Breves danças à margem - A constituição de uma história artística da dança em Goiânia (1982-1986)
Autor(a) principal: | |
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Data de Publicação: | 2010 |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tde/1220 |
Resumo: | This thesis investigated theoretical and methodological possibilities on the field of study of the Arts, in order to build a history of dance in the city of Goiânia. The body in dance was considered as the place in which this history happens, while different and interconnected concepts of the body, art and dance, and their historiographies, support this statement. Understanding the unique configuration of the dance phenomenon and its attention/tension as history, a more critical and conceptual approach was chosen using theories on the field of conceptual history, and history of oblivion, and from that point to invention, uncertainty and unpredictability. This pathway proved to be a key factor on the identification of the dance events being held in Goiânia between the years of 1982 and 1986. Therefore, to better understand these events, the dance history between 1973 and 1988 was investigated. This period of time was marked by the creation of the first institutions for the practice of dance in Goiânia and the outbreak of a new dance scene on the city. It was also a time of great invention and creation on this area in Goiânia, which prompted the city to an exclusive and active dialogue with the dance scenario in Brazil and internationally. The sources and documents studied pointed out interesting occurrences on the dance aesthetics of that time, highlighting its insertions and hierarchies. Some of the people and artwork of that time were prominent and produced other significant developments, very distinct from what was admitted by them, or even expected from them. Local postures and dance movements bearing traces of audacity and singularity were being created at that time, showing that a new kind of dance was emerging. The association made with this whole new dance scene is that of a production beyond Nietzsche, that does not necessarily is a dichotomy or an act of overcoming tradition, but an explosion. Dance on the void, created via its process-operation of existence. Artistic temporality, where history exists. |
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NORONHA, Marcio Pizarrohttp://lattes.cnpq.br/2875707762585409http://lattes.cnpq.br/7440441225670402RIBEIRO, Luciana Gomes2014-07-29T15:14:24Z2011-03-162010-11-10RIBEIRO, Luciana Gomes. Brief dances on the sidelines - the formation of an artistic history of dance in Goiânia (1982-1986). 2010. 407 f. Tese (Doutorado em História) - Universidade Federal de Goiás, Goiânia, 2010.http://repositorio.bc.ufg.br/tede/handle/tde/1220This thesis investigated theoretical and methodological possibilities on the field of study of the Arts, in order to build a history of dance in the city of Goiânia. The body in dance was considered as the place in which this history happens, while different and interconnected concepts of the body, art and dance, and their historiographies, support this statement. Understanding the unique configuration of the dance phenomenon and its attention/tension as history, a more critical and conceptual approach was chosen using theories on the field of conceptual history, and history of oblivion, and from that point to invention, uncertainty and unpredictability. This pathway proved to be a key factor on the identification of the dance events being held in Goiânia between the years of 1982 and 1986. Therefore, to better understand these events, the dance history between 1973 and 1988 was investigated. This period of time was marked by the creation of the first institutions for the practice of dance in Goiânia and the outbreak of a new dance scene on the city. It was also a time of great invention and creation on this area in Goiânia, which prompted the city to an exclusive and active dialogue with the dance scenario in Brazil and internationally. The sources and documents studied pointed out interesting occurrences on the dance aesthetics of that time, highlighting its insertions and hierarchies. Some of the people and artwork of that time were prominent and produced other significant developments, very distinct from what was admitted by them, or even expected from them. Local postures and dance movements bearing traces of audacity and singularity were being created at that time, showing that a new kind of dance was emerging. The association made with this whole new dance scene is that of a production beyond Nietzsche, that does not necessarily is a dichotomy or an act of overcoming tradition, but an explosion. Dance on the void, created via its process-operation of existence. Artistic temporality, where history exists.A presente tese investigou possibilidades teórico-metodológicas para abarcar a especificidade do campo da arte a fim de constituir uma história artística da dança em Goiânia. Elegeu-se a matriz fundante corpo-dança que se configurou como lugar específico da produção desta história, a partir do cruzamento de conceitos referentes ao corpo, arte e dança, e no enfrentamento de suas historiografias. Compreendendo a configuração singular do fenômeno dança e sua atenção/tensão na produção de história(s), caminhou-se para uma orientação mais crítica e conceitual, partindo de considerações teóricas do campo da história dos conceitos, da história dos esquecimentos e desta como invenção, incerteza e imprevisibilidade. Esta postura foi fundamental para a identificação e apresentação de acontecimentos de dança na cidade de Goiânia, especificamente entre 1982 e 1986. E, para compreendê-los, o estudo se dilatou entre 1973 a 1988, período de institucionalização da prática artística da dança na cidade com o surgimento de espaços de formação e disseminação da dança , e também um período de curiosa efervescência criativa nesta área, colocando a cidade em diálogo ativo com o cenário nacional e internacional da dança, mas por um outro viés. As fontes e documentos apontaram para outros referenciais e desdobramentos no campo das estéticas de dança e, igualmente, de suas inserções e hierarquias. Algumas pessoas e obras se destacaram e até mesmo se descolaram da cena produzindo acontecimentos outros, muito distintos do campo das experiências admitidas e das expectativas produzidas. Posturas e movimentos de dança, locais com traços de ousadia e ineditismo em suas experiências, similares aos movimentos inauguradores de novos modos de existir da dança. Ao deparar-se com estes, a associação que se fez foi com a produção de um além nietzschiano, que não se localiza necessariamente como dicotomia e ou superação frente à tradição, e sim como explosão. Dança localizada no vão, pensada a partir do seu processo-operação de existência. Temporalização artística, onde o olhar histórico existe.Made available in DSpace on 2014-07-29T15:14:24Z (GMT). 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dc.title.por.fl_str_mv |
