About the state of equilibrium between the truths that are said and the words that say them: the aesthetics of neo-realism and the search for ways of poetical doing in the works of Carlos de Oliveira
Autor(a) principal: | |
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Data de Publicação: | 2015 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Abril (Niterói) |
Texto Completo: | https://periodicos.uff.br/revistaabril/article/view/29868 |
Resumo: | The article is based on the ideas of Marice Blanchot and Ezra Pound about the poetry as a condensed narrative form. The notion of an aesthetic perception, related to the visual and sensitive, in parallel to the perception of the text as language in the sense of communicating is presented. From this double mechanism of appreciation, imagistic-sensitive and teleological, we intend to discuss the way that the book Cantata, from Carlos de Oliveira, marks an investment in the form as an specific work of the artist that presents itself in a controversial plan to the idea of primacy of content over form, periodically affirmed as the basis of the orthodox theorization for Portuguese neo-realism. Thus, the present article understands the neo-realism not only as a strictly literary, artistic or generational movement, but as a systematic questioning on the domains of art, politics and culture. |
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About the state of equilibrium between the truths that are said and the words that say them: the aesthetics of neo-realism and the search for ways of poetical doing in the works of Carlos de OliveiraSobre o estado de equilíbrio entre as verdades que se dizem e as palavras que as dizem: a estética neorrealista e a busca por modos de fazer poético na obra de Carlos de OliveiraCarlos de Oliveira. Neo-realism. Poetic politics.Carlos de Oliveira. Neorrealismo. Política poética.The article is based on the ideas of Marice Blanchot and Ezra Pound about the poetry as a condensed narrative form. The notion of an aesthetic perception, related to the visual and sensitive, in parallel to the perception of the text as language in the sense of communicating is presented. From this double mechanism of appreciation, imagistic-sensitive and teleological, we intend to discuss the way that the book Cantata, from Carlos de Oliveira, marks an investment in the form as an specific work of the artist that presents itself in a controversial plan to the idea of primacy of content over form, periodically affirmed as the basis of the orthodox theorization for Portuguese neo-realism. Thus, the present article understands the neo-realism not only as a strictly literary, artistic or generational movement, but as a systematic questioning on the domains of art, politics and culture.O artigo parte das ideias de Maurice Blanchot e Ezra Pound sobre a poesia enquanto forma condensada de narrar. Assim, apresenta-se a noção de percepção estética, ligada ao visual e ao sensível, em paralelo à percepção que se faz do texto enquanto linguagem no sentido de veículo de comunicação. A partir deste duplo mecanismo de apreciação, imagético-sensível e teleológico, pretendemos discutir a maneira como o livro Cantata, de Carlos de Oliveira, marca um investimento na forma, enquanto trabalho específico do artista que se apresenta em plano polêmico à ideia de primazia do conteúdo em detrimento da forma, periodicamente afirmada como base de uma teorização ortodoxa do neorrealismo português. Assim, o presente trabalho entende o neorrealismo não apenas como um movimento estritamente literário ou artístico, ou um movimento de geração, mas como a constituição de uma problemática impulsionadora de um questionamento sistemático nos domínios da arte, da política e da cultura.ABEC Brasil2015-11-18info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPeer-reviewed ArticleArtigo avaliado por paresapplication/pdfhttps://periodicos.uff.br/revistaabril/article/view/2986810.22409/abriluff.v7i15.29868ABRIL – NEPA / UFF; Vol. 7 No. 15 (2015): POETRY AND CRITICISM IN CONTEMPORANEITY; 41-52Abril – NEPA / UFF; v. 7 n. 15 (2015): POESIA E CRÍTICA NA CONTEMPORANEIDADE; 41-521984-209010.22409/abriluff.v7i15reponame:Abril (Niterói)instname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/revistaabril/article/view/29868/17409Copyright (c) 2018 Abril – NEPA / UFFinfo:eu-repo/semantics/openAccessLaks, Daniel MarinhoCoutinho, Alexandre Montaury Baptista2019-08-09T09:32:10Zoai:ojs.pkp.sfu.ca:article/29868Revistahttps://periodicos.uff.br/revistaabrilPUBhttps://periodicos.uff.br/revistaabril/oairevistaabril@vm.uff.br||nepa@vm.uff.br||uffnepa@gmail.com||idafalves@gmail.com1984-20901984-2090opendoar:2019-08-09T09:32:10Abril (Niterói) - Universidade Federal Fluminense (UFF)false |
dc.title.none.fl_str_mv |
