) –, we intend to recognize propositions of insertion of deviant elements of the real or the referential of representation in contemporary theater. In this sense, the works deal, each with a particular poetics, with strange elements that mark deviations of behavior, thus causing a displacement as to the composition of the theatrical mimesis, and approach the perceptions of social reality in its multiple marginalizations and forms of reading. ---DOI: http://dx.doi.org/10.22409/gragoata.2018n47a1171 |
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Fissures of the real: deviations from mimesis in contemporary Brazilian dramaturgyFissuras do real: desvios da mimese na dramaturgia brasileira contemporâneacontemporary dramaturgydeviations from the realtheatrical mimesisdramatic literature.dramaturgia contemporâneadesvios do realmimese teatralliteratura dramática.From the approach of four theatrical pieces – Apocalipse 1,11 (Teatro da Vertigem), Agreste and Projeto Body Art (by Newton Moreno), and Amores surdos (by Grace Passô) –, we intend to recognize propositions of insertion of deviant elements of the real or the referential of representation in contemporary theater. In this sense, the works deal, each with a particular poetics, with strange elements that mark deviations of behavior, thus causing a displacement as to the composition of the theatrical mimesis, and approach the perceptions of social reality in its multiple marginalizations and forms of reading. ---DOI: http://dx.doi.org/10.22409/gragoata.2018n47a1171Com base na abordagem de quatro obras, Apocalipse 1,11, do Teatro da Vertigem, Agreste e Projeto Body Art, de Newton Moreno, e Amores surdos, de Grace Passô, pretende-se reconhecer proposições de inserção de elementos desviantes do real ou do referencial de representação no teatro contemporâneo. Nesse sentido, as obras lidabym, cada qual com uma poética particular, com elementos estranhos que marcam desvios de comportamento, provocando assim um deslocamento quanto à composição da mimese teatral, e aproximam-se das percepções da realidade social em suas múltiplas marginalizações e formas de leitura. ---DOI: http://dx.doi.org/10.22409/gragoata.2018n47a1171Universidade Federal Fluminense2018-12-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://periodicos.uff.br/gragoata/article/view/3361310.22409/gragoata.v23i47.33613Gragoatá; Vol. 23 No. 47 (2018): Monstrous Organization; 994-1007Gragoatá; v. 23 n. 47 (2018): Monstruosa organização; 994-10072358-41141413-907310.22409/gragoata.v23i47reponame:Gragoatáinstname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/gragoata/article/view/33613/19600Copyright (c) 2019 Gragoatáinfo:eu-repo/semantics/openAccessde Medeiros, Elen2019-08-23T11:13:59Zoai:ojs.pkp.sfu.ca:article/33613Revistahttps://periodicos.uff.br/gragoataPUBhttps://periodicos.uff.br/gragoata/oai||revistagragoata@gmail.com2358-41141413-9073opendoar:2019-08-23T11:13:59Gragoatá - Universidade Federal Fluminense (UFF)false |
dc.title.none.fl_str_mv |
Fissures of the real: deviations from mimesis in contemporary Brazilian dramaturgy Fissuras do real: desvios da mimese na dramaturgia brasileira contemporânea |
title |
Fissures of the real: deviations from mimesis in contemporary Brazilian dramaturgy |
spellingShingle |
Fissures of the real: deviations from mimesis in contemporary Brazilian dramaturgy de Medeiros, Elen contemporary dramaturgy deviations from the real theatrical mimesis dramatic literature. dramaturgia contemporânea desvios do real mimese teatral literatura dramática. |
title_short |
Fissures of the real: deviations from mimesis in contemporary Brazilian dramaturgy |
title_full |
Fissures of the real: deviations from mimesis in contemporary Brazilian dramaturgy |
title_fullStr |
Fissures of the real: deviations from mimesis in contemporary Brazilian dramaturgy |
title_full_unstemmed |
Fissures of the real: deviations from mimesis in contemporary Brazilian dramaturgy |
title_sort |
Fissures of the real: deviations from mimesis in contemporary Brazilian dramaturgy |
author |
de Medeiros, Elen |
author_facet |
de Medeiros, Elen |
author_role |
author |
dc.contributor.author.fl_str_mv |
de Medeiros, Elen |
dc.subject.por.fl_str_mv |
contemporary dramaturgy deviations from the real theatrical mimesis dramatic literature. dramaturgia contemporânea desvios do real mimese teatral literatura dramática. |
topic |
contemporary dramaturgy deviations from the real theatrical mimesis dramatic literature. dramaturgia contemporânea desvios do real mimese teatral literatura dramática. |
description |
From the approach of four theatrical pieces – Apocalipse 1,11 (Teatro da Vertigem), Agreste and Projeto Body Art (by Newton Moreno), and Amores surdos (by Grace Passô) –, we intend to recognize propositions of insertion of deviant elements of the real or the referential of representation in contemporary theater. In this sense, the works deal, each with a particular poetics, with strange elements that mark deviations of behavior, thus causing a displacement as to the composition of the theatrical mimesis, and approach the perceptions of social reality in its multiple marginalizations and forms of reading. ---DOI: http://dx.doi.org/10.22409/gragoata.2018n47a1171 |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-12-29 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.uff.br/gragoata/article/view/33613 10.22409/gragoata.v23i47.33613 |
url |
https://periodicos.uff.br/gragoata/article/view/33613 |
identifier_str_mv |
10.22409/gragoata.v23i47.33613 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.uff.br/gragoata/article/view/33613/19600 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Gragoatá info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Gragoatá |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal Fluminense |
publisher.none.fl_str_mv |
Universidade Federal Fluminense |
dc.source.none.fl_str_mv |
Gragoatá; Vol. 23 No. 47 (2018): Monstrous Organization; 994-1007 Gragoatá; v. 23 n. 47 (2018): Monstruosa organização; 994-1007 2358-4114 1413-9073 10.22409/gragoata.v23i47 reponame:Gragoatá instname:Universidade Federal Fluminense (UFF) instacron:UFF |
instname_str |
Universidade Federal Fluminense (UFF) |
instacron_str |
UFF |
institution |
UFF |
reponame_str |
Gragoatá |
collection |
Gragoatá |
repository.name.fl_str_mv |
Gragoatá - Universidade Federal Fluminense (UFF) |
repository.mail.fl_str_mv |
||revistagragoata@gmail.com |
_version_ |
1799705502453596160 |