A dama do cine Shangai: um filme noir no limbo da história do cinema brasileiro
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/9829 |
Resumo: | The lady of Cine Shanghai: a film 'noir' in the limbo of the history of Brazilian cinema is a thesis of history of the Brazilian cinema that is dedicated to the film The lady of Cine Shangai [A dama do Cine Shangai], produced in the 1980s and directed by Guilherme de Almeida Prado, a filmmaker from São Paulo. The film is a noir genre movie and also a postmodern, either mannerist work. However, despite the relative success and a recognized aesthetic quality, the film is relegated to a secondary place in the Brazilian cinema ́s historiography. Thus, the purpose of this research is to understand the main reasons that ended to put this work in the background of Brazilian cinema. The central hypothesis is that the researches and film reviews in Brazil tend to canonize works that focus on political or sociological issues. There is a predilection for Cinema Novo and Cinema Marginal, such as for films produced in the “Retomada” period, that somehow dialogue with these previous movements. Therefore, in this research, I perform a vertical analysis of the film, but also seek an understanding of the context of production and launching of the film, as well as a general panorama of the Brazilian cinema ́s history. In addition, I intend to comprehend the main reasons that lead a particular film to be canonized by the Brazilian film reviews. Thus, I take into consideration in this research both the discussion about the aesthetic and mise-en-scène modern and postmodern, in the 1980s Brazilian film market context, with the Embrafilme crisis. In addition, being especially a film of genre, The lady of Cine Shanghai is analyzed taking into account the historicity of noir. The main sources of this thesis are: the book 100 best Brazilian films, from the Brazilian Association of Film Critics (Abraccine); the Brazilian films of the 1980s present in this canon; and the film The lady of Cine Shanghai itself. |
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Arrais, Cristiano Alencarhttp://lattes.cnpq.br/0048549261262609Silva, Ademir Luiz daCaetano, DanielVilela, Ana LúciaGomes, Ivan LimaArrais, Cristiano Alencarhttp://lattes.cnpq.br/3141932044440061Távora, Adérito Schneider Alencar e2019-07-15T14:41:58Z2019-07-08SCHNEIDER, Adérito. A dama do cine Shangai: um filme noir no limbo da história do cinema brasileiro. 2019. 359 f. Tese (Doutorado em História) - Universidade Federal de Goiás, Goiânia, 2019.http://repositorio.bc.ufg.br/tede/handle/tede/9829The lady of Cine Shanghai: a film 'noir' in the limbo of the history of Brazilian cinema is a thesis of history of the Brazilian cinema that is dedicated to the film The lady of Cine Shangai [A dama do Cine Shangai], produced in the 1980s and directed by Guilherme de Almeida Prado, a filmmaker from São Paulo. The film is a noir genre movie and also a postmodern, either mannerist work. However, despite the relative success and a recognized aesthetic quality, the film is relegated to a secondary place in the Brazilian cinema ́s historiography. Thus, the purpose of this research is to understand the main reasons that ended to put this work in the background of Brazilian cinema. The central hypothesis is that the researches and film reviews in Brazil tend to canonize works that focus on political or sociological issues. There is a predilection for Cinema Novo and Cinema Marginal, such as for films produced in the “Retomada” period, that somehow dialogue with these previous movements. Therefore, in this research, I perform a vertical analysis of the film, but also seek an understanding of the context of production and launching of the film, as well as a general panorama of the Brazilian cinema ́s history. In addition, I intend to comprehend the main reasons that lead a particular film to be canonized by the Brazilian film reviews. Thus, I take into consideration in this research both the discussion about the aesthetic and mise-en-scène modern and postmodern, in the 1980s Brazilian film market context, with the Embrafilme crisis. In addition, being especially a film of genre, The lady of Cine Shanghai is analyzed taking into account the historicity of noir. The main sources of this thesis are: the book 100 best Brazilian films, from the Brazilian Association of Film Critics (Abraccine); the