Syncretizing the knowledge at the crossroads between the scene, the subject and the Brazilian popular orality
Autor(a) principal: | |
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Data de Publicação: | 2015 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Arte da Cena |
Texto Completo: | https://revistas.ufg.br/artce/article/view/35576 |
Resumo: | In an attempt to profane strategies of a authorial thought I resort to this text to a discussion of the cultural production, particularly to that facing the performing arts from the perspective of the bank or in an attempt to locate it. The positioning of the subject in one place implies, first of all, a keen study because we, individuals, persons, groups and post-colonial institutions are dynamically intertwined in an intense process of contamination and disruptions that prevent us from setting in any identity category. This research takes the perspective from the scene and prepares syncretic tessitura of knowledge production resulting from the creation of a hybrid scene process, a Brazilian dance-theater. |
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Arte da Cena |
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Syncretizing the knowledge at the crossroads between the scene, the subject and the Brazilian popular oralitySincretizando o conhecimento na encruzilhada entre a cena, o sujeito e a oralidade popular brasileira In an attempt to profane strategies of a authorial thought I resort to this text to a discussion of the cultural production, particularly to that facing the performing arts from the perspective of the bank or in an attempt to locate it. The positioning of the subject in one place implies, first of all, a keen study because we, individuals, persons, groups and post-colonial institutions are dynamically intertwined in an intense process of contamination and disruptions that prevent us from setting in any identity category. This research takes the perspective from the scene and prepares syncretic tessitura of knowledge production resulting from the creation of a hybrid scene process, a Brazilian dance-theater. Na tentativa de profanar estratégias de um pensamento autoral recorro ao presente texto para uma discussão sobre a produção cultural, em especial àquela voltada para as artes cênicas sob uma perspectiva da margem ou na tentativa de nela se localizar. O posicionamento do sujeito num determinado lugar implica, antes de mais nada, um estudo aguçado, pois nós, indivíduos, sujeitos, grupos e instituições pós-coloniais estamos imbricados de modo dinâmico num intenso processo de contaminações e rupturas, que nos impedem de agarrar-nos à qualquer categoria identitária. Tal investigação toma a perspectiva desde a cena e elabora tessituras sincréticas da produção de conhecimento advindas do processo de criação de uma cena híbrida, uma dança-teatro brasileira.Universidade Federal de Goiás2015-12-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ufg.br/artce/article/view/35576Art on Stage Journal; Vol. 2 No. 1 (2015): Aberturas da Cena; 49-68Arte de la Escena; Vol. 2 Núm. 1 (2015): Aberturas da Cena; 49-68Arte da Cena (Art on Stage); v. 2 n. 1 (2015): Aberturas da Cena; 49-682358-6060reponame:Arte da Cenainstname:Universidade Federal de Goiás (UFG)instacron:UFGporhttps://revistas.ufg.br/artce/article/view/35576/19888Copyright (c) 2023 Daniel Santos Costahttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessCosta, Daniel Santos2023-08-21T14:43:54Zoai:ojs.revistas.ufg.br:article/35576Revistahttps://www.revistas.ufg.br/artce/PUBhttps://www.revistas.ufg.br/artce/oaiartedacena@gmail.com||2358-60602358-6060opendoar:2023-08-21T14:43:54Arte da Cena - Universidade Federal de Goiás (UFG)false |
dc.title.none.fl_str_mv |
Syncretizing the knowledge at the crossroads between the scene, the subject and the Brazilian popular orality Sincretizando o conhecimento na encruzilhada entre a cena, o sujeito e a oralidade popular brasileira |
title |
Syncretizing the knowledge at the crossroads between the scene, the subject and the Brazilian popular orality |
spellingShingle |
Syncretizing the knowledge at the crossroads between the scene, the subject and the Brazilian popular orality Costa, Daniel Santos |
title_short |
Syncretizing the knowledge at the crossroads between the scene, the subject and the Brazilian popular orality |
title_full |
Syncretizing the knowledge at the crossroads between the scene, the subject and the Brazilian popular orality |
title_fullStr |
Syncretizing the knowledge at the crossroads between the scene, the subject and the Brazilian popular orality |
title_full_unstemmed |
Syncretizing the knowledge at the crossroads between the scene, the subject and the Brazilian popular orality |
title_sort |
Syncretizing the knowledge at the crossroads between the scene, the subject and the Brazilian popular orality |
author |
Costa, Daniel Santos |
author_facet |
Costa, Daniel Santos |
author_role |
author |
dc.contributor.author.fl_str_mv |
Costa, Daniel Santos |
description |
In an attempt to profane strategies of a authorial thought I resort to this text to a discussion of the cultural production, particularly to that facing the performing arts from the perspective of the bank or in an attempt to locate it. The positioning of the subject in one place implies, first of all, a keen study because we, individuals, persons, groups and post-colonial institutions are dynamically intertwined in an intense process of contamination and disruptions that prevent us from setting in any identity category. This research takes the perspective from the scene and prepares syncretic tessitura of knowledge production resulting from the creation of a hybrid scene process, a Brazilian dance-theater. |
publishDate |
2015 |
dc.date.none.fl_str_mv |
2015-12-31 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.ufg.br/artce/article/view/35576 |
url |
https://revistas.ufg.br/artce/article/view/35576 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.ufg.br/artce/article/view/35576/19888 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Daniel Santos Costa https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Daniel Santos Costa https://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Goiás |
publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.source.none.fl_str_mv |
Art on Stage Journal; Vol. 2 No. 1 (2015): Aberturas da Cena; 49-68 Arte de la Escena; Vol. 2 Núm. 1 (2015): Aberturas da Cena; 49-68 Arte da Cena (Art on Stage); v. 2 n. 1 (2015): Aberturas da Cena; 49-68 2358-6060 reponame:Arte da Cena instname:Universidade Federal de Goiás (UFG) instacron:UFG |
instname_str |
Universidade Federal de Goiás (UFG) |
instacron_str |
UFG |
institution |
UFG |
reponame_str |
Arte da Cena |
collection |
Arte da Cena |
repository.name.fl_str_mv |
Arte da Cena - Universidade Federal de Goiás (UFG) |
repository.mail.fl_str_mv |
artedacena@gmail.com|| |
_version_ |
1797068725218705408 |