Instant Composition: choreographic training of the dance artist and his corporeality

Detalhes bibliográficos
Autor(a) principal: Santos (Universidade de Lisboa – Lisboa, Portugal), Maíra Simões Claudino
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/63624
Resumo: The article discusses the training and development of the dance artist’s corporeality drawing primarily from the bodily practices related to the work of instant composition, proposed by the British choreographer Julyen Hamilton. For that purpose, a field study of artistic practice was conducted both in the studio and over the workshops. Some of the categories emerging from the analysis of the data collected - quality of movement, reflective arenas and presence – are presented and discussed. This study further suggests ways of working up the body and the choreographic training that lead to an autonomous body, where exercises become performances, out of normative patterns.
id UFRGS-17_c5956027fbb05be1589afcaf3c949034
oai_identifier_str oai:seer.ufrgs.br:article/63624
network_acronym_str UFRGS-17
network_name_str Revista Brasileira de Estudos da Presença
repository_id_str
spelling Instant Composition: choreographic training of the dance artist and his corporealityLa Composition Instantanée: formation chorégraphique du danseur et son corps-realitéComposição Instantânea: formação coreográfica do artista da dança e de seu corpo-realidadeHamiltonComposição InstantâneaFormaçãoCorpo-realidadeDançaHamiltonInstant CompositionTrainingCorporealityDanceHamiltonComposition InstantanéeFormationCorps-RealitéDanseThe article discusses the training and development of the dance artist’s corporeality drawing primarily from the bodily practices related to the work of instant composition, proposed by the British choreographer Julyen Hamilton. For that purpose, a field study of artistic practice was conducted both in the studio and over the workshops. Some of the categories emerging from the analysis of the data collected - quality of movement, reflective arenas and presence – are presented and discussed. This study further suggests ways of working up the body and the choreographic training that lead to an autonomous body, where exercises become performances, out of normative patterns.L’article se propose à discuter la formation et la préparation du corps-réel de l’artiste de la danse, en partant des pratiques corporelles liées au travail de composition instantanée, selon la conception du chorégraphe Julyen Hamilton. Pour ce faire, nous avons accomplis une étude de la pratique artistique. De l’analyse des données sont issues quelques catégories telles quelles: qualité de mouvement, arènes de réflexion et presence. Cette étude propose des manières pour travailler le corps et la formation chorégraphique ayant pour but la construction d’un corps autonome, de façon que les exercises deviennent des performances qui se dérobent des règlements de normalité.O artigo se propõe a discutir a formação e a preparação do corpo-real do artista da dança, a partir das práticas corporais relacionadas com o trabalho de composição instantânea, segundo a concepção do coreógrafo britânico Julyen Hamilton. Para tanto, realizou-se um estudo de prática artística em que o campo privilegiado foi o próprio estúdio e workshops. Da análise dos dados, emergiram categorias como: qualidade de movimento, arenas reflexivas e presença. O estudo sugere maneiras de se trabalhar o corpo e a formação coreográfica, almejando construir um corpo autônomo, de modo que os exercícios se transformem em performances que fujam aos padrões normativos.Universidade Federal do Rio Grande do Sul2022-10-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/63624Brazilian Journal on Presence Studies; Vol. 8 No. 1 (2018): Jan./Mar. 2018; 167-193Révue Brésilienne d'Études de la Présence; Vol. 8 No. 1 (2018): Jan./Mar. 2018; 167-193Révue Brésilienne d'Études de la Présence; Vol. 8 No 1 (2018): Jan./Mar. 2018; 167-193Revista Brasileira de Estudos da Presença; v. 8 n. 1 (2018): Jan./Mar. 2018; 167-1932237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/presenca/article/view/63624/50309Copyright (c) 2017 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessSantos (Universidade de Lisboa – Lisboa, Portugal), Maíra Simões Claudino2022-10-04T18:07:57Zoai:seer.ufrgs.br:article/63624Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-04T18:07:57Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Instant Composition: choreographic training of the dance artist and his corporeality
La Composition Instantanée: formation chorégraphique du danseur et son corps-realité
Composição Instantânea: formação coreográfica do artista da dança e de seu corpo-realidade
title Instant Composition: choreographic training of the dance artist and his corporeality
spellingShingle Instant Composition: choreographic training of the dance artist and his corporeality
Santos (Universidade de Lisboa – Lisboa, Portugal), Maíra Simões Claudino
Hamilton
Composição Instantânea
Formação
Corpo-realidade
Dança
Hamilton
Instant Composition
Training
Corporeality
Dance
Hamilton
Composition Instantanée
Formation
Corps-Realité
Danse
title_short Instant Composition: choreographic training of the dance artist and his corporeality
title_full Instant Composition: choreographic training of the dance artist and his corporeality
title_fullStr Instant Composition: choreographic training of the dance artist and his corporeality
title_full_unstemmed Instant Composition: choreographic training of the dance artist and his corporeality
title_sort Instant Composition: choreographic training of the dance artist and his corporeality
author Santos (Universidade de Lisboa – Lisboa, Portugal), Maíra Simões Claudino
author_facet Santos (Universidade de Lisboa – Lisboa, Portugal), Maíra Simões Claudino
author_role author
dc.contributor.author.fl_str_mv Santos (Universidade de Lisboa – Lisboa, Portugal), Maíra Simões Claudino
dc.subject.por.fl_str_mv Hamilton
Composição Instantânea
Formação
Corpo-realidade
Dança
Hamilton
Instant Composition
Training
Corporeality
Dance
Hamilton
Composition Instantanée
Formation
Corps-Realité
Danse
topic Hamilton
Composição Instantânea
Formação
Corpo-realidade
Dança
Hamilton
Instant Composition
Training
Corporeality
Dance
Hamilton
Composition Instantanée
Formation
Corps-Realité
Danse
description The article discusses the training and development of the dance artist’s corporeality drawing primarily from the bodily practices related to the work of instant composition, proposed by the British choreographer Julyen Hamilton. For that purpose, a field study of artistic practice was conducted both in the studio and over the workshops. Some of the categories emerging from the analysis of the data collected - quality of movement, reflective arenas and presence – are presented and discussed. This study further suggests ways of working up the body and the choreographic training that lead to an autonomous body, where exercises become performances, out of normative patterns.
publishDate 2022
dc.date.none.fl_str_mv 2022-10-04
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/63624
url https://seer.ufrgs.br/index.php/presenca/article/view/63624
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/63624/50309
dc.rights.driver.fl_str_mv Copyright (c) 2017 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 8 No. 1 (2018): Jan./Mar. 2018; 167-193
Révue Brésilienne d'Études de la Présence; Vol. 8 No. 1 (2018): Jan./Mar. 2018; 167-193
Révue Brésilienne d'Études de la Présence; Vol. 8 No 1 (2018): Jan./Mar. 2018; 167-193
Revista Brasileira de Estudos da Presença; v. 8 n. 1 (2018): Jan./Mar. 2018; 167-193
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
_version_ 1799766308123836416