Gestão compartilhada do patrimônio cultural: o registro e a salvaguarda das bonecas de cerâmica Karajá
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/11472 |
Resumo: | This dissertation presents the results of a study made on the cultural policies aimed at the promotion and protection of practices, knowledge and expressions associated with the ceramic dolls of the Karajá people, recognized as Brazilian cultural heritage in January 2012. The primary goal of this research is to understand how the cultural manifestations of indigenous peoples are being dealt with in the country's cultural policies. The specific objectives are to analyze the registration processes and the actions to safeguard the intangible cultural heritage represented by the Karajá dolls, considering the performance of the National Historical and Artistic Heritage Institute (IPHAN), of the Anthropological Museum of the Federal University of Goiás (UFG) and the indigenous communities themselves in these processes, in order to understand this experience of shared and intercultural action involving an institution that manages national policies for the protection of cultural heritage, an academic institution and indigenous communities. One of the questions is whether there is indigenous role as a protagonist in this process of patrimonialization, considering the need to ensure the Karajá people human rights to dignity, autonomy and full citizenship. In this sense, the work seeks to identify subsidies for the development of new actions to strengthen and enhance this cultural asset and its holders. With regard to the theoretical and methodological aspects, the research starts from a decolonial and intercultural conception that, at the same time that it is attentive to the narratives and the indigenous perspectives, seeks to understand the unfolding of dialogue and intercultural actions and the possibilities of construction new knowledge and new practices, through shared management. From this perspective, in addition to reading and consulting the specialized bibliography, documents produced in the processes and actions for registering and safeguarding Karajá dolls were analyzed; direct observation and ethnography of events related to these processes and actions that took place between 2018 and 2020, with notes in a field diary and photographic record, in addition to informal conversations and informal talking and remote interviews with representatives of the institutions and communities involved in the process. |
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Leitão, Rosani Moreirahttp://lattes.cnpq.br/1983245441436723Leitão, Rosani MoreiraMacêdo Filha, Maurides Batista deLima, Nei Clara dePortela, Cristiane de Assishttp://lattes.cnpq.br/1498974074722527Cavalcante, Celiane Borges2021-07-06T11:24:13Z2021-07-06T11:24:13Z2021-04-29CAVALCANTE, C. B. Gestão compartilhada do patrimônio cultural: o registro e a salvaguarda das bonecas de cerâmica Karajá. 2021. 242 f. Dissertação (Mestrado em Direitos Humanos) - Universidade Federal de Goiás, Goiânia, 2021.http://repositorio.bc.ufg.br/tede/handle/tede/11472ark:/38995/0013000002t06This dissertation presents the results of a study made on the cultural policies aimed at the promotion and protection of practices, knowledge and expressions associated with the ceramic dolls of the Karajá people, recognized as Brazilian cultural heritage in January 2012. The primary goal of this research is to understand how the cultural manifestations of indigenous peoples are being dealt with in the country's cultural policies. The specific objectives are to analyze the registration processes and the actions to safeguard the intangible cultural heritage represented by the Karajá dolls, considering the performance of the National Historical and Artistic Heritage Institute (IPHAN), of the Anthropological Museum of the Federal University of Goiás (UFG) and the indigenous communities themselves in these processes, in order to understand this experience of shared and intercultural action involving an institution that manages national policies for the protection of cultural heritage, an academic institution and indigenous communities. One of the questions is whether there is