"Esse é o final de una era triste e o começo de una fase muy feliz”: translinguismo em telenovelas brasileiras

Detalhes bibliográficos
Autor(a) principal: Zolin Vesz, Fernando
Data de Publicação: 2015
Tipo de documento: Tese
Idioma: por
Título da fonte: Repositório Institucional da UFG
Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tede/5040
Resumo: The present thesis aims to investigate the construction of translingualism practices captured in the lines of characters from three Brazilian telenovelas – Aquele beijo, Cheias de charme, and Flor do Caribe, broadcast by Rede Globo de Televisão from 2011 to 2013 –, as well as to discuss the contributions of such practices for (re)thinking both the concept of language and the foreign language classroom. This qualitative research (LÜDKE; ANDRÉ, 2013) considers the telenovela as a research document (LOIZOS, 2013) which composes the documentation of the sociohistorical specificity of a given period. The theoretical framework is comprised of three axes: the relationship between the media and the construction of meanings (KELLNER, 2001; THOMPSON, 2011), focusing mainly on the Brazilian telenovela (HAMBURGER, 2005, 2011; VASSALLO DE LOPES, 2009, 2010; MARTINS, 2011); the rhizome metaphor developed by Deleuze and Guattari (2014); and recent debates regarding the term translingualism (JACQUEMET, 2005; COX; ASSIS-PETERSON, 2006; ASSIS-PETERSON, 2008; CANAGARAJAH, 2013; ZOLIN-VESZ, 2014). This research was guided by the following questions: 1) What forms of translingualism may be identified in the lines of characters from the telenovelas selected for analysis?, and 2) In what ways can these translingual practices help (re)think the concept of language and, furthermore, the foreign language classroom? Results suggest that the languages used by the characters in these telenovelas, i.e. Portuguese and Spanish are de-/reterritorialized, mixed, and transformed, hence constituting a rhizomatic concept of language which is composed of dimensions and unstable directions, whose lines of flight or of de-/reterritorialization surpass linguistic boundaries and structures towards both a translingual pedagogy for the foreign language classroom and the primacy of the construction of meanings.
id UFG-2_e92ca59671737ba19adad6a9ddf05bf8
oai_identifier_str oai:repositorio.bc.ufg.br:tede/5040
network_acronym_str UFG-2
network_name_str Repositório Institucional da UFG
repository_id_str
spelling Lima, Lucielena Mendonça dehttp://lattes.cnpq.br/5215089054455580Lima, Lucielena Mendonça deIrala, Valesca BrasilMesquita, Deise Nanci de CastroFigueredo, Carla JanaínaFernandes, Eliane Marquez da Fonsecahttp://lattes.cnpq.br/6820153499929432Zolin Vesz, Fernando2015-12-10T09:57:23Z2015-05-29ZOLIN-VESZ, F. "Esse é o final de una era triste e o começo de una fase muy feliz”: translinguismo em telenovelas brasileiras. 2015. 132 f. Tese (Doutorado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2015.http://repositorio.bc.ufg.br/tede/handle/tede/5040The present thesis aims to investigate the construction of translingualism practices captured in the lines of characters from three Brazilian telenovelas – Aquele beijo, Cheias de charme, and Flor do Caribe, broadcast by Rede Globo de Televisão from 2011 to 2013 –, as well as to discuss the contributions of such practices for (re)thinking both the concept of language and the foreign language classroom. This qualitative research (LÜDKE; ANDRÉ, 2013) considers the telenovela as a research document (LOIZOS, 2013) which composes the documentation of the sociohistorical specificity of a given period. The theoretical framework is comprised of three axes: the relationship between the media and the construction of meanings (KELLNER, 2001; THOMPSON, 2011), focusing mainly on the Brazilian telenovela (HAMBURGER, 2005, 2011; VASSALLO DE LOPES, 2009, 2010; MARTINS, 2011); the rhizome metaphor developed by Deleuze and Guattari (2014); and recent debates regarding the term translingualism (JACQUEMET, 2005; COX; ASSIS-PETERSON, 2006; ASSIS-PETERSON, 2008; CANAGARAJAH, 2013; ZOLIN-VESZ, 2014). This research was guided by the following questions: 1) What forms of translingualism may be identified in the lines of characters from the telenovelas selected for analysis?, and 2) In what ways can these translingual practices help (re)think the concept of language and, furthermore, the foreign language classroom? Results suggest that the languages used by the characters in these telenovelas, i.e. Portuguese and Spanish are de-/reterritorialized, mixed, and transformed, hence constituting a rhizomatic concept of language which is composed of dimensions and unstable directions, whose