Braziliam black dances and their aesthetics on the scene
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Arte da Cena |
Texto Completo: | https://revistas.ufg.br/artce/article/view/65586 |
Resumo: | This article points to black dances as a fertile proposal for the development of the artist's corporeity, especially for the dance teaching. It refers to some styles of black dances created and recreated in Brazilian territory, especially the scenic dance, created by Mercedes Baptista and the influence of its aesthetics that gave rise to the Raízes do Movimento Laboratory. |
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oai:ojs.revistas.ufg.br:article/65586 |
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Arte da Cena |
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spelling |
Braziliam black dances and their aesthetics on the sceneAs danças negras brasileiras e suas estéticas na cena cariocaThis article points to black dances as a fertile proposal for the development of the artist's corporeity, especially for the dance teaching. It refers to some styles of black dances created and recreated in Brazilian territory, especially the scenic dance, created by Mercedes Baptista and the influence of its aesthetics that gave rise to the Raízes do Movimento Laboratory.Este artigo aponta para as danças negras como proposta fértil para desenvolvimento da corporeidade do artista, sobretudo para o ensino da dança. Refere-se a alguns estilos de danças negras criadas e recriadas em território brasileiro, especialmente a dança cênica, criada por Mercedes Baptista e a influência de sua estética que deu origem ao Laboratório Raízes do Movimento.Universidade Federal de Goiás2021-07-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ufg.br/artce/article/view/6558610.5216/ac.v7i1.65586Art on Stage Journal; Vol. 7 No. 1 (2021): Decentering Dance Research (Part II); 398-417Arte da Cena (Art on Stage); v. 7 n. 1 (2021): Descentrar as Pesquisas em Dança (Parte II); 398-4172358-6060reponame:Arte da Cenainstname:Universidade Federal de Goiás (UFG)instacron:UFGporhttps://revistas.ufg.br/artce/article/view/65586/37014Copyright (c) 2021 Fernanda Diashttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessDias, Fernanda2021-07-30T12:09:46Zoai:ojs.revistas.ufg.br:article/65586Revistahttps://www.revistas.ufg.br/artce/PUBhttps://www.revistas.ufg.br/artce/oaiartedacena@gmail.com||2358-60602358-6060opendoar:2021-07-30T12:09:46Arte da Cena - Universidade Federal de Goiás (UFG)false |
dc.title.none.fl_str_mv |
Braziliam black dances and their aesthetics on the scene As danças negras brasileiras e suas estéticas na cena carioca |
title |
Braziliam black dances and their aesthetics on the scene |
spellingShingle |
Braziliam black dances and their aesthetics on the scene Dias, Fernanda |
title_short |
Braziliam black dances and their aesthetics on the scene |
title_full |
Braziliam black dances and their aesthetics on the scene |
title_fullStr |
Braziliam black dances and their aesthetics on the scene |
title_full_unstemmed |
Braziliam black dances and their aesthetics on the scene |
title_sort |
Braziliam black dances and their aesthetics on the scene |
author |
Dias, Fernanda |
author_facet |
Dias, Fernanda |
author_role |
author |
dc.contributor.author.fl_str_mv |
Dias, Fernanda |
description |
This article points to black dances as a fertile proposal for the development of the artist's corporeity, especially for the dance teaching. It refers to some styles of black dances created and recreated in Brazilian territory, especially the scenic dance, created by Mercedes Baptista and the influence of its aesthetics that gave rise to the Raízes do Movimento Laboratory. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-07-30 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.ufg.br/artce/article/view/65586 10.5216/ac.v7i1.65586 |
url |
https://revistas.ufg.br/artce/article/view/65586 |
identifier_str_mv |
10.5216/ac.v7i1.65586 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.ufg.br/artce/article/view/65586/37014 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Fernanda Dias https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Fernanda Dias https://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Goiás |
publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.source.none.fl_str_mv |
Art on Stage Journal; Vol. 7 No. 1 (2021): Decentering Dance Research (Part II); 398-417 Arte da Cena (Art on Stage); v. 7 n. 1 (2021): Descentrar as Pesquisas em Dança (Parte II); 398-417 2358-6060 reponame:Arte da Cena instname:Universidade Federal de Goiás (UFG) instacron:UFG |
instname_str |
Universidade Federal de Goiás (UFG) |
instacron_str |
UFG |
institution |
UFG |
reponame_str |
Arte da Cena |
collection |
Arte da Cena |
repository.name.fl_str_mv |
Arte da Cena - Universidade Federal de Goiás (UFG) |
repository.mail.fl_str_mv |
artedacena@gmail.com|| |
_version_ |
1797068726062809088 |