indigenous role as a protagonist in this process of patrimonialization, considering the need to ensure the Karajá people human rights to dignity, autonomy and full citizenship. In this sense, the work seeks to identify subsidies for the development of new actions to strengthen and enhance this cultural asset and its holders. With regard to the theoretical and methodological aspects, the research starts from a decolonial and intercultural conception that, at the same time that it is attentive to the narratives and the indigenous perspectives, seeks to understand the unfolding of dialogue and intercultural actions and the possibilities of construction new knowledge and new practices, through shared management. From this perspective, in addition to reading and consulting the specialized bibliography, documents produced in the processes and actions for registering and safeguarding Karajá dolls were analyzed; direct observation and ethnography of events related to these processes and actions that took place between 2018 and 2020, with notes in a field diary and photographic record, in addition to informal conversations and informal talking and remote interviews with representatives of the institutions and communities involved in the process.O presente trabalho apresenta resultados do estudo realizado das políticas culturais voltadas para a promoção e proteção das práticas, saberes e expressões associadas às bonecas de cerâmica do povo Karajá, reconhecidos como patrimônio cultural brasileiro em janeiro do ano de 2012. O objetivo geral do trabalho é compreender como as manifestações culturais dos povos indígenas vêm sendo tratadas nas políticas culturais do país. Os objetivos específicos consistem em analisar os processos de registro e as ações de salvaguarda do patrimônio cultural imaterial representado pelas bonecas Karajá, considerando a atuação do Instituto de Patrimônio Histórico e Artístico Nacional (IPHAN), do Museu Antropológico da Universidade Federal de Goiás (UFG) e das próprias comunidades indígenas nestes processos, a fim de compreender esta experiência de ação compartilhada e intercultural envolvendo uma instituição gestora de políticas nacionais de proteção do patrimônio cultural, uma instituição acadêmica e comunidades indígenas. Uma das indagações é se existe protagonismo indígena neste processo de patrimonialização, considerando-se a necessidade de assegurar ao povo Karajá os direitos humanos à dignidade, autonomia e à cidadania plena. Neste sentido, o trabalho busca apontar subsídios para o desenvolvimento de novas ações de fortalecimento e valorização desse bem cultural e de seus detentores. No que diz respeito aos aspectos teórico-metodológicos, a pesquisa parte de uma concepção decolonial e intercultural que, ao mesmo tempo em que está atenta às narrativas e às perspectivas indígenas, busca perceber os desdobramentos do diálogo e do fazer intercultural e as possiblidades de construção de novos conhecimentos e novas práticas, através da gestão compartilhada. Sob essa perspectiva, além da leitura e consultas à bibliografia especializada, foram analisados documentos produzidos nos processos e ações de registro e salvaguarda das bonecas Karajá; observação direta e etnografia de eventos relacionados a esses processos e ações ocorridos entre os anos de 2018 e 2020, com anotação em diário de campo e registro fotográfico, além de conversas informais e entrevistas presenciais e remotas com representantes das instituições e das comunidades envolvidas no processo.Submitted by Franciele Moreira (francielemoreyra@gmail.com) on 2021-07-05T20:10:33Z No. of bitstreams: 2 Dissertaçao - Celiane Borges Cavalcante - 2021.pdf: 23013577 bytes, checksum: 421f1dd78cef18a58b5a7110e0a6b9ba (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2021-07-06T11:24:13Z (GMT) No. of bitstreams: 2 Dissertaçao - Celiane Borges Cavalcante - 2021.pdf: 23013577 bytes, checksum: 421f1dd78cef18a58b5a7110e0a6b9ba (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5)Made available in DSpace on 2021-07-06T11:24:13Z (GMT). No. of bitstreams: 2 Dissertaçao - Celiane Borges Cavalcante - 2021.pdf: 23013577 bytes, checksum: 421f1dd78cef18a58b5a7110e0a6b9ba (MD5) license_rdf: 805 bytes, checksum: 