THE LOOK OF OUNCE: EXPERIENCE WAYS

Detalhes bibliográficos
Autor(a) principal: Figueiredo, Andreia Duarte
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: por
Título da fonte: Arte da Cena
Texto Completo: https://revistas.ufg.br/artce/article/view/52284
Resumo: The present paper seeks to present and recognize the experience as a way of thinking and doing within the Scene Art, in order to invite a reflection on the possibility of a relationship between the indigenous issue and the theater. Thus, it presents a course that has taken place during 18 years of experience, research and artistic creation, recognizing the way that stimulated research, transformations and results that brought new fissures. At all times there was a desire for a theater that value the autonomy of the actor as creator, in the quest to construct a poetic-political scene. It is relevant to say that the conceptual and practical conjuncture was made in the dialogue with the Kamayura knowledge, of Brazilian indigenous leaders, in the discussion of corporeity, on the basis of performance studies and on the notion of experience.
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spelling THE LOOK OF OUNCE: EXPERIENCE WAYSO OLHAR DA ONÇA: PERCURSOS DA EXPERIÊNCIAindigenouscolonizationcorporalityexperienceactor.indígenacolonizaçãoteatroatorexperiência.The present paper seeks to present and recognize the experience as a way of thinking and doing within the Scene Art, in order to invite a reflection on the possibility of a relationship between the indigenous issue and the theater. Thus, it presents a course that has taken place during 18 years of experience, research and artistic creation, recognizing the way that stimulated research, transformations and results that brought new fissures. At all times there was a desire for a theater that value the autonomy of the actor as creator, in the quest to construct a poetic-political scene. It is relevant to say that the conceptual and practical conjuncture was made in the dialogue with the Kamayura knowledge, of Brazilian indigenous leaders, in the discussion of corporeity, on the basis of performance studies and on the notion of experience.A presente escrita busca traçar uma metodologia de pensamento em uma pesquisa na Arte da Cena, no intuito de convidar para a reflexão sobre a possibilidade que envolve a relação entre a questão indígena e o teatro. Para isso, apresenta um percurso que se deu durante 18 anos, a partir da noção de invisibilidade, da vivência por cinco anos na aldeia Kamayura e na insistência de uma prática atoral que procurou entender: como criar procedimentos de atuação a partir da corporeidade indígena e o que sublinhar do contexto dos povos originários em um espetáculo teatral? É relevante dizer que conceitos como corporeidade e colonização estiveram presentes e ajudaram a construir um teatro poético-político que busca tomar posição e resistir enquanto oportunidade. Nesta conjuntura conceitual e da prática, também no diálogo com o saber Kamayura, com líderes do movimento indígena, na discussão da performatividade e sobre a noção de experiência que passo a descrever o percurso de um não-método-método, que assenta para o teatro a abrangência que a conexão étnica pode proporcionar.Universidade Federal de Goiás2018-07-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ufg.br/artce/article/view/5228410.5216/ac.v4i1.52284Art on Stage Journal; Vol. 4 No. 1 (2018): ETHNICITY AND SCENE: Creations, Plans of Composition, Body and Amerindian Ritual in the Performing Arts; 071-105Arte da Cena (Art on Stage); v. 4 n. 1 (2018): ETNICIDADE E CENA: (Cri)ações, Planos de Composição, Corpo e Ritual Ameríndio nas Artes da Cena; 071-1052358-6060reponame:Arte da Cenainstname:Universidade Federal de Goiás (UFG)instacron:UFGporhttps://revistas.ufg.br/artce/article/view/52284/26093Copyright (c) 2018 Arte da Cena (Art on Stage)info:eu-repo/semantics/openAccessFigueiredo, Andreia Duarte2021-02-20T19:38:34Zoai:ojs.revistas.ufg.br:article/52284Revistahttps://www.revistas.ufg.br/artce/PUBhttps://www.revistas.ufg.br/artce/oaiartedacena@gmail.com||2358-60602358-6060opendoar:2021-02-20T19:38:34Arte da Cena - Universidade Federal de Goiás (UFG)false
dc.title.none.fl_str_mv THE LOOK OF OUNCE: EXPERIENCE WAYS
O OLHAR DA ONÇA: PERCURSOS DA EXPERIÊNCIA
title THE LOOK OF OUNCE: EXPERIENCE WAYS
spellingShingle THE LOOK OF OUNCE: EXPERIENCE WAYS
Figueiredo, Andreia Duarte
indigenous
colonization
corporality
experience
actor.
indígena
colonização
teatro
ator
experiência.
title_short THE LOOK OF OUNCE: EXPERIENCE WAYS
title_full THE LOOK OF OUNCE: EXPERIENCE WAYS
title_fullStr THE LOOK OF OUNCE: EXPERIENCE WAYS
title_full_unstemmed THE LOOK OF OUNCE: EXPERIENCE WAYS
title_sort THE LOOK OF OUNCE: EXPERIENCE WAYS
author Figueiredo, Andreia Duarte
author_facet Figueiredo, Andreia Duarte
author_role author
dc.contributor.author.fl_str_mv Figueiredo, Andreia Duarte
dc.subject.por.fl_str_mv indigenous
colonization
corporality
experience
actor.
indígena
colonização
teatro
ator
experiência.
topic indigenous
colonization
corporality
experience
actor.
indígena
colonização
teatro
ator
experiência.
description The present paper seeks to present and recognize the experience as a way of thinking and doing within the Scene Art, in order to invite a reflection on the possibility of a relationship between the indigenous issue and the theater. Thus, it presents a course that has taken place during 18 years of experience, research and artistic creation, recognizing the way that stimulated research, transformations and results that brought new fissures. At all times there was a desire for a theater that value the autonomy of the actor as creator, in the quest to construct a poetic-political scene. It is relevant to say that the conceptual and practical conjuncture was made in the dialogue with the Kamayura knowledge, of Brazilian indigenous leaders, in the discussion of corporeity, on the basis of performance studies and on the notion of experience.
publishDate 2018
dc.date.none.fl_str_mv 2018-07-31
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.ufg.br/artce/article/view/52284
10.5216/ac.v4i1.52284
url https://revistas.ufg.br/artce/article/view/52284
identifier_str_mv 10.5216/ac.v4i1.52284
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.ufg.br/artce/article/view/52284/26093
dc.rights.driver.fl_str_mv Copyright (c) 2018 Arte da Cena (Art on Stage)
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Arte da Cena (Art on Stage)
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Goiás
publisher.none.fl_str_mv Universidade Federal de Goiás
dc.source.none.fl_str_mv Art on Stage Journal; Vol. 4 No. 1 (2018): ETHNICITY AND SCENE: Creations, Plans of Composition, Body and Amerindian Ritual in the Performing Arts; 071-105
Arte da Cena (Art on Stage); v. 4 n. 1 (2018): ETNICIDADE E CENA: (Cri)ações, Planos de Composição, Corpo e Ritual Ameríndio nas Artes da Cena; 071-105
2358-6060
reponame:Arte da Cena
instname:Universidade Federal de Goiás (UFG)
instacron:UFG
instname_str Universidade Federal de Goiás (UFG)
instacron_str UFG
institution UFG
reponame_str Arte da Cena
collection Arte da Cena
repository.name.fl_str_mv Arte da Cena - Universidade Federal de Goiás (UFG)
repository.mail.fl_str_mv artedacena@gmail.com||
_version_ 1797068725312028672

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