lines of flight or of de-/reterritorialization surpass linguistic boundaries and structures towards both a translingual pedagogy for the foreign language classroom and the primacy of the construction of meanings.O objetivo desta tese é investigar a construção de práticas de translinguismo, identificadas nas falas de personagens de três telenovelas brasileiras – Aquele beijo, Cheias de charme e Flor do Caribe – exibidas pela Rede Globo de Televisão entre 2011 e 2013, além de discutir as contribuições dessas práticas para (re)pensarmos tanto a concepção de língua quanto a sala de aula de línguas. A pesquisa, de abordagem qualitativa (LÜDKE; ANDRÉ, 2013), entende telenovela como documento de pesquisa (LOIZOS, 2013), que constitui documentação da especificidade sócio-histórica de determinada época. O referencial teórico se constitui de três eixos: a relação entre mídia e construção de sentidos (KELLNER, 2001; THOMPSON, 2011), em particular no que tange à telenovela brasileira (HAMBURGER, 2005, 2011; VASSALLO DE LOPES, 2009, 2010; MARTINS, 2011); a metáfora do rizoma, conforme delineada por Deleuze e Guattari (2014); e as discussões que vêm sendo desenvolvidas sobre o termo translinguismo (JACQUEMET, 2005; COX; ASSIS-PETERSON, 2006; ASSIS-PETERSON, 2008; CANAGARAJAH, 2013; ZOLIN-VESZ, 2014). As perguntas que nortearam a pesquisa foram: 1) que formas de translinguismo podem ser identificadas nas falas de personagens das telenovelas aqui em análise? e 2) que contribuições essas práticas translíngues podem trazer à baila para (re)pensarmos a concepção de língua e, por conseguinte, a sala de aula de línguas? Os resultados sugerem que as línguas empregadas nas falas dos personagens das telenovelas analisadas – no caso, o português e o espanhol – des/reterritorializam-se, mestiçam e transformam-se, constituindo, assim, uma concepção rizomática de língua, que se compõe de dimensões, de direções movediças, cujas linhas de fuga ou de des/reterritorialização transpassam as fronteiras e estruturas linguísticas em direção tanto a uma pedagogia translíngue para a sala de aula de línguas quanto à primazia da construção de sentidos.Submitted by Cássia Santos (cassia.bcufg@gmail.com) on 2015-12-10T09:10:32Z No. of bitstreams: 2 Tese - Fernando Zolin Vesz - 2015.pdf: 1027827 bytes, checksum: 814fe8dc83f3a88cee2628473022b6c4 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2015-12-10T09:57:23Z (GMT) No. of bitstreams: 2 Tese - Fernando Zolin Vesz - 2015.pdf: 1027827 bytes, checksum: 814fe8dc83f3a88cee2628473022b6c4 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2015-12-10T09:57:23Z (GMT). No. of bitstreams: 2 Tese - Fernando Zolin Vesz - 2015.pdf: 1027827 bytes, checksum: 814fe8dc83f3a88cee2628473022b6c4 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2015-05-29application/pdfporUniversidade Federal de GoiásPrograma de Pós-graduação em Letras e Linguística (FL)UFGBrasilFaculdade de Letras - FL (RG)http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessTelenovela brasileiraTranslinguismoConstrução de sentidosBrazilian telenovelaTranslingualismConstruction of meaningsLINGUISTICA, LETRAS E ARTES::LINGUISTICA"Esse é o final de una era triste e o começo de una fase muy feliz”: translinguismo em telenovelas brasileiras“This is the end of una sad era and the beginning of una phase muy happy”: translingualism in Brazilian telenovelasinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesis-1403758209736362229600600600-54178507046780729887955259954785510783reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; charset=utf-82165http://repositorio.bc.ufg.br/tede/bitstreams/91521aef-8b3d-46ce-a6a4-c64452923476/downloadbd3efa91386c1718a7f26a329fdcb468MD51CC-LICENSElicense_urllicense_urltext/plain; charset=utf-849http://repositorio.bc.ufg.br/tede/bitstreams/c868acb9-eac0-48df-ae67-f815246bbbe9/download4afdbb8c545fd630ea7db775da747b2fMD52license_textlicense_texttext/html; charset=utf-821468http://repositorio.bc.ufg.br/tede/bitstreams/9a4a2f91-e5b5-47df-ac6b-66bce04685e8/downloadae2fe251842ade1134c5d9bb99b6eefeMD53license_rdflicense_rdfapplication/rdf+xml; charset=utf-80http://repositorio.bc.ufg.br/tede/bitstreams/8dd2af84-0ee8-46d7-9577-be25378da2ab/downloadd41d8cd98f00b204e9800998ecf8427eMD54ORIGINALTese - Fernando Zolin Vesz - 2015.pdfTese - Fernando Zolin Vesz - 2015.pdfapplication/pdf1027827http://repositorio.bc.ufg.br/tede/bitstreams/f12aa1cb-7d65-4abc-82f6-ec03fbb322e0/download814fe8dc83f3a88cee2628473022b6c4MD55tede/50402015-12-10 07:57:23.754http://creativecommons.org/licenses/by-nc-nd/4.0/Acesso Abertoopen.accessoai:repositorio.bc.ufg.br:tede/5040http://repositorio.bc.ufg.br/tedeRepositório InstitucionalPUBhttp://repositorio.bc.ufg.br/oai/requesttasesdissertacoes.bc@ufg.bropendoar:2015-12-10T09:57:23Repositório Institucional da UFG - Universidade Federal de Goiás (UFG)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