4460e5956bc1d1639be9ae6146a50347 (MD5) Previous issue date: 2021-04-29porUniversidade Federal de GoiásPrograma de Pós-graduação em Direitos Humanos (PRPG)UFGBrasilPró-Reitoria de Pós-graduação (PRPG)Attribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessBonecas Karajá/RitxokoDireitos humanosInterculturalidadePatrimônio culturalPovos indígenasKarajá dolls/RitxokoHuman rightsInterculturalityCultural heritageIndian peopleCIENCIAS SOCIAIS APLICADASGestão compartilhada do patrimônio cultural: o registro e a salvaguarda das bonecas de cerâmica KarajáShared management of cultural heritage: the registration and safeguarding of Karajá ceramic dollsinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis3450050050030216reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.bc.ufg.br/tede/bitstreams/d0a35b91-e889-4a05-8d2b-0538fda74149/download8a4605be74aa9ea9d79846c1fba20a33MD51CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8805http://repositorio.bc.ufg.br/tede/bitstreams/71a14eec-5bfb-4140-9c3d-4c55e6246e27/download4460e5956bc1d1639be9ae6146a50347MD52ORIGINALDissertaçao - Celiane Borges Cavalcante - 2021.pdfDissertaçao - Celiane Borges Cavalcante - 2021.pdfapplication/pdf23013577http://repositorio.bc.ufg.br/tede/bitstreams/87e89cbe-5efa-4f0b-920d-ed6320d44450/download421f1dd78cef18a58b5a7110e0a6b9baMD53tede/114722021-07-06 08:24:14.172http://creativecommons.org/licenses/by-nc-nd/4.0/Attribution-NonCommercial-NoDerivatives 4.0 Internationalopen.accessoai:repositorio.bc.ufg.br:tede/11472http://repositorio.bc.ufg.br/tedeRepositório InstitucionalPUBhttp://repositorio.bc.ufg.br/oai/requesttasesdissertacoes.bc@ufg.bropendoar:2021-07-06T11:24:14Repositório Institucional da UFG - Universidade Federal de Goiás (UFG)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 |
dc.title.pt_BR.fl_str_mv |
Gestão compartilhada do patrimônio cultural: o registro e a salvaguarda das bonecas de cerâmica Karajá |
dc.title.alternative.eng.fl_str_mv |
Shared management of cultural heritage: the registration and safeguarding of Karajá ceramic dolls |
title |
Gestão compartilhada do patrimônio cultural: o registro e a salvaguarda das bonecas de cerâmica Karajá |
spellingShingle |
Gestão compartilhada do patrimônio cultural: o registro e a salvaguarda das bonecas de cerâmica Karajá Cavalcante, Celiane Borges Bonecas Karajá/Ritxoko Direitos humanos Interculturalidade Patrimônio cultural Povos indígenas Karajá dolls/Ritxoko Human rights Interculturality Cultural heritage Indian people CIENCIAS SOCIAIS APLICADAS |
title_short |
Gestão compartilhada do patrimônio cultural: o registro e a salvaguarda das bonecas de cerâmica Karajá |
title_full |
Gestão compartilhada do patrimônio cultural: o registro e a salvaguarda das bonecas de cerâmica Karajá |
title_fullStr |
Gestão compartilhada do patrimônio cultural: o registro e a salvaguarda das bonecas de cerâmica Karajá |
title_full_unstemmed |
Gestão compartilhada do patrimônio cultural: o registro e a salvaguarda das bonecas de cerâmica Karajá |
title_sort |
Gestão compartilhada do patrimônio cultural: o registro e a salvaguarda das bonecas de cerâmica Karajá |
author |
Cavalcante, Celiane Borges |
author_facet |
Cavalcante, Celiane Borges |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Leitão, Rosani Moreira |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/1983245441436723 |
dc.contributor.referee1.fl_str_mv |
Leitão, Rosani Moreira |
dc.contributor.referee2.fl_str_mv |
Macêdo Filha, Maurides Batista de |
dc.contributor.referee3.fl_str_mv |
Lima, Nei Clara de |
dc.contributor.referee4.fl_str_mv |
Portela, Cristiane de Assis |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/1498974074722527 |
dc.contributor.author.fl_str_mv |
Cavalcante, Celiane Borges |
contributor_str_mv |
Leitão, Rosani Moreira Leitão, Rosani Moreira Macêdo Filha, Maurides Batista de Lima, Nei Clara de Portela, Cristiane de Assis |
dc.subject.por.fl_str_mv |
Bonecas Karajá/Ritxoko Direitos humanos Interculturalidade Patrimônio cultural Povos indígenas |
topic |
Bonecas Karajá/Ritxoko Direitos humanos Interculturalidade Patrimônio cultural Povos indígenas Karajá dolls/Ritxoko Human rights Interculturality Cultural heritage Indian people CIENCIAS SOCIAIS APLICADAS |
