Syncretizing the knowledge at the crossroads between the scene, the subject and the Brazilian popular orality

Detalhes bibliográficos
Autor(a) principal: Costa, Daniel Santos
Data de Publicação: 2015
Tipo de documento: Artigo
Idioma: por
Título da fonte: Arte da Cena
Texto Completo: https://revistas.ufg.br/artce/article/view/35576
Resumo: In an attempt to profane strategies of a authorial thought I resort to this text to a discussion of the cultural production, particularly to that facing the performing arts from the perspective of the bank or in an attempt to locate it. The positioning of the subject in one place implies, first of all, a keen study because we, individuals, persons, groups and post-colonial institutions are dynamically intertwined in an intense process of contamination and disruptions that prevent us from setting in any identity category. This research takes the perspective from the scene and prepares syncretic tessitura of knowledge production resulting from the creation of a hybrid scene process, a Brazilian dance-theater.
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spelling Syncretizing the knowledge at the crossroads between the scene, the subject and the Brazilian popular oralitySincretizando o conhecimento na encruzilhada entre a cena, o sujeito e a oralidade popular brasileira In an attempt to profane strategies of a authorial thought I resort to this text to a discussion of the cultural production, particularly to that facing the performing arts from the perspective of the bank or in an attempt to locate it. The positioning of the subject in one place implies, first of all, a keen study because we, individuals, persons, groups and post-colonial institutions are dynamically intertwined in an intense process of contamination and disruptions that prevent us from setting in any identity category. This research takes the perspective from the scene and prepares syncretic tessitura of knowledge production resulting from the creation of a hybrid scene process, a Brazilian dance-theater. Na tentativa de profanar estratégias de um pensamento autoral recorro ao presente texto para uma discussão sobre a produção cultural, em especial àquela voltada para as artes cênicas sob uma perspectiva da margem ou na tentativa de nela se localizar. O posicionamento do sujeito num determinado lugar implica, antes de mais nada, um estudo aguçado, pois nós, indivíduos, sujeitos, grupos e instituições pós-coloniais estamos imbricados de modo dinâmico num intenso processo de contaminações e rupturas, que nos impedem de agarrar-nos à qualquer categoria identitária. Tal investigação toma a perspectiva desde a cena e elabora tessituras sincréticas da produção de conhecimento advindas do processo de criação de uma cena híbrida, uma dança-teatro brasileira.Universidade Federal de Goiás2015-12-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ufg.br/artce/article/view/35576Art on Stage Journal; Vol. 2 No. 1 (2015): Aberturas da Cena; 49-68Arte de la Escena; Vol. 2 Núm. 1 (2015): Aberturas da Cena; 49-68Arte da Cena (Art on Stage); v. 2 n. 1 (2015): Aberturas da Cena; 49-682358-6060reponame:Arte da Cenainstname:Universidade Federal de Goiás (UFG)instacron:UFGporhttps://revistas.ufg.br/artce/article/view/35576/19888Copyright (c) 2023 Daniel Santos Costahttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessCosta, Daniel Santos2023-08-21T14:43:54Zoai:ojs.revistas.ufg.br:article/35576Revistahttps://www.revistas.ufg.br/artce/PUBhttps://www.revistas.ufg.br/artce/oaiartedacena@gmail.com||2358-60602358-6060opendoar:2023-08-21T14:43:54Arte da Cena - Universidade Federal de Goiás (UFG)false
dc.title.none.fl_str_mv Syncretizing the knowledge at the crossroads between the scene, the subject and the Brazilian popular orality
Sincretizando o conhecimento na encruzilhada entre a cena, o sujeito e a oralidade popular brasileira
title Syncretizing the knowledge at the crossroads between the scene, the subject and the Brazilian popular orality
spellingShingle Syncretizing the knowledge at the crossroads between the scene, the subject and the Brazilian popular orality
Costa, Daniel Santos
title_short Syncretizing the knowledge at the crossroads between the scene, the subject and the Brazilian popular orality
title_full Syncretizing the knowledge at the crossroads between the scene, the subject and the Brazilian popular orality
title_fullStr Syncretizing the knowledge at the crossroads between the scene, the subject and the Brazilian popular orality
title_full_unstemmed Syncretizing the knowledge at the crossroads between the scene, the subject and the Brazilian popular orality
title_sort Syncretizing the knowledge at the crossroads between the scene, the subject and the Brazilian popular orality
author Costa, Daniel Santos
author_facet Costa, Daniel Santos
author_role author
dc.contributor.author.fl_str_mv Costa, Daniel Santos
description In an attempt to profane strategies of a authorial thought I resort to this text to a discussion of the cultural production, particularly to that facing the performing arts from the perspective of the bank or in an attempt to locate it. The positioning of the subject in one place implies, first of all, a keen study because we, individuals, persons, groups and post-colonial institutions are dynamically intertwined in an intense process of contamination and disruptions that prevent us from setting in any identity category. This research takes the perspective from the scene and prepares syncretic tessitura of knowledge production resulting from the creation of a hybrid scene process, a Brazilian dance-theater.
publishDate 2015
dc.date.none.fl_str_mv 2015-12-31
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.ufg.br/artce/article/view/35576
url https://revistas.ufg.br/artce/article/view/35576
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.ufg.br/artce/article/view/35576/19888
dc.rights.driver.fl_str_mv Copyright (c) 2023 Daniel Santos Costa
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Daniel Santos Costa
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Goiás
publisher.none.fl_str_mv Universidade Federal de Goiás
dc.source.none.fl_str_mv Art on Stage Journal; Vol. 2 No. 1 (2015): Aberturas da Cena; 49-68
Arte de la Escena; Vol. 2 Núm. 1 (2015): Aberturas da Cena; 49-68
Arte da Cena (Art on Stage); v. 2 n. 1 (2015): Aberturas da Cena; 49-68
2358-6060
reponame:Arte da Cena
instname:Universidade Federal de Goiás (UFG)
instacron:UFG
instname_str Universidade Federal de Goiás (UFG)
instacron_str UFG
institution UFG
reponame_str Arte da Cena
collection Arte da Cena
repository.name.fl_str_mv Arte da Cena - Universidade Federal de Goiás (UFG)
repository.mail.fl_str_mv artedacena@gmail.com||
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