Balé sob outros eixos: contextos e investigações do coreógrafo norte-americano William Forsythe (1949) entre 1984 e 1994
Autor(a) principal: | |
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Data de Publicação: | 2015 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/5707 |
Resumo: | This dissertation aims at discussing the contexts and the reformulations on the vocabulary for the ballet proposed by the North American choreographer William Forsythe (1949), from the decades of 1980 to 1990. The excerpt delimited on the research is within the period which Forsythe directed the Frankfurt Ballet, in Germany. He has been considered an important revitalizer of the patterns of traditional ballet by many art and dance critics as well as by historians. For a better understanding of the trajectory and importance of Forsythe in the transformation of this dance, I first present some of the problems of the uncritical historic discussion of ballet. Following that I point out how ballet has raised aesthetical and political provocations about its performing up to the context of the subject here being investigated – William Forsythe. Next I investigate the social, political and artistic constructions which are designed by this choreographer in order to develop his references about the conception, performing and composing of ballet in the contemporaneity. In this perspective I also investigate the material that registers this period of his career: the CD-ROM Improvisation Technologies. I present the organization of the CD together with the description and analyses of the technology and the studies developed in the field of Labanian Choreutics as well as the description and analyses of all of the categories presented in its first edition, which has influenced the creation of the material. This work problematizes ballet as a web of meanings of our time, presenting the dancer as researcher of his choreographic practice. |
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Camargo, Robson Corrêa dehttp://lattes.cnpq.br/9964594962008164http://lattes.cnpq.br/4255902574877162Ferreira, Rousejanny da Silva2016-06-30T12:03:25Z2015-06-12FERREIRA, R. S. Balé sob outros eixos: contextos e investigações do coreógrafo norte-americano William Forsythe (1949) entre 1984 e 1994. 2015. 109 f. Dissertação (Mestrado em Performance Cultural) - Universidade Federal de Goiás, Goiânia, 2015.http://repositorio.bc.ufg.br/tede/handle/tede/5707ark:/38995/0013000001wxkThis dissertation aims at discussing the contexts and the reformulations on the vocabulary for the ballet proposed by the North American choreographer William Forsythe (1949), from the decades of 1980 to 1990. The excerpt delimited on the research is within the period which Forsythe directed the Frankfurt Ballet, in Germany. He has been considered an important revitalizer of the patterns of traditional ballet by many art and dance critics as well as by historians. For a better understanding of the trajectory and importance of Forsythe in the transformation of this dance, I first present some of the problems of the uncritical historic discussion of ballet. Following that I point out how ballet has raised aesthetical and political provocations about its performing up to the context of the subject here being investigated – William Forsythe. Next I investigate the social, political and artistic constructions which are designed by this choreographer in order to develop his references about the conception, performing and composing of ballet in the contemporaneity. In this perspective I also investigate the material that registers this period of his career: the CD-ROM Improvisation Technologies. I present the organization of the CD together with the description and analyses of the technology and the studies developed in the field of Labanian Choreutics as well as the description and analyses of all of the categories presented in its first edition, which has influenced the creation of the material. This work problematizes ballet as a web of meanings of our time, presenting the dancer as researcher of his choreographic practice.Este trabalho discute os contextos e reformulações no vocabulário do balé propostos pelo coreógrafo norte-americano William Forsythe (1949) entre 1984 e 1994. O recorte delimitado na pesquisa compreende o período em que William Forsythe dirigiu o Balé de Frankfurt – Alemanha, sendo considerado por muitos críticos e historiadores da dança e da arte um importante revitalizador dos moldes tradicionais do balé. Para melhor entender os percursos e a importância de Forsythe na transformação desta dança, primeiramente apresento alguns problemas na discussão histórica acrítica do balé e, em seguida, aponto como, em três momentos distintos de sua história, o balé levantou provocações estéticas e políticas sobre seu fazer, chegando, então, ao contexto recente do sujeito aqui pesquisado, William Forsythe. Investigo em seguida as construções sociais, políticas e artísticas traçadas por este coreógrafo para desenvolver suas referências sobre a concepção, atuação e composição de balés na contemporaneidade. Nesta perspectiva, investigo o material que sela este período de sua carreira, o CD-ROM Improvisation Technologies. Apresento os estudos da tecnologia e da corêutica labaniana, que influenciaram a criação do material, e a organização do CD, juntamente com a descrição e análise de todas as categorias apresentadas em sua 1ª edição. Este trabalho problematiza o balé como teia de sentidos de nosso tempo, apresentando o bailarino investigador de sua prática coreográfica.Submitted by Cláudia Bueno (claudiamoura18@gmail.com) on 2016-06-29T20:11:29Z No. of bitstreams: 2 Dissertação - Rousejanny da Silva Ferreira - 2015.pdf: 1589090 bytes, checksum: 6daf3cc8b4334b3ed73d51d0dfc82a48 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2016-06-30T12:03:25Z (GMT) No. of bitstreams: 2 Dissertação - Rousejanny da Silva Ferreira - 2015.pdf: 1589090 bytes, checksum: 6daf3cc8b4334b3ed73d51d0dfc82a48 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2016-06-30T12:03:25Z (GMT). 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dc.title.por.fl_str_mv |