About the state of equilibrium between the truths that are said and the words that say them: the aesthetics of neo-realism and the search for ways of poetical doing in the works of Carlos de Oliveira Sobre o estado de equilíbrio entre as verdades que se dizem e as palavras que as dizem: a estética neorrealista e a busca por modos de fazer poético na obra de Carlos de Oliveira |
title |
About the state of equilibrium between the truths that are said and the words that say them: the aesthetics of neo-realism and the search for ways of poetical doing in the works of Carlos de Oliveira |
spellingShingle |
About the state of equilibrium between the truths that are said and the words that say them: the aesthetics of neo-realism and the search for ways of poetical doing in the works of Carlos de Oliveira Laks, Daniel Marinho Carlos de Oliveira. Neo-realism. Poetic politics. Carlos de Oliveira. Neorrealismo. Política poética. |
title_short |
About the state of equilibrium between the truths that are said and the words that say them: the aesthetics of neo-realism and the search for ways of poetical doing in the works of Carlos de Oliveira |
title_full |
About the state of equilibrium between the truths that are said and the words that say them: the aesthetics of neo-realism and the search for ways of poetical doing in the works of Carlos de Oliveira |
title_fullStr |
About the state of equilibrium between the truths that are said and the words that say them: the aesthetics of neo-realism and the search for ways of poetical doing in the works of Carlos de Oliveira |
title_full_unstemmed |
About the state of equilibrium between the truths that are said and the words that say them: the aesthetics of neo-realism and the search for ways of poetical doing in the works of Carlos de Oliveira |
title_sort |
About the state of equilibrium between the truths that are said and the words that say them: the aesthetics of neo-realism and the search for ways of poetical doing in the works of Carlos de Oliveira |
author |
Laks, Daniel Marinho |
author_facet |
Laks, Daniel Marinho Coutinho, Alexandre Montaury Baptista |
author_role |
author |
author2 |
Coutinho, Alexandre Montaury Baptista |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Laks, Daniel Marinho Coutinho, Alexandre Montaury Baptista |
dc.subject.por.fl_str_mv |
Carlos de Oliveira. Neo-realism. Poetic politics. Carlos de Oliveira. Neorrealismo. Política poética. |
topic |
Carlos de Oliveira. Neo-realism. Poetic politics. Carlos de Oliveira. Neorrealismo. Política poética. |
description |
The article is based on the ideas of Marice Blanchot and Ezra Pound about the poetry as a condensed narrative form. The notion of an aesthetic perception, related to the visual and sensitive, in parallel to the perception of the text as language in the sense of communicating is presented. From this double mechanism of appreciation, imagistic-sensitive and teleological, we intend to discuss the way that the book Cantata, from Carlos de Oliveira, marks an investment in the form as an specific work of the artist that presents itself in a controversial plan to the idea of primacy of content over form, periodically affirmed as the basis of the orthodox theorization for Portuguese neo-realism. Thus, the present article understands the neo-realism not only as a strictly literary, artistic or generational movement, but as a systematic questioning on the domains of art, politics and culture. |
publishDate |
2015 |
dc.date.none.fl_str_mv |
2015-11-18 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article Artigo avaliado por pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.uff.br/revistaabril/article/view/29868 10.22409/abriluff.v7i15.29868 |
url |
https://periodicos.uff.br/revistaabril/article/view/29868 |
identifier_str_mv |
10.22409/abriluff.v7i15.29868 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.uff.br/revistaabril/article/view/29868/17409 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Abril – NEPA / UFF info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Abril – NEPA / UFF |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
ABEC Brasil |
publisher.none.fl_str_mv |
ABEC Brasil |
dc.source.none.fl_str_mv |
ABRIL – NEPA / UFF; Vol. 7 No. 15 (2015): POETRY AND CRITICISM IN CONTEMPORANEITY; 41-52 Abril – NEPA / UFF; v. 7 n. 15 (2015): POESIA E CRÍTICA NA CONTEMPORANEIDADE; 41-52 1984-2090 10.22409/abriluff.v7i15 reponame:Abril (Niterói) instname:Universidade Federal Fluminense (UFF) instacron:UFF |
instname_str |
Universidade Federal Fluminense (UFF) |
instacron_str |
UFF |
institution |
UFF |
reponame_str |
Abril (Niterói) |
collection |
Abril (Niterói) |
repository.name.fl_str_mv |
Abril (Niterói) - Universidade Federal Fluminense (UFF) |
repository.mail.fl_str_mv |
revistaabril@vm.uff.br||nepa@vm.uff.br||uffnepa@gmail.com||idafalves@gmail.com |
_version_ |
1799695308587794432 |