Arranjos de música popular brasileira no contexto modal: a construção da linha do contrabaixo

Detalhes bibliográficos
Autor(a) principal: Maia, Claudio Marcelo Bezerra
Data de Publicação: 2018
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UFG
dARK ID: ark:/38995/001300000dtgd
Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tede/8691
Resumo: The present has as object the arrangements of brazilian popular music in the modal context, particularly the bass line. The general objective is to discuss the construction of the double bass line in the development of arrangements for brazilian popular music in the modal context in order to offer greater freedom of creation/performance to the bassist. To this end, is organized into three main parts: 1) Literature review: discussion of references in printed and audiovisual material on double bass and MPB, especially those involving performance and modalism, available in portuguese language; 2) Selection and discussion of the material reviewed: two songs from the repertoire of MPB, which present the modalism and will serve as object to the arrangements; 3) Preparation of double bass lines in the modal context to be taken into account in arrangements.
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spelling Raymundo, Sonia Marta Rodrigueshttp://lattes.cnpq.br/5646455244693371Cardoso, Antônio Marcos SouzaCunha, Estercio Marquezhttp://lattes.cnpq.br/5069177400332951Maia, Claudio Marcelo Bezerra2018-07-13T10:30:08Z2018-03-28MAIA, Claudio Marcelo Bezerra. Arranjos de música popular brasileira no contexto modal: a construção da linha do contrabaixo. 2018. 43 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2018.http://repositorio.bc.ufg.br/tede/handle/tede/8691ark:/38995/001300000dtgdThe present has as object the arrangements of brazilian popular music in the modal context, particularly the bass line. The general objective is to discuss the construction of the double bass line in the development of arrangements for brazilian popular music in the modal context in order to offer greater freedom of creation/performance to the bassist. To this end, is organized into three main parts: 1) Literature review: discussion of references in printed and audiovisual material on double bass and MPB, especially those involving performance and modalism, available in portuguese language; 2) Selection and discussion of the material reviewed: two songs from the repertoire of MPB, which present the modalism and will serve as object to the arrangements; 3) Preparation of double bass lines in the modal context to be taken into account in arrangements.O presente trabalho tem como objeto de estudo arranjos de música popular brasileira no contexto modal, em particular da linha do contrabaixo. O objetivo geral é discutir a construção da linha do contrabaixo na elaboração de arranjos para música popular brasileira no contexto modal, de forma a oferecer maior liberdade de criação/atuação ao contrabaixista. Para tanto, o corpo do trabalho está estruturado em três partes principais: 1) Revisão da literatura, consistente na discussão do referencial teórico por meio de levantamento bibliográfico em material impresso e audiovisual sobre contrabaixo e MPB, em especial aqueles que envolvem performance e modalismo, disponíveis em língua portuguesa; 2) Seleção e discussão do material revisado: duas canções do repertório da MPB que apresentem o modalismo e servirão de objeto para a elaboração dos arranjos/rearmonização de trechos; e 3) Elaboração/das linhas de contrabaixo no contexto modal a serem consideradas nos arranjos.Submitted by Franciele Moreira (francielemoreyra@gmail.com) on 2018-07-12T13:15:02Z No. of bitstreams: 2 Dissertação - Claudio Marcelo Bezerra Maia - 2018.pdf: 2159122 bytes, checksum: e7130d3df8ba47e0f8ee645cf5ee94bd (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2018-07-13T10:30:08Z (GMT) No. of bitstreams: 2 Dissertação - Claudio Marcelo Bezerra Maia - 2018.pdf: 2159122 bytes, checksum: e7130d3df8ba47e0f8ee645cf5ee94bd (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2018-07-13T10:30:08Z (GMT). No. of bitstreams: 2 Dissertação - Claudio Marcelo Bezerra Maia - 2018.pdf: 2159122 bytes, checksum: e7130d3df8ba47e0f8ee645cf5ee94bd (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2018-03-28application/pdfporUniversidade Federal de GoiásPrograma de Pós-graduação em Musica (EMAC)UFGBrasilEscola de Música e Artes Cênicas - EMAC (RG)http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessElaboração de arranjosModalismo na música popularPerformance do contrabaixoCriação de linhas de contrabaixoElaboration of arrangementsModalism in popular musicPerformance on the double bassCreating bass linesARTES::MUSICAArranjos de música popular brasileira no contexto modal: a construção da linha do contrabaixoinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis-8926704311827950450600600600-1800367251745901470-3756787875205786831reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; 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dc.title.eng.fl_str_mv Arranjos de música popular brasileira no contexto modal: a construção da linha do contrabaixo
