Habilidades técnico-interpretativas ao fagote para a performance da Ciranda das sete notas (Fantasia para fagote e quinteto de cordas) de Villa-Lobos
Main Author: | |
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Publication Date: | 2016 |
Format: | Master thesis |
Language: | por |
Source: | Repositório Institucional da UFG |
Download full: | http://repositorio.bc.ufg.br/tede/handle/tede/5940 |
Summary: | Heitor Villa-Lobos brings significant new prospects for the bassoonist. Within this context this paper presents an investigation of the technical and interpretative skills necessary to perform the Ciranda das sete notas (Fantasy for bassoon and string quintet) by Villa-Lobos. The musical elements articulation, sound production, embouchure, breathing and fingering are based on the concepts presented by Julius Weissenborn (1887), Ludwig Milde (1950) Fernand Oubradous (1988), Gallois (2009) and the physiologist Fox (2007). The discussions are grounded on the above concepts and personal experience of the author in preparation to perform the Ciranda. Some excerpts were selected which expose mastery of technical skills for interpretation. It was found that there is a wealth of skills demanded in this Brazilian work, which enables the development of music skills equal to traditional foreign repertoire for the bassoon. This research shows the lack of literature, especially in Portuguese, with deep approach to the technical and interpretative elements - articulation, sound, embouchure, breath and fingering - for the bassoon player. In addition, a bassoonist who wants to interpret this work should: have knowledge of the sound characteristics of different regions of the bassoon for decision-making purposes of interpretation; master the skills related to playing legato in large intervals; be able to play staccato and legato throughout the whole extension of the bassoon. During the recital preparation I also noted that the above skills are recurring features present on Villa-Lobos other compositions, which makes the discussions presented here useful for application in the interpretation of other works of the composer. |
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Costa, Carlos Henrique Coutinho Rodrigueshttp://lattes.cnpq.br/5091807553556414Costa, Carlos Henrique Coutinho RodriguesCardoso, AntonioKoberstein, Gustavo Hermanhttp://lattes.cnpq.br/1762915628509968Arruda, Felipe dos Santos2016-08-15T14:17:44Z2016-03-30ARRUDA, Felipe dos Santos. Habilidades técnico-interpretativas ao fagote para a performance da Ciranda das sete notas (Fantasia para fagote e quinteto de cordas) de Villa-Lobos. 2016. 94 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2016.http://repositorio.bc.ufg.br/tede/handle/tede/5940Heitor Villa-Lobos brings significant new prospects for the bassoonist. Within this context this paper presents an investigation of the technical and interpretative skills necessary to perform the Ciranda das sete notas (Fantasy for bassoon and string quintet) by Villa-Lobos. The musical elements articulation, sound production, embouchure, breathing and fingering are based on the concepts presented by Julius Weissenborn (1887), Ludwig Milde (1950) Fernand Oubradous (1988), Gallois (2009) and the physiologist Fox (2007). The discussions are grounded on the above concepts and personal experience of the author in preparation to perform the Ciranda. Some excerpts were selected which expose mastery of technical skills for interpretation. It was found that there is a wealth of skills demanded in this Brazilian work, which enables the development of music skills equal to traditional foreign repertoire for the bassoon. This research shows the lack of literature, especially in Portuguese, with deep approach to the technical and interpretative elements - articulation, sound, embouchure, breath and fingering - for the bassoon player. In addition, a bassoonist who wants to interpret this work should: have knowledge of the sound characteristics of different regions of the bassoon for decision-making purposes of interpretation; master the skills related to playing legato in large intervals; be able to play staccato and legato throughout the whole extension of the bassoon. During the recital preparation I also noted that the above skills are recurring features present on Villa-Lobos other compositions, which makes the discussions presented here useful for application in the interpretation of other works of the composer.Heitor Villa-Lobos, em sua obra que inclui o fagote, traz novas e