Brazilian films of the 1980s present in this canon; and the film The lady of Cine Shanghai itself.A dama do Cine Shangai: um filme ‘noir’ no limbo da história do cinema brasileiro é um trabalho de história do cinema brasileiro que se dedica ao filme A dama do Cine Shangai, do cineasta paulista Guilherme de Almeida Prado, produzido nos anos 1980. A película é uma obra de gênero (noir) e também uma obra pós-moderna ou maneirista. Entretanto, apesar de relativo sucesso e qualidade estética reconhecida, o filme é relegado a um segundo escalão da historiografia do cinema nacional. Assim, a proposta deste trabalho é entender quais os principais motivos que colocam essa obra em um segundo plano do cinema brasileiro. A hipótese central é de que a pesquisa e a crítica de cinema no Brasil tendem a canonizar obras que colocam em foco questões políticas ou sociológicas. Dessa forma, há uma predileção pelo Cinema Novo e pelo Cinema Marginal, assim como por obras da Retomada que de alguma forma dialogam com esses movimentos anteriores. Portanto, nesta pesquisa, realizo uma análise vertical do filme, mas também busco um entendimento do contexto de produção e lançamento da obra, assim como de um panorama geral da história do cinema brasileiro. Além disso, busco compreender os possíveis principais fatores que levam um determinado filme a ser ou não canonizado pela crítica cinematográfica brasileira. Assim, levo em consideração nesta pesquisa tanto a discussão sobre a estética e mise-en-scène moderna e pós-moderna, como o contexto do mercado cinematográfico brasileiro nos anos 1980, com a crise da Embrafilme. Ademais, por tratar-se especialmente de um filme de gênero, A dama do Cine Shangai é analisada levando em consideração também a historicidade do noir. As fontes principais deste trabalho são: o livro 100 melhores filmes brasileiros, da Associação Brasileira de Críticos de Cinema (Abraccine); os filmes brasileiros dos anos 1980 presentes nesse cânone; e o próprio filme A dama do Cine Shangai.Submitted by Ana Caroline Costa (ana_caroline212@hotmail.com) on 2019-07-12T20:18:12Z No. of bitstreams: 2 Tese - Adérito Schneider Alencar e Távora - 2019.pdf: 7878229 bytes, checksum: a6d57d8b731ee4765bab3bf0762bcaf5 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2019-07-15T14:41:58Z (GMT) No. of bitstreams: 2 Tese - Adérito Schneider Alencar e Távora - 2019.pdf: 7878229 bytes, checksum: a6d57d8b731ee4765bab3bf0762bcaf5 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2019-07-15T14:41:58Z (GMT). No. of bitstreams: 2 Tese - Adérito Schneider Alencar e Távora - 2019.pdf: 7878229 bytes, checksum: a6d57d8b731ee4765bab3bf0762bcaf5 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2019-07-08application/pdfporUniversidade Federal de GoiásPrograma de Pós-graduação em História (FH)UFGBrasilFaculdade de História - FH (RG)http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessCinemaHistóriaPós-modernoA dama do cine ShangaiNoirHistoryPostmodernThe lady of cine ShanghaiCIENCIAS HUMANAS::HISTORIAA dama do cine Shangai: um filme noir no limbo da história do cinema brasileiroThe lady of cine Shanghai: a film noir in the limbo of the history of Brazilian cinemainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesis2839177457274157639600600600318079220827185643-3840921936332040591reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGCC-LICENSElicense_urllicense_urltext/plain; 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dc.title.eng.fl_str_mv |
A dama do cine Shangai: um filme noir no limbo da história do cinema brasileiro |
dc.title.alternative.eng.fl_str_mv |
The lady of cine Shanghai: a film noir in the limbo of the history of Brazilian cinema |
title |
A dama do cine Shangai: um filme noir no limbo da história do cinema brasileiro |
spellingShingle |
A dama do cine Shangai: um filme noir no limbo da história do cinema brasileiro Távora, Adérito Schneider Alencar e Cinema História Pós-moderno A dama do cine Shangai Noir History Postmodern The lady of cine Shanghai CIENCIAS HUMANAS::HISTORIA |
title_short |
A dama do cine Shangai: um filme noir no limbo da história do cinema brasileiro |
title_full |
A dama do cine Shangai: um filme noir no limbo da história do cinema brasileiro |
title_fullStr |
A dama do cine Shangai: um filme noir no limbo da história do cinema brasileiro |
title_full_unstemmed |
A dama do cine Shangai: um filme noir no limbo da história do cinema brasileiro |
