Influenciador digital: emblema da indústria cultural
Autor(a) principal: | |
---|---|
Data de Publicação: | 2022 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
dARK ID: | ark:/38995/0013000002990 |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/12399 |
Resumo: | This research is part of the research line “Fundamentals of Educational Processes”, of the Graduate Program in Education of the Faculty of Education of the Federal University of Goiás and was funded by the Coordination for the Improvement of Higher Education Personnel (CAPES). The general objective of the study is to analyze the constitutive mediations of the digital influencer as an emblem of the cultural industry; therefore, it considers, based on Marx, Freud, and Adorno, sociability and the constitution of the subject; the mode of production and the rationality of capital; social networks as a means of interaction nowadays; the cultural industry and the resonances of the digital influencer as a fascist agitator. With that scope and based on Theodor Adorno and Max Horkheimer, a bibliographical study was conducted, followed by the observation in the Instagram social network of four digital influencers, namely: Carlinhos Maia, Gessica Kayane, Virgínia, and Lucas Rangel, in the period from November 11 to December 11, 2021. The influencers were chosen by the number of followers and the amplitude of content that was later systematized in spreadsheets organized by theme. In order to summarize the research, this dissertation is organized, besides the introductory section, the conclusion, references, and appendix, in three chapters: the first presents the constitution of the social being; the second concentrates on understanding the cultural industry, and the third analyzes the digital influencer. From the study it was possible to see some trends that refer to the cultural industry, with the main elements being identification, promise of achievement, and repetition. |
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Resende, Anita Cristina Azevedohttp://lattes.cnpq.br/9367144408359249Resende, Anita Cristina AzevedoChaves, Juliana de CastroViana, Cynthia Maria Jorgehttp://lattes.cnpq.br/5792049852481062Firmino, Isabella Kethuly Spindola2022-10-31T14:29:05Z2022-10-31T14:29:05Z2022-07-26FIRMINO, I. K. S. Influenciador digital: emblema da indústria cultural. 2022. 197 f. Dissertação (Mestrado em Educação) - Universidade Federal de Goiás, Goiânia, 2022.http://repositorio.bc.ufg.br/tede/handle/tede/12399ark:/38995/0013000002990This research is part of the research line “Fundamentals of Educational Processes”, of the Graduate Program in Education of the Faculty of Education of the Federal University of Goiás and was funded by the Coordination for the Improvement of Higher Education Personnel (CAPES). The general objective of the study is to analyze the constitutive mediations of the digital influencer as an emblem of the cultural industry; therefore, it considers, based on Marx, Freud, and Adorno, sociability and the constitution of the subject; the mode of production and the rationality of capital; social networks as a means of interaction nowadays; the cultural industry and the resonances of the digital influencer as a fascist agitator. With that scope and based on Theodor Adorno and Max Horkheimer, a bibliographical study was conducted, followed by the observation in the Instagram social network of four digital influencers, namely: Carlinhos Maia, Gessica Kayane, Virgínia, and Lucas Rangel, in the period from November 11 to December 11, 2021. The influencers were chosen by the number of followers and the amplitude of content that was later systematized in spreadsheets organized by theme. In order to summarize the research, this dissertation is organized, besides the introductory section, the conclusion, references, and appendix, in three chapters: the first presents the constitution of the social being; the second concentrates on understanding the cultural industry, and the third analyzes the digital influencer. From the study it was possible to see some trends that refer to the cultural industry, with the main elements being identification, promise of achievement, and repetition.Esta pesquisa está inserida na linha de pesquisa “Fundamentos dos Processos Educativos”, do Programa de Pós-Graduação em Educação da Faculdade de Educação da Universidade Federal de Goiás, e contou com financiamento da Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES). O objetivo geral do estudo é analisar as mediações constitutivas do influenciador