dc.subject.eng.fl_str_mv |
Karajá dolls/Ritxoko Human rights Interculturality Cultural heritage Indian people |
dc.subject.cnpq.fl_str_mv |
CIENCIAS SOCIAIS APLICADAS |
description |
This dissertation presents the results of a study made on the cultural policies aimed at the promotion and protection of practices, knowledge and expressions associated with the ceramic dolls of the Karajá people, recognized as Brazilian cultural heritage in January 2012. The primary goal of this research is to understand how the cultural manifestations of indigenous peoples are being dealt with in the country's cultural policies. The specific objectives are to analyze the registration processes and the actions to safeguard the intangible cultural heritage represented by the Karajá dolls, considering the performance of the National Historical and Artistic Heritage Institute (IPHAN), of the Anthropological Museum of the Federal University of Goiás (UFG) and the indigenous communities themselves in these processes, in order to understand this experience of shared and intercultural action involving an institution that manages national policies for the protection of cultural heritage, an academic institution and indigenous communities. One of the questions is whether there is indigenous role as a protagonist in this process of patrimonialization, considering the need to ensure the Karajá people human rights to dignity, autonomy and full citizenship. In this sense, the work seeks to identify subsidies for the development of new actions to strengthen and enhance this cultural asset and its holders. With regard to the theoretical and methodological aspects, the research starts from a decolonial and intercultural conception that, at the same time that it is attentive to the narratives and the indigenous perspectives, seeks to understand the unfolding of dialogue and intercultural actions and the possibilities of construction new knowledge and new practices, through shared management. From this perspective, in addition to reading and consulting the specialized bibliography, documents produced in the processes and actions for registering and safeguarding Karajá dolls were analyzed; direct observation and ethnography of events related to these processes and actions that took place between 2018 and 2020, with notes in a field diary and photographic record, in addition to informal conversations and informal talking and remote interviews with representatives of the institutions and communities involved in the process. |
publishDate |
2021 |
dc.date.accessioned.fl_str_mv |
2021-07-06T11:24:13Z |
dc.date.available.fl_str_mv |
2021-07-06T11:24:13Z |
dc.date.issued.fl_str_mv |
2021-04-29 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
CAVALCANTE, C. B. Gestão compartilhada do patrimônio cultural: o registro e a salvaguarda das bonecas de cerâmica Karajá. 2021. 242 f. Dissertação (Mestrado em Direitos Humanos) - Universidade Federal de Goiás, Goiânia, 2021. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/11472 |
dc.identifier.dark.fl_str_mv |
ark:/38995/0013000002t06 |
identifier_str_mv |
CAVALCANTE, C. B. Gestão compartilhada do patrimônio cultural: o registro e a salvaguarda das bonecas de cerâmica Karajá. 2021. 242 f. Dissertação (Mestrado em Direitos Humanos) - Universidade Federal de Goiás, Goiânia, 2021. ark:/38995/0013000002t06 |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/11472 |
dc.language.iso.fl_str_mv |
por |
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por |
dc.relation.program.fl_str_mv |
34 |
dc.relation.confidence.fl_str_mv |
500 500 500 |
dc.relation.department.fl_str_mv |
30 |
dc.relation.cnpq.fl_str_mv |
216 |
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Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
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Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.publisher.program.fl_str_mv |
Programa de Pós-graduação em Direitos Humanos (PRPG) |
dc.publisher.initials.fl_str_mv |
UFG |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
Pró-Reitoria de Pós-graduação (PRPG) |
publisher.none.fl_str_mv |
Universidade Federal de Goiás |
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