significativas perspectivas para o instrumentista. Neste trabalho, apresento uma investigação das habilidades técnico-interpretativas ao fagote para a performance da Ciranda das sete notas Fantasia para fagote e quinteto de cordas de Villa-Lobos, uma obra representativa de sua produção para esse instrumento. Fundamentam-se os elementos musicais articulação, sonoridade, embocadura, respiração e dedilhado nos conceitos apresentados por Julius Weissenborn (1887), Ludwig Milde (1950) de Fernand Oubradous (1988), Gallois (2009) e o fisiologista Fox (2007). As discussões apresentadas utilizam-se dos conceitos expostos acima e da preparação e performance da obra realizadas por este autor. Foram selecionados trechos da Ciranda que evidenciam domínio por parte do fagotista de técnicas específicas para a interpretação. Constatou-se que há uma riqueza de habilidades demandada nessa obra brasileira, que possibilita um desenvolvimento em igual potencial ao tradicional repertório estrangeiro. Há também a escassez de bibliografia, sobretudo em português, com profunda abordagem sobre os elementos técnico-interpretativos articulação, sonoridade, embocadura, respiração e dedilhado associados à performance ao fagote. Além disso, um fagotista que pretende interpretar a obra deverá ter: o conhecimento das características das diferentes regiões do fagote para a tomada de decisões com fins interpretativos, com habilidade sobre a ligadura em grandes intervalos e staccato e legato por toda a extensão sonora do fagote. Durante a preparação dos recitais, notou-se ainda que essas habilidades são características recorrentes presentes na parte de fagote das diversas formações e composições de Villa-Lobos, o que torna as discussões aqui apresentadas úteis para aplicação na interpretação de outras obras do compositor.Submitted by Marlene Santos (marlene.bc.ufg@gmail.com) on 2016-08-12T17:16:46Z No. of bitstreams: 2 Dissertação - Felipe dos Santos Arruda - 2016.pdf: 3852414 bytes, checksum: cc0e0d1958cb1df0777e1d792d244a80 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2016-08-15T14:17:44Z (GMT) No. of bitstreams: 2 Dissertação - Felipe dos Santos Arruda - 2016.pdf: 3852414 bytes, checksum: cc0e0d1958cb1df0777e1d792d244a80 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2016-08-15T14:17:44Z (GMT). No. of bitstreams: 2 Dissertação - Felipe dos Santos Arruda - 2016.pdf: 3852414 bytes, checksum: cc0e0d1958cb1df0777e1d792d244a80 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2016-03-30Fundação de Amparo à Pesquisa do Estado de Goiás - FAPEGapplication/pdfporUniversidade Federal de GoiásPrograma de Pós-graduação em Musica (EMAC)UFGBrasilEscola de Música e Artes Cênicas - EMAC (RG)http://creativecommons.org/licenses/by/4.0/info:eu-repo/semantics/openAccessFagoteHeitor Villa-LobosMúsica brasileiraPerformanceCiranda das sete notasTécnico-interpretativoBassoonHeitor Villa-LobosBrazilian musicPerformanceTechnical-interpretativeARTES::MUSICAHabilidades técnico-interpretativas ao fagote para a performance da Ciranda das sete notas (Fantasia para fagote e quinteto de cordas) de Villa-LobosTechnichal-interpretative bassoon´s habilities to perform Ciranda das sete notas (Fantasy for bassoon and strings) by Villa-Lobosinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis-8926704311827950450600600600600-1800367251745901470-3756787875205786831-961409807440757778reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; 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dc.title.por.fl_str_mv |
Habilidades técnico-interpretativas ao fagote para a performance da Ciranda das sete notas (Fantasia para fagote e quinteto de cordas) de Villa-Lobos |
dc.title.alternative.eng.fl_str_mv |
Technichal-interpretative bassoon´s habilities to perform Ciranda das sete notas (Fantasy for bassoon and strings) by Villa-Lobos |
title |
Habilidades técnico-interpretativas ao fagote para a performance da Ciranda das sete notas (Fantasia para fagote e quinteto de cordas) de Villa-Lobos |
spellingShingle |
Habilidades técnico-interpretativas ao fagote para a performance da Ciranda das sete notas (Fantasia para fagote e quinteto de cordas) de Villa-Lobos Arruda, Felipe dos Santos Fagote Heitor Villa-Lobos Música brasileira Performance Ciranda das sete notas Técnico-interpretativo Bassoon Heitor Villa-Lobos Brazilian music Performance Technical-interpretative ARTES::MUSICA |
title_short |
Habilidades técnico-interpretativas ao fagote para a performance da Ciranda das sete notas (Fantasia para fagote e quinteto de cordas) de Villa-Lobos |
