ARTESANATO NO E PARA O MERCADO: AS REDES DE PRODUÇÃO E COMERCIALIZAÇÃO DOS ARTESANATOS DAS FEIRAS HIPPIE E DO CERRADO DE GOIÂNIA - GO

• Autor(a) principal: FERNANDES, Cristiana de Andrade
• Data de Publicação: 2008
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Repositório Institucional da UFG
• dARK ID: ark:/38995/001300000b11r
• Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tde/1890
• topic: Artesanato; Artesanato-Produção e comercialização, Redes (Geografia); Feiras (especiais); Feira Hippie Goiânia (GO); Feira do Cerrado Goiânia (GO); 1. Artesanato 2. Artesanato - Produção e comercialização 3. Redes (Geografia) 4. Feiras (especiais) 5. Feira Hippie 6. Feira do Cerrado - Goiânia (GO); craftwork; nets; production; comercialization; CNPQ::CIENCIAS HUMANAS::GEOGRAFIA::GEOGRAFIA REGIONAL

In these work is considered that Craftworks are pieces made with manual techniques that presuppose lack or a few utilization of industrial machines help. The consumption s acceleration provided by the globalization, the constant technology s breakthrough, the cultural industry and the tourism are some of the factors that alter the craftwork in so far as that appear risks of objects padronization and consequent change on its meaning and sense. Considering those suppositions, the market and production analisation, in other words, the craftwork in the and for the market having as focus what was showed on the Hippie and Cerrado markets in Goiânia, recovering its organizational net. The craftwork on the markets, besides being a way to survive for the many merchant, has peculiarities and particularities that strick out in Goiânia s city. It s emphasized that so the production as the comercialization are parts of economy s inferior circuit, for owning characteristics like informality, whether on the production system characterized by being familiar, or in the way of comercialization on the own market. The pieces production is constantly influenced by the television and by the fashion s tendency. But due to specifics contexts, as comercialization s place and public that buy the pieces, we notice that the crafwork brings up some modifications in each market studied. The research is justified by the need of geographic production that are about these activity, in spite of its relevance, seeing that, ordinarily, even in the short distance s trips, there are no one that don t buy a little present or don t admire the skill of someone who produces such or what object when go around the markets. Methodologically, we drew on the techniques of observation and interview with structured and semi structured questionnaires applied in fieldworks, besides the documental and bibliographic analysis