dc.title.por.fl_str_mv "Esse é o final de una era triste e o começo de una fase muy feliz”: translinguismo em telenovelas brasileiras
dc.title.alternative.eng.fl_str_mv “This is the end of una sad era and the beginning of una phase muy happy”: translingualism in Brazilian telenovelas
title "Esse é o final de una era triste e o começo de una fase muy feliz”: translinguismo em telenovelas brasileiras
spellingShingle "Esse é o final de una era triste e o começo de una fase muy feliz”: translinguismo em telenovelas brasileiras
Zolin Vesz, Fernando
Telenovela brasileira
Translinguismo
Construção de sentidos
Brazilian telenovela
Translingualism
Construction of meanings
LINGUISTICA, LETRAS E ARTES::LINGUISTICA
title_short "Esse é o final de una era triste e o começo de una fase muy feliz”: translinguismo em telenovelas brasileiras
title_full "Esse é o final de una era triste e o começo de una fase muy feliz”: translinguismo em telenovelas brasileiras
title_fullStr "Esse é o final de una era triste e o começo de una fase muy feliz”: translinguismo em telenovelas brasileiras
title_full_unstemmed "Esse é o final de una era triste e o começo de una fase muy feliz”: translinguismo em telenovelas brasileiras
title_sort "Esse é o final de una era triste e o começo de una fase muy feliz”: translinguismo em telenovelas brasileiras
author Zolin Vesz, Fernando
author_facet Zolin Vesz, Fernando
author_role author
dc.contributor.advisor1.fl_str_mv Lima, Lucielena Mendonça de
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/5215089054455580
dc.contributor.referee1.fl_str_mv Lima, Lucielena Mendonça de
dc.contributor.referee2.fl_str_mv Irala, Valesca Brasil
dc.contributor.referee3.fl_str_mv Mesquita, Deise Nanci de Castro
dc.contributor.referee4.fl_str_mv Figueredo, Carla Janaína
dc.contributor.referee5.fl_str_mv Fernandes, Eliane Marquez da Fonseca
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/6820153499929432
dc.contributor.author.fl_str_mv Zolin Vesz, Fernando
contributor_str_mv Lima, Lucielena Mendonça de
Lima, Lucielena Mendonça de
Irala, Valesca Brasil
Mesquita, Deise Nanci de Castro
Figueredo, Carla Janaína
Fernandes, Eliane Marquez da Fonseca
dc.subject.por.fl_str_mv Telenovela brasileira
Translinguismo
Construção de sentidos
topic Telenovela brasileira
Translinguismo
Construção de sentidos
Brazilian telenovela
Translingualism
Construction of meanings
LINGUISTICA, LETRAS E ARTES::LINGUISTICA
dc.subject.eng.fl_str_mv Brazilian telenovela
Translingualism
Construction of meanings
dc.subject.cnpq.fl_str_mv LINGUISTICA, LETRAS E ARTES::LINGUISTICA
description The present thesis aims to investigate the construction of translingualism practices captured in the lines of characters from three Brazilian telenovelas – Aquele beijo, Cheias de charme, and Flor do Caribe, broadcast by Rede Globo de Televisão from 2011 to 2013 –, as well as to discuss the contributions of such practices for (re)thinking both the concept of language and the foreign language classroom. This qualitative research (LÜDKE; ANDRÉ, 2013) considers the telenovela as a research document (LOIZOS, 2013) which composes the documentation of the sociohistorical specificity of a given period. The theoretical framework is comprised of three axes: the relationship between the media and the construction of meanings (KELLNER, 2001; THOMPSON, 2011), focusing mainly on the Brazilian telenovela (HAMBURGER, 2005, 2011; VASSALLO DE LOPES, 2009, 2010; MARTINS, 2011); the rhizome metaphor developed by Deleuze and Guattari (2014); and recent debates regarding the term translingualism (JACQUEMET, 2005; COX; ASSIS-PETERSON, 2006; ASSIS-PETERSON, 2008; CANAGARAJAH, 2013; ZOLIN-VESZ, 2014). This research was guided by the following questions: 1) What forms of translingualism may be identified in the lines of characters from the telenovelas selected for analysis?, and 2) In what ways can these translingual practices help (re)think the concept of language and, furthermore, the foreign language classroom? Results suggest that the languages used by the characters in these telenovelas, i.e. Portuguese and Spanish are de-/reterritorialized, mixed, and transformed, hence constituting a rhizomatic concept of language which is composed of dimensions and unstable directions, whose lines of flight or of de-/reterritorialization surpass linguistic boundaries and structures towards both a translingual pedagogy for the foreign language classroom and the primacy of the construction of meanings.