title_full |
Habilidades técnico-interpretativas ao fagote para a performance da Ciranda das sete notas (Fantasia para fagote e quinteto de cordas) de Villa-Lobos |
title_fullStr |
Habilidades técnico-interpretativas ao fagote para a performance da Ciranda das sete notas (Fantasia para fagote e quinteto de cordas) de Villa-Lobos |
title_full_unstemmed |
Habilidades técnico-interpretativas ao fagote para a performance da Ciranda das sete notas (Fantasia para fagote e quinteto de cordas) de Villa-Lobos |
title_sort |
Habilidades técnico-interpretativas ao fagote para a performance da Ciranda das sete notas (Fantasia para fagote e quinteto de cordas) de Villa-Lobos |
author |
Arruda, Felipe dos Santos |
author_facet |
Arruda, Felipe dos Santos |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Costa, Carlos Henrique Coutinho Rodrigues |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/5091807553556414 |
dc.contributor.referee1.fl_str_mv |
Costa, Carlos Henrique Coutinho Rodrigues |
dc.contributor.referee2.fl_str_mv |
Cardoso, Antonio |
dc.contributor.referee3.fl_str_mv |
Koberstein, Gustavo Herman |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/1762915628509968 |
dc.contributor.author.fl_str_mv |
Arruda, Felipe dos Santos |
contributor_str_mv |
Costa, Carlos Henrique Coutinho Rodrigues Costa, Carlos Henrique Coutinho Rodrigues Cardoso, Antonio Koberstein, Gustavo Herman |
dc.subject.por.fl_str_mv |
Fagote Heitor Villa-Lobos Música brasileira Performance Ciranda das sete notas Técnico-interpretativo |
topic |
Fagote Heitor Villa-Lobos Música brasileira Performance Ciranda das sete notas Técnico-interpretativo Bassoon Heitor Villa-Lobos Brazilian music Performance Technical-interpretative ARTES::MUSICA |
dc.subject.eng.fl_str_mv |
Bassoon Heitor Villa-Lobos Brazilian music Performance Technical-interpretative |
dc.subject.cnpq.fl_str_mv |
ARTES::MUSICA |
description |
Heitor Villa-Lobos brings significant new prospects for the bassoonist. Within this context this paper presents an investigation of the technical and interpretative skills necessary to perform the Ciranda das sete notas (Fantasy for bassoon and string quintet) by Villa-Lobos. The musical elements articulation, sound production, embouchure, breathing and fingering are based on the concepts presented by Julius Weissenborn (1887), Ludwig Milde (1950) Fernand Oubradous (1988), Gallois (2009) and the physiologist Fox (2007). The discussions are grounded on the above concepts and personal experience of the author in preparation to perform the Ciranda. Some excerpts were selected which expose mastery of technical skills for interpretation. It was found that there is a wealth of skills demanded in this Brazilian work, which enables the development of music skills equal to traditional foreign repertoire for the bassoon. This research shows the lack of literature, especially in Portuguese, with deep approach to the technical and interpretative elements - articulation, sound, embouchure, breath and fingering - for the bassoon player. In addition, a bassoonist who wants to interpret this work should: have knowledge of the sound characteristics of different regions of the bassoon for decision-making purposes of interpretation; master the skills related to playing legato in large intervals; be able to play staccato and legato throughout the whole extension of the bassoon. During the recital preparation I also noted that the above skills are recurring features present on Villa-Lobos other compositions, which makes the discussions presented here useful for application in the interpretation of other works of the composer. |
publishDate |
2016 |
dc.date.accessioned.fl_str_mv |
2016-08-15T14:17:44Z |
dc.date.issued.fl_str_mv |
2016-03-30 |
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ARRUDA, Felipe dos Santos. Habilidades técnico-interpretativas ao fagote para a performance da Ciranda das sete notas (Fantasia para fagote e quinteto de cordas) de Villa-Lobos. 2016. 94 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2016. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/5940 |
identifier_str_mv |
ARRUDA, Felipe dos Santos. Habilidades técnico-interpretativas ao fagote para a performance da Ciranda das sete notas (Fantasia para fagote e quinteto de cordas) de Villa-Lobos. 2016. 94 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2016. |
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http://repositorio.bc.ufg.br/tede/handle/tede/5940 |
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