title_sort |
A dama do cine Shangai: um filme noir no limbo da história do cinema brasileiro |
author |
Távora, Adérito Schneider Alencar e |
author_facet |
Távora, Adérito Schneider Alencar e |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Arrais, Cristiano Alencar |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/0048549261262609 |
dc.contributor.referee1.fl_str_mv |
Silva, Ademir Luiz da |
dc.contributor.referee2.fl_str_mv |
Caetano, Daniel |
dc.contributor.referee3.fl_str_mv |
Vilela, Ana Lúcia |
dc.contributor.referee4.fl_str_mv |
Gomes, Ivan Lima |
dc.contributor.referee5.fl_str_mv |
Arrais, Cristiano Alencar |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/3141932044440061 |
dc.contributor.author.fl_str_mv |
Távora, Adérito Schneider Alencar e |
contributor_str_mv |
Arrais, Cristiano Alencar Silva, Ademir Luiz da Caetano, Daniel Vilela, Ana Lúcia Gomes, Ivan Lima Arrais, Cristiano Alencar |
dc.subject.por.fl_str_mv |
Cinema História Pós-moderno A dama do cine Shangai |
topic |
Cinema História Pós-moderno A dama do cine Shangai Noir History Postmodern The lady of cine Shanghai CIENCIAS HUMANAS::HISTORIA |
dc.subject.fra.fl_str_mv |
Noir |
dc.subject.eng.fl_str_mv |
History Postmodern The lady of cine Shanghai |
dc.subject.cnpq.fl_str_mv |
CIENCIAS HUMANAS::HISTORIA |
description |
The lady of Cine Shanghai: a film 'noir' in the limbo of the history of Brazilian cinema is a thesis of history of the Brazilian cinema that is dedicated to the film The lady of Cine Shangai [A dama do Cine Shangai], produced in the 1980s and directed by Guilherme de Almeida Prado, a filmmaker from São Paulo. The film is a noir genre movie and also a postmodern, either mannerist work. However, despite the relative success and a recognized aesthetic quality, the film is relegated to a secondary place in the Brazilian cinema ́s historiography. Thus, the purpose of this research is to understand the main reasons that ended to put this work in the background of Brazilian cinema. The central hypothesis is that the researches and film reviews in Brazil tend to canonize works that focus on political or sociological issues. There is a predilection for Cinema Novo and Cinema Marginal, such as for films produced in the “Retomada” period, that somehow dialogue with these previous movements. Therefore, in this research, I perform a vertical analysis of the film, but also seek an understanding of the context of production and launching of the film, as well as a general panorama of the Brazilian cinema ́s history. In addition, I intend to comprehend the main reasons that lead a particular film to be canonized by the Brazilian film reviews. Thus, I take into consideration in this research both the discussion about the aesthetic and mise-en-scène modern and postmodern, in the 1980s Brazilian film market context, with the Embrafilme crisis. In addition, being especially a film of genre, The lady of Cine Shanghai is analyzed taking into account the historicity of noir. The main sources of this thesis are: the book 100 best Brazilian films, from the Brazilian Association of Film Critics (Abraccine); the Brazilian films of the 1980s present in this canon; and the film The lady of Cine Shanghai itself. |
publishDate |
2019 |
dc.date.accessioned.fl_str_mv |
2019-07-15T14:41:58Z |
dc.date.issued.fl_str_mv |
2019-07-08 |
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dc.identifier.citation.fl_str_mv |
SCHNEIDER, Adérito. A dama do cine Shangai: um filme noir no limbo da história do cinema brasileiro. 2019. 359 f. Tese (Doutorado em História) - Universidade Federal de Goiás, Goiânia, 2019. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/9829 |
identifier_str_mv |
SCHNEIDER, Adérito. A dama do cine Shangai: um filme noir no limbo da história do cinema brasileiro. 2019. 359 f. Tese (Doutorado em História) - Universidade Federal de Goiás, Goiânia, 2019. |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/9829 |
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por |
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por |
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600 600 600 |
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UFG |
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Brasil |
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Universidade Federal de Goiás |
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