publishDate 2015
dc.date.accessioned.fl_str_mv 2015-12-10T09:57:23Z
dc.date.issued.fl_str_mv 2015-05-29
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/doctoralThesis
format doctoralThesis
status_str publishedVersion
dc.identifier.citation.fl_str_mv ZOLIN-VESZ, F. "Esse é o final de una era triste e o começo de una fase muy feliz”: translinguismo em telenovelas brasileiras. 2015. 132 f. Tese (Doutorado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2015.
dc.identifier.uri.fl_str_mv http://repositorio.bc.ufg.br/tede/handle/tede/5040
identifier_str_mv ZOLIN-VESZ, F. "Esse é o final de una era triste e o começo de una fase muy feliz”: translinguismo em telenovelas brasileiras. 2015. 132 f. Tese (Doutorado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2015.
url http://repositorio.bc.ufg.br/tede/handle/tede/5040
dc.language.iso.fl_str_mv por
language por
dc.relation.program.fl_str_mv -1403758209736362229
dc.relation.confidence.fl_str_mv 600
600
600
dc.relation.department.fl_str_mv -5417850704678072988
dc.relation.cnpq.fl_str_mv 7955259954785510783
dc.rights.driver.fl_str_mv http://creativecommons.org/licenses/by-nc-nd/4.0/
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by-nc-nd/4.0/
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Goiás
dc.publisher.program.fl_str_mv Programa de Pós-graduação em Letras e Linguística (FL)
dc.publisher.initials.fl_str_mv UFG
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Faculdade de Letras - FL (RG)
publisher.none.fl_str_mv Universidade Federal de Goiás
dc.source.none.fl_str_mv reponame:Repositório Institucional da UFG
instname:Universidade Federal de Goiás (UFG)
instacron:UFG
instname_str Universidade Federal de Goiás (UFG)
instacron_str UFG
institution UFG
reponame_str Repositório Institucional da UFG
collection Repositório Institucional da UFG
bitstream.url.fl_str_mv http://repositorio.bc.ufg.br/tede/bitstreams/91521aef-8b3d-46ce-a6a4-c64452923476/download
http://repositorio.bc.ufg.br/tede/bitstreams/c868acb9-eac0-48df-ae67-f815246bbbe9/download
http://repositorio.bc.ufg.br/tede/bitstreams/9a4a2f91-e5b5-47df-ac6b-66bce04685e8/download
http://repositorio.bc.ufg.br/tede/bitstreams/8dd2af84-0ee8-46d7-9577-be25378da2ab/download
http://repositorio.bc.ufg.br/tede/bitstreams/f12aa1cb-7d65-4abc-82f6-ec03fbb322e0/download
bitstream.checksum.fl_str_mv bd3efa91386c1718a7f26a329fdcb468
4afdbb8c545fd630ea7db775da747b2f
ae2fe251842ade1134c5d9bb99b6eefe
d41d8cd98f00b204e9800998ecf8427e
814fe8dc83f3a88cee2628473022b6c4
bitstream.checksumAlgorithm.fl_str_mv MD5
MD5
MD5
MD5
MD5
repository.name.fl_str_mv Repositório Institucional da UFG - Universidade Federal de Goiás (UFG)
repository.mail.fl_str_mv tasesdissertacoes.bc@ufg.br
_version_ 1798044414826774528