Pencas de balangandãs: construção histórica, visual e social das "crioulas " no século XIX
Autor(a) principal: | |
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Data de Publicação: | 2015 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/4620 |
Resumo: | The dissertation aims to understand the jewelry balangandã trinkets, used by the Brazilian African, called “crioula”, from nineteenth-century in Salvador - Bahia. The jewelry was used in a mixed slave society full of racial distinction, it was seen as an artifact, in other words, as a human production, with meanings that contributed to historical and social construction. From a qualitative study and in a cultural visual approach, the jewelry was studied through the analysis of nineteenth- century photographic images. Bibliographical research was done about balangandã trinkets, images analysis, racial constructions and visual culture. The study was designed in three stages: 1) the description of the methods of studies adopted; 2) the study of the bangles from their origins since racial issues and African Diaspora in Brazil to the description of its components and; 3) analyses of photos of XIX century Crioula wearing typical costumes and their meaning and relationship with the construction of the image of women called “crioula”. |
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Andrade, Rita Morais dehttp://lattes.cnpq.br/0652175469093010Andrade, Rita Morais deCidreira, Renata PitomboMendonça, Míriam da Costa Manso Moreira dehttp://lattes.cnpq.br/6431361102479223Hardman, Aline Souza2015-10-13T11:47:32Z2015-04-02HARDMAN, A. S. Pencas de balangandãs: construção histórica, visual e social das "crioulas " no século XIX. 2015. 124 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2015.http://repositorio.bc.ufg.br/tede/handle/tede/4620ark:/38995/0013000007j2hThe dissertation aims to understand the jewelry balangandã trinkets, used by the Brazilian African, called “crioula”, from nineteenth-century in Salvador - Bahia. The jewelry was used in a mixed slave society full of racial distinction, it was seen as an artifact, in other words, as a human production, with meanings that contributed to historical and social construction. From a qualitative study and in a cultural visual approach, the jewelry was studied through the analysis of nineteenth- century photographic images. Bibliographical research was done about balangandã trinkets, images analysis, racial constructions and visual culture. The study was designed in three stages: 1) the description of the methods of studies adopted; 2) the study of the bangles from their origins since racial issues and African Diaspora in Brazil to the description of its components and; 3) analyses of photos of XIX century Crioula wearing typical costumes and their meaning and relationship with the construction of the image of women called “crioula”.A dissertação busca compreender as joias pencas de balangandãs, utilizadas pelas afro-brasileiras, denominadas de “crioulas”, do século XIX especialmente em Salvador. Uma joia encontrada no contexto de uma sociedade escravocrata, miscigenada e pautada em distinções raciais, concebida como artefato, ou seja, como produção humana e como campo de significações que contribui para a construção social e histórica. A partir de uma pesquisa qualitativa no amplo campo da Cultura Visual, investiga-se a joia através da leitura de imagens fotográficas do século XIX. Foram realizadas pesquisas bibliográficas sobre pencas de balangandãs, análise de imagens, construções raciais e cultura visual. Estruturou-se a pesquisa em três etapas: 1) explanação dos métodos de estudos abordados; 2) estudo das pencas de balangandãs partindo de investigações das suas possíveis origens, desde observações sobre questões raciais e a diáspora africana no Brasil, passando pelas descrições dos componentes e; 3) análise de fotografias do século XIX da “crioula” com seu traje típico munido da joia em estudo e sua significação e relação com a construção da imagem das mulheres denominadas “crioulas”.Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2015-10-13T11:44:44Z No. of bitstreams: 2 Dissertação - Aline Hardman - 2015.pdf: 11701935 bytes, checksum: f0aef8df09b448e68c71b6971dc86d43 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2015-10-13T11:47:32Z (GMT) No. of bitstreams: 2 Dissertação - Aline Hardman - 2015.pdf: 11701935 bytes, checksum: f0aef8df09b448e68c71b6971dc86d43 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)Made available in DSpace on 2015-10-13T11:47:32Z (GMT). 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dc.title.por.fl_str_mv |