Balé sob outros eixos: contextos e investigações do coreógrafo norte-americano William Forsythe (1949) entre 1984 e 1994 |
dc.title.alternative.eng.fl_str_mv |
Ballet in other axis: contexts and investigations of the american choreographer William Forsythe (1949) from 1984 to 1994 |
title |
Balé sob outros eixos: contextos e investigações do coreógrafo norte-americano William Forsythe (1949) entre 1984 e 1994 |
spellingShingle |
Balé sob outros eixos: contextos e investigações do coreógrafo norte-americano William Forsythe (1949) entre 1984 e 1994 Ferreira, Rousejanny da Silva William Forsythe Improvisation technologies Balé História da dança Corêutica William Forsythe Improvisation technologies Ballet History do dance Choreutics ARTES::DANCA |
title_short |
Balé sob outros eixos: contextos e investigações do coreógrafo norte-americano William Forsythe (1949) entre 1984 e 1994 |
title_full |
Balé sob outros eixos: contextos e investigações do coreógrafo norte-americano William Forsythe (1949) entre 1984 e 1994 |
title_fullStr |
Balé sob outros eixos: contextos e investigações do coreógrafo norte-americano William Forsythe (1949) entre 1984 e 1994 |
title_full_unstemmed |
Balé sob outros eixos: contextos e investigações do coreógrafo norte-americano William Forsythe (1949) entre 1984 e 1994 |
title_sort |
Balé sob outros eixos: contextos e investigações do coreógrafo norte-americano William Forsythe (1949) entre 1984 e 1994 |
author |
Ferreira, Rousejanny da Silva |
author_facet |
Ferreira, Rousejanny da Silva |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Camargo, Robson Corrêa de |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/9964594962008164 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/4255902574877162 |
dc.contributor.author.fl_str_mv |
Ferreira, Rousejanny da Silva |
contributor_str_mv |
Camargo, Robson Corrêa de |
dc.subject.por.fl_str_mv |
William Forsythe Improvisation technologies Balé História da dança Corêutica |
topic |
William Forsythe Improvisation technologies Balé História da dança Corêutica William Forsythe Improvisation technologies Ballet History do dance Choreutics ARTES::DANCA |
dc.subject.eng.fl_str_mv |
William Forsythe Improvisation technologies Ballet History do dance Choreutics |
dc.subject.cnpq.fl_str_mv |
ARTES::DANCA |
description |
This dissertation aims at discussing the contexts and the reformulations on the vocabulary for the ballet proposed by the North American choreographer William Forsythe (1949), from the decades of 1980 to 1990. The excerpt delimited on the research is within the period which Forsythe directed the Frankfurt Ballet, in Germany. He has been considered an important revitalizer of the patterns of traditional ballet by many art and dance critics as well as by historians. For a better understanding of the trajectory and importance of Forsythe in the transformation of this dance, I first present some of the problems of the uncritical historic discussion of ballet. Following that I point out how ballet has raised aesthetical and political provocations about its performing up to the context of the subject here being investigated – William Forsythe. Next I investigate the social, political and artistic constructions which are designed by this choreographer in order to develop his references about the conception, performing and composing of ballet in the contemporaneity. In this perspective I also investigate the material that registers this period of his career: the CD-ROM Improvisation Technologies. I present the organization of the CD together with the description and analyses of the technology and the studies developed in the field of Labanian Choreutics as well as the description and analyses of all of the categories presented in its first edition, which has influenced the creation of the material. This work problematizes ballet as a web of meanings of our time, presenting the dancer as researcher of his choreographic practice. |
publishDate |
2015 |
dc.date.issued.fl_str_mv |
2015-06-12 |
dc.date.accessioned.fl_str_mv |
2016-06-30T12:03:25Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
FERREIRA, R. S. Balé sob outros eixos: contextos e investigações do coreógrafo norte-americano William Forsythe (1949) entre 1984 e 1994. 2015. 109 f. Dissertação (Mestrado em Performance Cultural) - Universidade Federal de Goiás, Goiânia, 2015. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/5707 |
dc.identifier.dark.fl_str_mv |
ark:/38995/0013000001wxk |
identifier_str_mv |
FERREIRA, R. S. Balé sob outros eixos: contextos e investigações do coreógrafo norte-americano William Forsythe (1949) entre 1984 e 1994. 2015. 109 f. Dissertação (Mestrado em Performance Cultural) - Universidade Federal de Goiás, Goiânia, 2015. ark:/38995/0013000001wxk |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/5707 |
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por |
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por |
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630093844374387306 |
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600 600 600 |
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5405268343751834469 |
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http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
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http://creativecommons.org/licenses/by-nc-nd/4.0/ |
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openAccess |
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Universidade Federal de Goiás |
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Programa de Pós-graduação em Performance Cultural (EMAC) |
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UFG |
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Brasil |
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Escola de Música e Artes Cênicas - EMAC (RG) |
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Universidade Federal de Goiás |
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