Instant Composition: choreographic training of the dance artist and his corporeality
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Revista Brasileira de Estudos da Presença |
Texto Completo: | https://seer.ufrgs.br/index.php/presenca/article/view/74862 |
Resumo: | The article discusses the training and development of the dance artist’s corporeality drawing primarily from the bodily practices related to the work of instant composition, proposed by the British choreographer Julyen Hamilton. For that purpose, a field study of artistic practice was conducted both in the studio and over the workshops. Some of the categories emerging from the analysis of the data collected - quality of movement, reflective arenas and presence – are presented and discussed. This study further suggests ways of working up the body and the choreographic training that lead to an autonomous body, where exercises become performances, out of normative patterns. |
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Instant Composition: choreographic training of the dance artist and his corporealityLa Composition Instantanée: formation chorégraphique du danseur et son corps-realitéInstant Composition: choreographic training of the dance artist and his corporealityHamiltonInstant CompositionTrainingCorporealityDanceHamiltonInstant CompositionTrainingCorporealityDanceHamiltonComposition InstantanéeFormationCorps-RealitéDanseThe article discusses the training and development of the dance artist’s corporeality drawing primarily from the bodily practices related to the work of instant composition, proposed by the British choreographer Julyen Hamilton. For that purpose, a field study of artistic practice was conducted both in the studio and over the workshops. Some of the categories emerging from the analysis of the data collected - quality of movement, reflective arenas and presence – are presented and discussed. This study further suggests ways of working up the body and the choreographic training that lead to an autonomous body, where exercises become performances, out of normative patterns.L’article se propose à discuter la formation et la préparation du corps-réel de l’artiste de la danse, en partant des pratiques corporelles liées au travail de composition instantanée, selon la conception du chorégraphe Julyen Hamilton. Pour ce faire, nous avons accomplis une étude de la pratique artistique. De l’analyse des données sont issues quelques catégories telles quelles: qualité de mouvement, arènes de réflexion et presence. Cette étude propose des manières pour travailler le corps et la formation chorégraphique ayant pour but la construction d’un corps autonome, de façon que les exercises deviennent des performances qui se dérobent des règlements de normalité.The article discusses the training and development of the dance artist’s corporeality drawing primarily from the bodily practices related to the work of instant composition, proposed by the British choreographer Julyen Hamilton. For that purpose, a field study of artistic practice was conducted both in the studio and over the workshops. Some of the categories emerging from the analysis of the data collected - quality of movement, reflective arenas and presence – are presented and discussed. This study further suggests ways of working up the body and the choreographic training that lead to an autonomous body, where exercises become performances, out of normative patterns.Universidade Federal do Rio Grande do Sul2022-10-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/74862Brazilian Journal on Presence Studies; Vol. 8 No. 1 (2018): Jan./Mar. 2018; 167-193Révue Brésilienne d'Études de la Présence; Vol. 8 No. 1 (2018): Jan./Mar. 2018; 167-193Révue Brésilienne d'Études de la Présence; Vol. 8 No 1 (2018): Jan./Mar. 2018; 167-193Revista Brasileira de Estudos da Presença; v. 8 n. 1 (2018): Jan./Mar. 2018; 167-1932237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/74862/50310Copyright (c) 2017 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessSantos (Universidade de Lisboa – Lisbon, Portugal), Maíra Simões Claudino2022-10-04T18:07:53Zoai:seer.ufrgs.br:article/74862Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-04T18:07:53Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.none.fl_str_mv |
Instant Composition: choreographic training of the dance artist and his corporeality La Composition Instantanée: formation chorégraphique du danseur et son corps-realité Instant Composition: choreographic training of the dance artist and his corporeality |
title |
Instant Composition: choreographic training of the dance artist and his corporeality |
spellingShingle |
Instant Composition: choreographic training of the dance artist and his corporeality Santos (Universidade de Lisboa – Lisbon, Portugal), Maíra Simões Claudino Hamilton Instant Composition Training Corporeality Dance Hamilton Instant Composition Training Corporeality Dance Hamilton Composition Instantanée Formation Corps-Realité Danse |
title_short |
Instant Composition: choreographic training of the dance artist and his corporeality |
title_full |
Instant Composition: choreographic training of the dance artist and his corporeality |
title_fullStr |
Instant Composition: choreographic training of the dance artist and his corporeality |
title_full_unstemmed |
Instant Composition: choreographic training of the dance artist and his corporeality |
title_sort |
Instant Composition: choreographic training of the dance artist and his corporeality |
author |
Santos (Universidade de Lisboa – Lisbon, Portugal), Maíra Simões Claudino |
author_facet |
Santos (Universidade de Lisboa – Lisbon, Portugal), Maíra Simões Claudino |
author_role |
author |
dc.contributor.author.fl_str_mv |
Santos (Universidade de Lisboa – Lisbon, Portugal), Maíra Simões Claudino |
dc.subject.por.fl_str_mv |
Hamilton Instant Composition Training Corporeality Dance Hamilton Instant Composition Training Corporeality Dance Hamilton Composition Instantanée Formation Corps-Realité Danse |
topic |
Hamilton Instant Composition Training Corporeality Dance Hamilton Instant Composition Training Corporeality Dance Hamilton Composition Instantanée Formation Corps-Realité Danse |
description |
The article discusses the training and development of the dance artist’s corporeality drawing primarily from the bodily practices related to the work of instant composition, proposed by the British choreographer Julyen Hamilton. For that purpose, a field study of artistic practice was conducted both in the studio and over the workshops. Some of the categories emerging from the analysis of the data collected - quality of movement, reflective arenas and presence – are presented and discussed. This study further suggests ways of working up the body and the choreographic training that lead to an autonomous body, where exercises become performances, out of normative patterns. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-10-04 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/74862 |
url |
https://seer.ufrgs.br/index.php/presenca/article/view/74862 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/74862/50310 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2017 Revista Brasileira de Estudos da Presença info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2017 Revista Brasileira de Estudos da Presença |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
dc.source.none.fl_str_mv |
Brazilian Journal on Presence Studies; Vol. 8 No. 1 (2018): Jan./Mar. 2018; 167-193 Révue Brésilienne d'Études de la Présence; Vol. 8 No. 1 (2018): Jan./Mar. 2018; 167-193 Révue Brésilienne d'Études de la Présence; Vol. 8 No 1 (2018): Jan./Mar. 2018; 167-193 Revista Brasileira de Estudos da Presença; v. 8 n. 1 (2018): Jan./Mar. 2018; 167-193 2237-2660 reponame:Revista Brasileira de Estudos da Presença instname:Universidade Federal do Rio Grande do Sul (UFRGS) instacron:UFRGS |
instname_str |
Universidade Federal do Rio Grande do Sul (UFRGS) |
instacron_str |
UFRGS |
institution |
UFRGS |
reponame_str |
Revista Brasileira de Estudos da Presença |
collection |
Revista Brasileira de Estudos da Presença |
repository.name.fl_str_mv |
Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS) |
repository.mail.fl_str_mv |
||rev.presenca@gmail.com |
_version_ |
1799766308607229952 |