The mother-in-law who flees: female roles and social conflicts

Detalhes bibliográficos
Autor(a) principal: da Silva Lazaro, Aline
Data de Publicação: 2015
Tipo de documento: Artigo
Idioma: por
Título da fonte: Rónai
Texto Completo: https://periodicos.ufjf.br/index.php/ronai/article/view/23089
Resumo: This paper starts analyzing the first act of the comedy Hecyra (The-mother-in-law) of the Roman poet Terence. Initially, I observe the speech and actions of the characters, examining how they introduce a central theme to the play, i.e. the conflict between sexes, as well as the composition of female characters. In my analysis, the first act is considered as a moment in which the fiction is established within the repertoire of typical situations and characters of the Roman New Comedy. Thereafter female stereotypes and misogyny observed in the first scenes shall be compared with subsequent passages of the play, in which female roles are also thematized.
id UFJF-3_b19b0400f3440a5400beff6f1ad607a0
oai_identifier_str oai:periodicos.ufjf.br:article/23089
network_acronym_str UFJF-3
network_name_str Rónai
repository_id_str
spelling The mother-in-law who flees: female roles and social conflictsA sogra que foge: papéis femininos e conflitos sociaisclassical studiesRoman comedyHecyrafemalemisoginyestudos clássicoscomédia latinaHecyrafemininomisoginiaThis paper starts analyzing the first act of the comedy Hecyra (The-mother-in-law) of the Roman poet Terence. Initially, I observe the speech and actions of the characters, examining how they introduce a central theme to the play, i.e. the conflict between sexes, as well as the composition of female characters. In my analysis, the first act is considered as a moment in which the fiction is established within the repertoire of typical situations and characters of the Roman New Comedy. Thereafter female stereotypes and misogyny observed in the first scenes shall be compared with subsequent passages of the play, in which female roles are also thematized.O presente artigo tem como ponto de partida o primeiro ato da comédia Hecyra (A Sogra) do poeta latino Terêncio. Nesta abordagem inicial, observamos a fala e as ações das personagens, a fim de examinar o modo como se introduz uma temática central à peça, i.e. o conflito entre os sexos, bem como a composição de personagens femininas. Para tanto, o primeiro ato é considerado como um momento em que a ficção é instaurada dentro do repertório de situações e de personagens do gênero poético da Comédia Nova romana. Em seguida, os estereótipos ali apresentados serão comparados com outras passagens e situações do decorrer da peça em que papéis femininos são tematizados.Universidade Federal de Juiz de Fora2015-08-18info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado por paresapplication/pdfhttps://periodicos.ufjf.br/index.php/ronai/article/view/23089Rónai – Revista de Estudos Clássicos e Tradutórios; Vol. 2 No. 1 (2014); 11-21Rónai – Revista de Estudos Clássicos e Tradutórios; v. 2 n. 1 (2014); 11-212318-3446reponame:Rónaiinstname:Universidade Federal de Juiz de Fora (UFJF)instacron:UFJFporhttps://periodicos.ufjf.br/index.php/ronai/article/view/23089/12760Copyright (c) 2015 Rónai – Revista de Estudos Clássicos e Tradutórioshttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessda Silva Lazaro, Aline2020-03-04T03:34:19Zoai:periodicos.ufjf.br:article/23089Revistahttps://periodicos.ufjf.br/index.php/ronaiPUBhttps://periodicos.ufjf.br/index.php/ronai/oairevistaronai@gmail.comhttps://doi.org/10.34019/2318-34462318-34462318-3446opendoar:2024-05-03T12:00:53.931737Rónai - Universidade Federal de Juiz de Fora (UFJF)true
dc.title.none.fl_str_mv The mother-in-law who flees: female roles and social conflicts
A sogra que foge: papéis femininos e conflitos sociais
title The mother-in-law who flees: female roles and social conflicts
spellingShingle The mother-in-law who flees: female roles and social conflicts
da Silva Lazaro, Aline
classical studies
Roman comedy
Hecyra
female
misoginy
estudos clássicos
comédia latina
Hecyra
feminino
misoginia
title_short The mother-in-law who flees: female roles and social conflicts
title_full The mother-in-law who flees: female roles and social conflicts
title_fullStr The mother-in-law who flees: female roles and social conflicts
title_full_unstemmed The mother-in-law who flees: female roles and social conflicts
title_sort The mother-in-law who flees: female roles and social conflicts
author da Silva Lazaro, Aline
author_facet da Silva Lazaro, Aline
author_role author
dc.contributor.author.fl_str_mv da Silva Lazaro, Aline
dc.subject.por.fl_str_mv classical studies
Roman comedy
Hecyra
female
misoginy
estudos clássicos
comédia latina
Hecyra
feminino
misoginia
topic classical studies
Roman comedy
Hecyra
female
misoginy
estudos clássicos
comédia latina
Hecyra
feminino
misoginia
description This paper starts analyzing the first act of the comedy Hecyra (The-mother-in-law) of the Roman poet Terence. Initially, I observe the speech and actions of the characters, examining how they introduce a central theme to the play, i.e. the conflict between sexes, as well as the composition of female characters. In my analysis, the first act is considered as a moment in which the fiction is established within the repertoire of typical situations and characters of the Roman New Comedy. Thereafter female stereotypes and misogyny observed in the first scenes shall be compared with subsequent passages of the play, in which female roles are also thematized.
publishDate 2015
dc.date.none.fl_str_mv 2015-08-18
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado por pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufjf.br/index.php/ronai/article/view/23089
url https://periodicos.ufjf.br/index.php/ronai/article/view/23089
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufjf.br/index.php/ronai/article/view/23089/12760
dc.rights.driver.fl_str_mv Copyright (c) 2015 Rónai – Revista de Estudos Clássicos e Tradutórios
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2015 Rónai – Revista de Estudos Clássicos e Tradutórios
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Juiz de Fora
publisher.none.fl_str_mv Universidade Federal de Juiz de Fora
dc.source.none.fl_str_mv Rónai – Revista de Estudos Clássicos e Tradutórios; Vol. 2 No. 1 (2014); 11-21
Rónai – Revista de Estudos Clássicos e Tradutórios; v. 2 n. 1 (2014); 11-21
2318-3446
reponame:Rónai
instname:Universidade Federal de Juiz de Fora (UFJF)
instacron:UFJF
instname_str Universidade Federal de Juiz de Fora (UFJF)
instacron_str UFJF
institution UFJF
reponame_str Rónai
collection Rónai
repository.name.fl_str_mv Rónai - Universidade Federal de Juiz de Fora (UFJF)
repository.mail.fl_str_mv revistaronai@gmail.com
_version_ 1798044933142085632

Registros relacionados