Pencas de balangandãs: construção histórica, visual e social das "crioulas " no século XIX |
dc.title.alternative.eng.fl_str_mv |
Pencas de balangandãs: historical, visual and social construction of "crioulas" in the ninetenth century |
title |
Pencas de balangandãs: construção histórica, visual e social das "crioulas " no século XIX |
spellingShingle |
Pencas de balangandãs: construção histórica, visual e social das "crioulas " no século XIX Hardman, Aline Souza Pencas de balangandãs Crioula Fotografia Cultura visual Balangandã trinkets Crioula Photography Visual culture ARTES::FOTOGRAFIA |
title_short |
Pencas de balangandãs: construção histórica, visual e social das "crioulas " no século XIX |
title_full |
Pencas de balangandãs: construção histórica, visual e social das "crioulas " no século XIX |
title_fullStr |
Pencas de balangandãs: construção histórica, visual e social das "crioulas " no século XIX |
title_full_unstemmed |
Pencas de balangandãs: construção histórica, visual e social das "crioulas " no século XIX |
title_sort |
Pencas de balangandãs: construção histórica, visual e social das "crioulas " no século XIX |
author |
Hardman, Aline Souza |
author_facet |
Hardman, Aline Souza |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Andrade, Rita Morais de |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/0652175469093010 |
dc.contributor.referee1.fl_str_mv |
Andrade, Rita Morais de |
dc.contributor.referee2.fl_str_mv |
Cidreira, Renata Pitombo |
dc.contributor.referee3.fl_str_mv |
Mendonça, Míriam da Costa Manso Moreira de |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/6431361102479223 |
dc.contributor.author.fl_str_mv |
Hardman, Aline Souza |
contributor_str_mv |
Andrade, Rita Morais de Andrade, Rita Morais de Cidreira, Renata Pitombo Mendonça, Míriam da Costa Manso Moreira de |
dc.subject.por.fl_str_mv |
Pencas de balangandãs Crioula Fotografia Cultura visual |
topic |
Pencas de balangandãs Crioula Fotografia Cultura visual Balangandã trinkets Crioula Photography Visual culture ARTES::FOTOGRAFIA |
dc.subject.eng.fl_str_mv |
Balangandã trinkets Crioula Photography Visual culture |
dc.subject.cnpq.fl_str_mv |
ARTES::FOTOGRAFIA |
description |
The dissertation aims to understand the jewelry balangandã trinkets, used by the Brazilian African, called “crioula”, from nineteenth-century in Salvador - Bahia. The jewelry was used in a mixed slave society full of racial distinction, it was seen as an artifact, in other words, as a human production, with meanings that contributed to historical and social construction. From a qualitative study and in a cultural visual approach, the jewelry was studied through the analysis of nineteenth- century photographic images. Bibliographical research was done about balangandã trinkets, images analysis, racial constructions and visual culture. The study was designed in three stages: 1) the description of the methods of studies adopted; 2) the study of the bangles from their origins since racial issues and African Diaspora in Brazil to the description of its components and; 3) analyses of photos of XIX century Crioula wearing typical costumes and their meaning and relationship with the construction of the image of women called “crioula”. |
publishDate |
2015 |
dc.date.accessioned.fl_str_mv |
2015-10-13T11:47:32Z |
dc.date.issued.fl_str_mv |
2015-04-02 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/masterThesis |
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dc.identifier.citation.fl_str_mv |
HARDMAN, A. S. Pencas de balangandãs: construção histórica, visual e social das "crioulas " no século XIX. 2015. 124 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2015. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/4620 |
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ark:/38995/0013000007j2h |
identifier_str_mv |
HARDMAN, A. S. Pencas de balangandãs: construção histórica, visual e social das "crioulas " no século XIX. 2015. 124 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2015. ark:/38995/0013000007j2h |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/4620 |
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por |
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Universidade Federal de Goiás |
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UFG |
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Brasil |
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Universidade Federal de Goiás |
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