Breves danças à margem - A constituição de uma história artística da dança em Goiânia (1982-1986) |
dc.title.alternative.eng.fl_str_mv |
Brief dances on the sidelines - the formation of an artistic history of dance in Goiânia (1982-1986) |
title |
Breves danças à margem - A constituição de uma história artística da dança em Goiânia (1982-1986) |
spellingShingle |
Breves danças à margem - A constituição de uma história artística da dança em Goiânia (1982-1986) RIBEIRO, Luciana Gomes corpo arte dança história como invenção história artística da dança 1.História 2.Dança body art dance history as an invention artistic history of dance CNPQ::CIENCIAS HUMANAS::HISTORIA |
title_short |
Breves danças à margem - A constituição de uma história artística da dança em Goiânia (1982-1986) |
title_full |
Breves danças à margem - A constituição de uma história artística da dança em Goiânia (1982-1986) |
title_fullStr |
Breves danças à margem - A constituição de uma história artística da dança em Goiânia (1982-1986) |
title_full_unstemmed |
Breves danças à margem - A constituição de uma história artística da dança em Goiânia (1982-1986) |
title_sort |
Breves danças à margem - A constituição de uma história artística da dança em Goiânia (1982-1986) |
author |
RIBEIRO, Luciana Gomes |
author_facet |
RIBEIRO, Luciana Gomes |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
NORONHA, Marcio Pizarro |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/2875707762585409 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/7440441225670402 |
dc.contributor.author.fl_str_mv |
RIBEIRO, Luciana Gomes |
contributor_str_mv |
NORONHA, Marcio Pizarro |
dc.subject.por.fl_str_mv |
corpo arte dança história como invenção história artística da dança 1.História 2.Dança |
topic |
corpo arte dança história como invenção história artística da dança 1.História 2.Dança body art dance history as an invention artistic history of dance CNPQ::CIENCIAS HUMANAS::HISTORIA |
dc.subject.eng.fl_str_mv |
body art dance history as an invention artistic history of dance |
dc.subject.cnpq.fl_str_mv |
CNPQ::CIENCIAS HUMANAS::HISTORIA |
description |
This thesis investigated theoretical and methodological possibilities on the field of study of the Arts, in order to build a history of dance in the city of Goiânia. The body in dance was considered as the place in which this history happens, while different and interconnected concepts of the body, art and dance, and their historiographies, support this statement. Understanding the unique configuration of the dance phenomenon and its attention/tension as history, a more critical and conceptual approach was chosen using theories on the field of conceptual history, and history of oblivion, and from that point to invention, uncertainty and unpredictability. This pathway proved to be a key factor on the identification of the dance events being held in Goiânia between the years of 1982 and 1986. Therefore, to better understand these events, the dance history between 1973 and 1988 was investigated. This period of time was marked by the creation of the first institutions for the practice of dance in Goiânia and the outbreak of a new dance scene on the city. It was also a time of great invention and creation on this area in Goiânia, which prompted the city to an exclusive and active dialogue with the dance scenario in Brazil and internationally. The sources and documents studied pointed out interesting occurrences on the dance aesthetics of that time, highlighting its insertions and hierarchies. Some of the people and artwork of that time were prominent and produced other significant developments, very distinct from what was admitted by them, or even expected from them. Local postures and dance movements bearing traces of audacity and singularity were being created at that time, showing that a new kind of dance was emerging. The association made with this whole new dance scene is that of a production beyond Nietzsche, that does not necessarily is a dichotomy or an act of overcoming tradition, but an explosion. Dance on the void, created via its process-operation of existence. Artistic temporality, where history exists. |
publishDate |
2010 |
dc.date.issued.fl_str_mv |
2010-11-10 |
dc.date.available.fl_str_mv |
2011-03-16 |
dc.date.accessioned.fl_str_mv |
2014-07-29T15:14:24Z |
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dc.type.driver.fl_str_mv |
info:eu-repo/semantics/doctoralThesis |
format |
doctoralThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
RIBEIRO, Luciana Gomes. Brief dances on the sidelines - the formation of an artistic history of dance in Goiânia (1982-1986). 2010. 407 f. Tese (Doutorado em História) - Universidade Federal de Goiás, Goiânia, 2010. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tde/1220 |
identifier_str_mv |
RIBEIRO, Luciana Gomes. Brief dances on the sidelines - the formation of an artistic history of dance in Goiânia (1982-1986). 2010. 407 f. Tese (Doutorado em História) - Universidade Federal de Goiás, Goiânia, 2010. |
url |
http://repositorio.bc.ufg.br/tede/handle/tde/1220 |
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por |
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por |
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openAccess |
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application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.publisher.program.fl_str_mv |
Doutorado em História |
dc.publisher.initials.fl_str_mv |
UFG |
dc.publisher.country.fl_str_mv |
BR |
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História |
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Universidade Federal de Goiás |
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