digital como emblema da indústria cultural, para tanto considera a partir de Marx, Freud e Adorno a sociabilidade a constituição do sujeito; o modo de produção e a racionalidade do capital; as redes sociais como um meio de interação na atualidade; a indústria cultural e as ressonâncias do influenciador digital com agitador fascista. Com esse escopo e a partir de Theodor Adorno e Max Horkheimer, foi realizado um estudo bibliográfico, seguido pela observação na rede social Instagram de quatro influenciadores digitais, sendo esses: Carlinhos Maia, Gessica Kayane, Virgínia e Lucas Rangel, no período de 11 de novembro a 11 de dezembro de 2021. Os influenciadores foram escolhidos pelo quantitativo de seguidores e pela amplitude do conteúdo que foi posteriormente sistematizado em planilhas organizadas por tema. Como síntese da pesquisa, essa dissertação está organizada, além da seção introdutória, da conclusão, referências e apêndice, está organizado em três capítulos: o primeiro apresenta a constituição do ser social; o segundo empenha-se em entender a indústria cultural e o terceiro analisa o influenciador digital. A partir do estudo foi possível constatar algumas tendências que se reportam à indústria cultural, tendo como principais elementos a identificação, promessa de realização e repetição.Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2022-10-27T12:23:18Z No. of bitstreams: 2 Dissertação - Isabella Kethuly Spindola Firmino - 2022.pdf: 2958971 bytes, checksum: 011c741d27f4576f35b023e249218c1f (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2022-10-31T14:29:05Z (GMT) No. of bitstreams: 2 Dissertação - Isabella Kethuly Spindola Firmino - 2022.pdf: 2958971 bytes, checksum: 011c741d27f4576f35b023e249218c1f (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5)Made available in DSpace on 2022-10-31T14:29:05Z (GMT). No. of bitstreams: 2 Dissertação - Isabella Kethuly Spindola Firmino - 2022.pdf: 2958971 bytes, checksum: 011c741d27f4576f35b023e249218c1f (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5) Previous issue date: 2022-07-26Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESporUniversidade Federal de GoiásPrograma de Pós-graduação em Educação (FE)UFGBrasilFaculdade de Educação - FE (RG)Attribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessIndústria culturalInstagramInfluenciador digitalCultural industryInstagramDigital influencerCIENCIAS HUMANAS::EDUCACAOInfluenciador digital: emblema da indústria culturalDigital influencer: emblem of the cultural industryinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis37500500500500121951reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGCC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8805http://repositorio.bc.ufg.br/tede/bitstreams/c0aedefe-e383-4016-8a5c-ccc0458d7cb5/download4460e5956bc1d1639be9ae6146a50347MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.bc.ufg.br/tede/bitstreams/bfa586e0-3919-44ef-ae67-a3cc201c2e44/download8a4605be74aa9ea9d79846c1fba20a33MD53ORIGINALDissertação - Isabella Kethuly Spindola Firmino - 2022.pdfDissertação - Isabella Kethuly Spindola Firmino - 2022.pdfapplication/pdf2958971http://repositorio.bc.ufg.br/tede/bitstreams/00e1790b-eef3-4cce-9b46-bfcfe514e650/download011c741d27f4576f35b023e249218c1fMD54tede/123992022-10-31 11:29:05.604http://creativecommons.org/licenses/by-nc-nd/4.0/Attribution-NonCommercial-NoDerivatives 4.0 Internationalopen.accessoai:repositorio.bc.ufg.br:tede/12399http://repositorio.bc.ufg.br/tedeRepositório InstitucionalPUBhttp://repositorio.bc.ufg.br/oai/requesttasesdissertacoes.bc@ufg.bropendoar:2022-10-31T14:29:05Repositório Institucional da UFG - Universidade Federal de Goiás (UFG)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 |
dc.title.pt_BR.fl_str_mv |
Influenciador digital: emblema da indústria cultural |
dc.title.alternative.eng.fl_str_mv |
Digital influencer: emblem of the cultural industry |
title |
Influenciador digital: emblema da indústria cultural |
spellingShingle |
Influenciador digital: emblema da indústria cultural Firmino, Isabella Kethuly Spindola Indústria cultural Influenciador digital Cultural industry Digital influencer CIENCIAS HUMANAS::EDUCACAO |
title_short |
Influenciador digital: emblema da indústria cultural |
title_full |
Influenciador digital: emblema da indústria cultural |
title_fullStr |
Influenciador digital: emblema da indústria cultural |
title_full_unstemmed |
Influenciador digital: emblema da indústria cultural |
title_sort |
Influenciador digital: emblema da indústria cultural |
author |
