Moviment, Dance and Ground: The Work with the Perception in the Practices of the Instantany Composition of Julyen Hamilton

Detalhes bibliográficos
Autor(a) principal: Claudino dos Santos, Maíra Simões
Data de Publicação: 2016
Outros Autores: Strazzacappa Hernandez, Marcia Maria
Tipo de documento: Artigo
Idioma: por
Título da fonte: Arte da Cena
Texto Completo: https://revistas.ufg.br/artce/article/view/43469
Resumo: This article aims to discuss the notion of perception in body practice in dance from the conception of the British choreographer Julyen Hamilton. For that purpose, an artistic practice of ethnography (Fortin, 2009) has been held in which the privileged field was the studio itself and workshops held in Berlin’s circuits of contemporary dance between January and June 2015. The methodological considerations are based on a research of the authors and  their body dance practices as locus of a becoming-choreographic, as a path of a process of immersion in the  practice itself. The aim is a contribution to the debate and thinking about dance practices as related to art and creation. 
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spelling Moviment, Dance and Ground: The Work with the Perception in the Practices of the Instantany Composition of Julyen HamiltonMovimento, dança e chão: o trabalho com a percepção nas práticas da composição instantânea de Julyen HamiltonHamiltonperceptioninstant compositionethnography of artistic practicedance.Hamiltonpercepçãocomposição instantâneaetnografia da prática artísticadança.This article aims to discuss the notion of perception in body practice in dance from the conception of the British choreographer Julyen Hamilton. For that purpose, an artistic practice of ethnography (Fortin, 2009) has been held in which the privileged field was the studio itself and workshops held in Berlin’s circuits of contemporary dance between January and June 2015. The methodological considerations are based on a research of the authors and  their body dance practices as locus of a becoming-choreographic, as a path of a process of immersion in the  practice itself. The aim is a contribution to the debate and thinking about dance practices as related to art and creation. Este artigo se propõe a discutir a noção da percepção nas práticas corporais da dança a partir da concepção do coreógrafo britânico Julyen Hamilton. Para tanto, foi realizada uma etnografia de prática artística (Fortin 2009) tendo como campo da pesquisa workshops realizados em circuitos berlinenses de dança contemporânea entre Janeiro e Junho de 2015. As considerações metodológicas partem de pesquisas das autoras e de seus aprendizados de práticas corporais de dança como locus de um devir-coreográfico, via um processo de imersão na prática artística propriamente dita. Pretende-se assim uma contribuição para o debate e pensamento sobre as práticas da dança quando ligadas à arte e à criação.Universidade Federal de Goiás2016-12-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ufg.br/artce/article/view/4346910.5216/ac.v2i3.43469Art on Stage Journal; Vol. 2 No. 3 (2016): v. 2, n. 3 - Comicidade e Palhaçaria; 171-187Arte da Cena (Art on Stage); v. 2 n. 3 (2016): v. 2, n. 3 - Comicidade e Palhaçaria; 171-1872358-6060reponame:Arte da Cenainstname:Universidade Federal de Goiás (UFG)instacron:UFGporhttps://revistas.ufg.br/artce/article/view/43469/22494Copyright (c) 2016 Arte da Cena (Art on Stage)info:eu-repo/semantics/openAccessClaudino dos Santos, Maíra SimõesStrazzacappa Hernandez, Marcia Maria2021-02-20T20:40:24Zoai:ojs.revistas.ufg.br:article/43469Revistahttps://www.revistas.ufg.br/artce/PUBhttps://www.revistas.ufg.br/artce/oaiartedacena@gmail.com||2358-60602358-6060opendoar:2021-02-20T20:40:24Arte da Cena - Universidade Federal de Goiás (UFG)false
dc.title.none.fl_str_mv Moviment, Dance and Ground: The Work with the Perception in the Practices of the Instantany Composition of Julyen Hamilton
Movimento, dança e chão: o trabalho com a percepção nas práticas da composição instantânea de Julyen Hamilton
title Moviment, Dance and Ground: The Work with the Perception in the Practices of the Instantany Composition of Julyen Hamilton
spellingShingle Moviment, Dance and Ground: The Work with the Perception in the Practices of the Instantany Composition of Julyen Hamilton
Claudino dos Santos, Maíra Simões
Hamilton
perception
instant composition
ethnography of artistic practice
dance.
Hamilton
percepção
composição instantânea
etnografia da prática artística
dança.
title_short Moviment, Dance and Ground: The Work with the Perception in the Practices of the Instantany Composition of Julyen Hamilton
title_full Moviment, Dance and Ground: The Work with the Perception in the Practices of the Instantany Composition of Julyen Hamilton
title_fullStr Moviment, Dance and Ground: The Work with the Perception in the Practices of the Instantany Composition of Julyen Hamilton
title_full_unstemmed Moviment, Dance and Ground: The Work with the Perception in the Practices of the Instantany Composition of Julyen Hamilton
title_sort Moviment, Dance and Ground: The Work with the Perception in the Practices of the Instantany Composition of Julyen Hamilton
author Claudino dos Santos, Maíra Simões
author_facet Claudino dos Santos, Maíra Simões
Strazzacappa Hernandez, Marcia Maria
author_role author
author2 Strazzacappa Hernandez, Marcia Maria
author2_role author
dc.contributor.author.fl_str_mv Claudino dos Santos, Maíra Simões
Strazzacappa Hernandez, Marcia Maria
dc.subject.por.fl_str_mv Hamilton
perception
instant composition
ethnography of artistic practice
dance.
Hamilton
percepção
composição instantânea
etnografia da prática artística
dança.
topic Hamilton
perception
instant composition
ethnography of artistic practice
dance.
Hamilton
percepção
composição instantânea
etnografia da prática artística
dança.
description This article aims to discuss the notion of perception in body practice in dance from the conception of the British choreographer Julyen Hamilton. For that purpose, an artistic practice of ethnography (Fortin, 2009) has been held in which the privileged field was the studio itself and workshops held in Berlin’s circuits of contemporary dance between January and June 2015. The methodological considerations are based on a research of the authors and  their body dance practices as locus of a becoming-choreographic, as a path of a process of immersion in the  practice itself. The aim is a contribution to the debate and thinking about dance practices as related to art and creation. 
publishDate 2016
dc.date.none.fl_str_mv 2016-12-29
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.ufg.br/artce/article/view/43469
10.5216/ac.v2i3.43469
url https://revistas.ufg.br/artce/article/view/43469
identifier_str_mv 10.5216/ac.v2i3.43469
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.ufg.br/artce/article/view/43469/22494
dc.rights.driver.fl_str_mv Copyright (c) 2016 Arte da Cena (Art on Stage)
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2016 Arte da Cena (Art on Stage)
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Goiás
publisher.none.fl_str_mv Universidade Federal de Goiás
dc.source.none.fl_str_mv Art on Stage Journal; Vol. 2 No. 3 (2016): v. 2, n. 3 - Comicidade e Palhaçaria; 171-187
Arte da Cena (Art on Stage); v. 2 n. 3 (2016): v. 2, n. 3 - Comicidade e Palhaçaria; 171-187
2358-6060
reponame:Arte da Cena
instname:Universidade Federal de Goiás (UFG)
instacron:UFG
instname_str Universidade Federal de Goiás (UFG)
instacron_str UFG
institution UFG
reponame_str Arte da Cena
collection Arte da Cena
repository.name.fl_str_mv Arte da Cena - Universidade Federal de Goiás (UFG)
repository.mail.fl_str_mv artedacena@gmail.com||
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