Circulação musical via internet e suas implicações: formação do repertório musical homogeneizado e personalizado sobre a distribuição dos sites Deezer e Last.fm

• Autor(a) principal: Alves, Lorena Ferreira
• Data de Publicação: 2016
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Repositório Institucional da UFG
• dARK ID: ark:/38995/0013000003wh7
• Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tede/6185
• topic: Música e internet; Repertório musical; Homogeneização; Personalização; Music and internet; Musical repertoire; Homogenization; Personalization; ARTES::MUSICA

This research discusses the current musical movement via internet and its implications for the formation of the musical repertoire of Internet users. For this purpose, authors are addressed who argue about the distribution of information acted upon by the media and their sociocultural derivations during the XX and XXI centuries. With the advent of personalization of reports developed by search engines that remain increasingly present on the Internet, the concept of information democratization of cyberspace has been rethought; the internet no longer operates on a full flow of information, becoming, thus, a media that offer an individualized experience of browsing the internet. Consequently, it is questioned what effect the personalized information reflects on the contemporary social order. The aim of this study is to investigate how the current distribution of phonograms by musical entertainment in vogue proceeds in the network. To understand how the musical mediation of music services occurs, as well as analyze how it affects the formation of the musical repertoire of users, two musical entertainment services were selected, Deezer and Last.fm, and four fictitious users (MPB, Pop , Rock and Country) navigated the websites getting data from personalized and homogenized music distribution. The results show that service users receive related and unrelated musical offerings to their musical preferences. It is considered that the personalized and homogenized formation of musical repertoire of users of Deezer and Last.fm services reflects contemporary social features like the dynamic between mass/tribes, hedonism and presenteeism. The main source that drives the current musical circulation, which is included in this informational capitalism model in cyberspace, is the surveillance of navigation information from users.