Firmino, Isabella Kethuly Spindola |
author_facet |
Firmino, Isabella Kethuly Spindola |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Resende, Anita Cristina Azevedo |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/9367144408359249 |
dc.contributor.referee1.fl_str_mv |
Resende, Anita Cristina Azevedo |
dc.contributor.referee2.fl_str_mv |
Chaves, Juliana de Castro |
dc.contributor.referee3.fl_str_mv |
Viana, Cynthia Maria Jorge |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/5792049852481062 |
dc.contributor.author.fl_str_mv |
Firmino, Isabella Kethuly Spindola |
contributor_str_mv |
Resende, Anita Cristina Azevedo Resende, Anita Cristina Azevedo Chaves, Juliana de Castro Viana, Cynthia Maria Jorge |
dc.subject.por.fl_str_mv |
Indústria cultural Influenciador digital |
topic |
Indústria cultural Influenciador digital Cultural industry Digital influencer CIENCIAS HUMANAS::EDUCACAO |
dc.subject.eng.fl_str_mv |
Cultural industry Digital influencer |
dc.subject.cnpq.fl_str_mv |
CIENCIAS HUMANAS::EDUCACAO |
description |
This research is part of the research line “Fundamentals of Educational Processes”, of the Graduate Program in Education of the Faculty of Education of the Federal University of Goiás and was funded by the Coordination for the Improvement of Higher Education Personnel (CAPES). The general objective of the study is to analyze the constitutive mediations of the digital influencer as an emblem of the cultural industry; therefore, it considers, based on Marx, Freud, and Adorno, sociability and the constitution of the subject; the mode of production and the rationality of capital; social networks as a means of interaction nowadays; the cultural industry and the resonances of the digital influencer as a fascist agitator. With that scope and based on Theodor Adorno and Max Horkheimer, a bibliographical study was conducted, followed by the observation in the Instagram social network of four digital influencers, namely: Carlinhos Maia, Gessica Kayane, Virgínia, and Lucas Rangel, in the period from November 11 to December 11, 2021. The influencers were chosen by the number of followers and the amplitude of content that was later systematized in spreadsheets organized by theme. In order to summarize the research, this dissertation is organized, besides the introductory section, the conclusion, references, and appendix, in three chapters: the first presents the constitution of the social being; the second concentrates on understanding the cultural industry, and the third analyzes the digital influencer. From the study it was possible to see some trends that refer to the cultural industry, with the main elements being identification, promise of achievement, and repetition. |
publishDate |
2022 |
dc.date.accessioned.fl_str_mv |
2022-10-31T14:29:05Z |
dc.date.available.fl_str_mv |
2022-10-31T14:29:05Z |
dc.date.issued.fl_str_mv |
2022-07-26 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
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publishedVersion |
dc.identifier.citation.fl_str_mv |
FIRMINO, I. K. S. Influenciador digital: emblema da indústria cultural. 2022. 197 f. Dissertação (Mestrado em Educação) - Universidade Federal de Goiás, Goiânia, 2022. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/12399 |
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ark:/38995/0013000002990 |
identifier_str_mv |
FIRMINO, I. K. S. Influenciador digital: emblema da indústria cultural. 2022. 197 f. Dissertação (Mestrado em Educação) - Universidade Federal de Goiás, Goiânia, 2022. ark:/38995/0013000002990 |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/12399 |
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por |
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por |
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37 |
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500 500 500 500 |
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12 |
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195 |
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1 |
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Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
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Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ |
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openAccess |
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Universidade Federal de Goiás |
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Universidade Federal de Goiás |
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