The concepts of “dança de rua” and “danças urbanas” and how they help us to understand a little more about coloniality (Part I)

Detalhes bibliográficos
Autor(a) principal: Guarato, Rafael
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: por
Título da fonte: Arte da Cena
Texto Completo: https://revistas.ufg.br/artce/article/view/66882
Resumo: This text is dedicated to untangling the conceptual treatment of popular dancing in the Brazilian urban context of the present time. It makes an analysis of the concept of dança de rua and its specificities in relation to the notion of danças urbanas. For this purpose, it explains dança de rua and danças urbanas from their historical, aesthetic, georeferential configurations and the experience of members of these dances from Brazil. The purpose is: at the same time to explain different ways of doing dance and to show how forms of coloniality in dance operate in the present time, accompanying the tensions and conflicts that involve the process of making the culture of dancing not detached from the people who dance, their values, behaviors and knowledge. Therefore, the text was divided into two interconnected parts.
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spelling The concepts of “dança de rua” and “danças urbanas” and how they help us to understand a little more about coloniality (Part I)Os conceitos de 'dança de rua e 'danças urbanas' e como eles nos ajudam a entender um pouco mais sobre colonialidade (Parte I)This text is dedicated to untangling the conceptual treatment of popular dancing in the Brazilian urban context of the present time. It makes an analysis of the concept of dança de rua and its specificities in relation to the notion of danças urbanas. For this purpose, it explains dança de rua and danças urbanas from their historical, aesthetic, georeferential configurations and the experience of members of these dances from Brazil. The purpose is: at the same time to explain different ways of doing dance and to show how forms of coloniality in dance operate in the present time, accompanying the tensions and conflicts that involve the process of making the culture of dancing not detached from the people who dance, their values, behaviors and knowledge. Therefore, the text was divided into two interconnected parts.Este texto se dedica a desembaraçar o trato conceitual de fazeres dançantes populares no âmbito urbano brasileiro do tempo presente. Realiza uma análise do conceito de dança de rua e suas especificidades em relação à noção de danças urbanas. Para tanto, explica a dança de rua e as danças urbanas a partir de suas configurações históricas, estéticas, georeferencias e da experiência de integrantes desses fazeres dançantes a partir do Brasil. O propósito consiste em: ao mesmo tempo explicar modos distintos de fazer dança e evidenciar como operam formas de colonialidade em dança no tempo presente, acompanhando as tensões e conflitos que envolvem o processo de feitura da cultura de dançar não desvencilhada das pessoas que dançam, seus valores, comportamentos e conhecimentos. Para tanto, o texto foi dividido em duas partes interligadas.Universidade Federal de Goiás2021-08-05info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://revistas.ufg.br/artce/article/view/6688210.5216/ac.v6i2.66882Art on Stage Journal; Vol. 6 No. 2 (2020): Decentering Dance Research; 114-154Arte da Cena (Art on Stage); v. 6 n. 2 (2020): Descentrar as Pesquisas em Dança; 114-1542358-6060reponame:Arte da Cenainstname:Universidade Federal de Goiás (UFG)instacron:UFGporhttps://revistas.ufg.br/artce/article/view/66882/37026Copyright (c) 2020 Rafael Guaratohttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessGuarato, Rafael2021-08-05T12:11:24Zoai:ojs.revistas.ufg.br:article/66882Revistahttps://www.revistas.ufg.br/artce/PUBhttps://www.revistas.ufg.br/artce/oaiartedacena@gmail.com||2358-60602358-6060opendoar:2021-08-05T12:11:24Arte da Cena - Universidade Federal de Goiás (UFG)false
dc.title.none.fl_str_mv The concepts of “dança de rua” and “danças urbanas” and how they help us to understand a little more about coloniality (Part I)
Os conceitos de 'dança de rua e 'danças urbanas' e como eles nos ajudam a entender um pouco mais sobre colonialidade (Parte I)
title The concepts of “dança de rua” and “danças urbanas” and how they help us to understand a little more about coloniality (Part I)
spellingShingle The concepts of “dança de rua” and “danças urbanas” and how they help us to understand a little more about coloniality (Part I)
Guarato, Rafael
title_short The concepts of “dança de rua” and “danças urbanas” and how they help us to understand a little more about coloniality (Part I)
title_full The concepts of “dança de rua” and “danças urbanas” and how they help us to understand a little more about coloniality (Part I)
title_fullStr The concepts of “dança de rua” and “danças urbanas” and how they help us to understand a little more about coloniality (Part I)
title_full_unstemmed The concepts of “dança de rua” and “danças urbanas” and how they help us to understand a little more about coloniality (Part I)
title_sort The concepts of “dança de rua” and “danças urbanas” and how they help us to understand a little more about coloniality (Part I)
author Guarato, Rafael
author_facet Guarato, Rafael
author_role author
dc.contributor.author.fl_str_mv Guarato, Rafael
description This text is dedicated to untangling the conceptual treatment of popular dancing in the Brazilian urban context of the present time. It makes an analysis of the concept of dança de rua and its specificities in relation to the notion of danças urbanas. For this purpose, it explains dança de rua and danças urbanas from their historical, aesthetic, georeferential configurations and the experience of members of these dances from Brazil. The purpose is: at the same time to explain different ways of doing dance and to show how forms of coloniality in dance operate in the present time, accompanying the tensions and conflicts that involve the process of making the culture of dancing not detached from the people who dance, their values, behaviors and knowledge. Therefore, the text was divided into two interconnected parts.
publishDate 2021
dc.date.none.fl_str_mv 2021-08-05
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.ufg.br/artce/article/view/66882
10.5216/ac.v6i2.66882
url https://revistas.ufg.br/artce/article/view/66882
identifier_str_mv 10.5216/ac.v6i2.66882
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.ufg.br/artce/article/view/66882/37026
dc.rights.driver.fl_str_mv Copyright (c) 2020 Rafael Guarato
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Rafael Guarato
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Goiás
publisher.none.fl_str_mv Universidade Federal de Goiás
dc.source.none.fl_str_mv Art on Stage Journal; Vol. 6 No. 2 (2020): Decentering Dance Research; 114-154
Arte da Cena (Art on Stage); v. 6 n. 2 (2020): Descentrar as Pesquisas em Dança; 114-154
2358-6060
reponame:Arte da Cena
instname:Universidade Federal de Goiás (UFG)
instacron:UFG
instname_str Universidade Federal de Goiás (UFG)
instacron_str UFG
institution UFG
reponame_str Arte da Cena
collection Arte da Cena
repository.name.fl_str_mv Arte da Cena - Universidade Federal de Goiás (UFG)
repository.mail.fl_str_mv artedacena@gmail.com||
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