title Arranjos de música popular brasileira no contexto modal: a construção da linha do contrabaixo
spellingShingle Arranjos de música popular brasileira no contexto modal: a construção da linha do contrabaixo
Maia, Claudio Marcelo Bezerra
Elaboração de arranjos
Modalismo na música popular
Performance do contrabaixo
Criação de linhas de contrabaixo
Elaboration of arrangements
Modalism in popular music
Performance on the double bass
Creating bass lines
ARTES::MUSICA
title_short Arranjos de música popular brasileira no contexto modal: a construção da linha do contrabaixo
title_full Arranjos de música popular brasileira no contexto modal: a construção da linha do contrabaixo
title_fullStr Arranjos de música popular brasileira no contexto modal: a construção da linha do contrabaixo
title_full_unstemmed Arranjos de música popular brasileira no contexto modal: a construção da linha do contrabaixo
title_sort Arranjos de música popular brasileira no contexto modal: a construção da linha do contrabaixo
author Maia, Claudio Marcelo Bezerra
author_facet Maia, Claudio Marcelo Bezerra
author_role author
dc.contributor.advisor1.fl_str_mv Raymundo, Sonia Marta Rodrigues
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/5646455244693371
dc.contributor.referee1.fl_str_mv Cardoso, Antônio Marcos Souza
dc.contributor.referee2.fl_str_mv Cunha, Estercio Marquez
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/5069177400332951
dc.contributor.author.fl_str_mv Maia, Claudio Marcelo Bezerra
contributor_str_mv Raymundo, Sonia Marta Rodrigues
Cardoso, Antônio Marcos Souza
Cunha, Estercio Marquez
dc.subject.por.fl_str_mv Elaboração de arranjos
Modalismo na música popular
Performance do contrabaixo
Criação de linhas de contrabaixo
topic Elaboração de arranjos
Modalismo na música popular
Performance do contrabaixo
Criação de linhas de contrabaixo
Elaboration of arrangements
Modalism in popular music
Performance on the double bass
Creating bass lines
ARTES::MUSICA
dc.subject.eng.fl_str_mv Elaboration of arrangements
Modalism in popular music
Performance on the double bass
Creating bass lines
dc.subject.cnpq.fl_str_mv ARTES::MUSICA
description The present has as object the arrangements of brazilian popular music in the modal context, particularly the bass line. The general objective is to discuss the construction of the double bass line in the development of arrangements for brazilian popular music in the modal context in order to offer greater freedom of creation/performance to the bassist. To this end, is organized into three main parts: 1) Literature review: discussion of references in printed and audiovisual material on double bass and MPB, especially those involving performance and modalism, available in portuguese language; 2) Selection and discussion of the material reviewed: two songs from the repertoire of MPB, which present the modalism and will serve as object to the arrangements; 3) Preparation of double bass lines in the modal context to be taken into account in arrangements.
publishDate 2018
dc.date.accessioned.fl_str_mv 2018-07-13T10:30:08Z
dc.date.issued.fl_str_mv 2018-03-28
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
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status_str publishedVersion
dc.identifier.citation.fl_str_mv MAIA, Claudio Marcelo Bezerra. Arranjos de música popular brasileira no contexto modal: a construção da linha do contrabaixo. 2018. 43 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2018.
dc.identifier.uri.fl_str_mv http://repositorio.bc.ufg.br/tede/handle/tede/8691
dc.identifier.dark.fl_str_mv ark:/38995/001300000dtgd
identifier_str_mv MAIA, Claudio Marcelo Bezerra. Arranjos de música popular brasileira no contexto modal: a construção da linha do contrabaixo. 2018. 43 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2018.
ark:/38995/001300000dtgd
url http://repositorio.bc.ufg.br/tede/handle/tede/8691
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language por
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dc.publisher.none.fl_str_mv Universidade Federal de Goiás
dc.publisher.program.fl_str_mv Programa de Pós-graduação em Musica (EMAC)
dc.publisher.initials.fl_str_mv UFG
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Escola de Música e Artes Cênicas - EMAC (RG)
publisher.none.fl_str_mv Universidade Federal de Goiás
dc.source.none.fl_str_mv reponame:Repositório Institucional da UFG
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