From emotion to tears: notes on Georges Didi-Huberman and the political and epistemological turn of his gaze

Detalhes bibliográficos
Autor(a) principal: Lessa Filho, Ricardo Fernando Ferreira
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Pós (Universidade Federal de Minas Gerais. Online)
Texto Completo: https://periodicos.ufmg.br/index.php/revistapos/article/view/40705
Resumo: This article will address the political and epistemological turn in the work of Georges Didi-Huberman. Probing how this author from the original publication of Images in spite of all reconfigured his epistemological itinerary through of the images of peoples and of their political and historical dimension. Starting with works from the 1980s and 1990s, it’ll be shown how key concepts such as “montage”, “survival” and “symptom” were taken from the history of art and reworked into the political history of peoples through the series The eye of history. The essay will also reflect on the way in which Didi-Huberman, in recent years, has sought to think about the link between people's forms of life and their emotions erupted through images.
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spelling From emotion to tears: notes on Georges Didi-Huberman and the political and epistemological turn of his gazeDe la emoción a las lágrimas: apuntes sobre Georges Didi-Huberman y el giro político y epistemológico de su miradaDa emoção às lágrimas: notas sobre Georges Didi-Huberman e a viragem política e epistemológica de seu olharDidi-HubermanEmoçãoOlho da históriaImagensLágrimasDidi-HubermanEmociónOjo de la historiaImágenesLagrimasDidi-HubermanEmotionEye of historyImagesTearsThis article will address the political and epistemological turn in the work of Georges Didi-Huberman. Probing how this author from the original publication of Images in spite of all reconfigured his epistemological itinerary through of the images of peoples and of their political and historical dimension. Starting with works from the 1980s and 1990s, it’ll be shown how key concepts such as “montage”, “survival” and “symptom” were taken from the history of art and reworked into the political history of peoples through the series The eye of history. The essay will also reflect on the way in which Didi-Huberman, in recent years, has sought to think about the link between people's forms of life and their emotions erupted through images.El artículo abordará el giro político y epistemológico en la obra de Georges Didi-Huberman. Sondeando como este autor, a partir de la publicación original de Imágenes pese a todo reconfiguró su itinerario epistemológico a través de las imágenes de los pueblos y su dimensión política e histórica. A partir de obras de las décadas de 1980 y 1990, se mostrará como conceptos clave como “montaje”, “supervivencia” y “síntoma” fueron arrancados de la historia del arte y reelaborados en la historia política de los pueblos a través de la serie El ojo de la historia. El ensayo también reflejará la forma en que Didi-Huberman, en los últimos años, ha buscado pensar el vínculo entre los modos de vida de los pueblos y sus emociones estalladas a través de imágenes.O artigo abordará a viragem política e epistemológica na obra de Georges Didi-Huberman. Sondando o modo como este autor a partir da publicação original de Imagens apesar de tudo reconfigurou o seu itinerário epistemológico à luz das imagens dos povos e de sua dimensão política e histórica. Partindo de obras das décadas de 1980 e 1990, será mostrado como conceitos chaves tais como “montagem”, “sobrevivência” e “sintoma” foram arrancados da história da arte e reelaborados para a história política dos povos através da série O olho da história. O ensaio também refletirá o modo como Didi-Huberman, nos últimos anos, tem buscado pensar o vínculo entre as formas de vida dos povos e das suas emoções irrompidas através das imagens.Universidade Federal de Minas Gerais2022-12-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufmg.br/index.php/revistapos/article/view/4070510.35699/2237-5864.2022.40705PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; Vol. 12 No. 26 (2022): Set-Dez; 212-239PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; Vol. 12 Núm. 26 (2022): Set-Dez; 212-239PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; v. 12 n. 26 (2022): Set-Dez; 212-2392238-20461982-9507reponame:Pós (Universidade Federal de Minas Gerais. Online)instname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/revistapos/article/view/40705/37355Copyright (c) 2022 Ricardo Lessa Filhohttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessLessa Filho, Ricardo Fernando Ferreira2023-04-10T17:07:38Zoai:periodicos.ufmg.br:article/40705Revistahttps://periodicos.ufmg.br/index.php/revistaposPUBhttps://periodicos.ufmg.br/index.php/revistapos/oairevistapos.ppga@gmail.com2238-20461982-9507opendoar:2023-04-10T17:07:38Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv From emotion to tears: notes on Georges Didi-Huberman and the political and epistemological turn of his gaze
De la emoción a las lágrimas: apuntes sobre Georges Didi-Huberman y el giro político y epistemológico de su mirada
Da emoção às lágrimas: notas sobre Georges Didi-Huberman e a viragem política e epistemológica de seu olhar
title From emotion to tears: notes on Georges Didi-Huberman and the political and epistemological turn of his gaze
spellingShingle From emotion to tears: notes on Georges Didi-Huberman and the political and epistemological turn of his gaze
Lessa Filho, Ricardo Fernando Ferreira
Didi-Huberman
Emoção
Olho da história
Imagens
Lágrimas
Didi-Huberman
Emoción
Ojo de la historia
Imágenes
Lagrimas
Didi-Huberman
Emotion
Eye of history
Images
Tears
title_short From emotion to tears: notes on Georges Didi-Huberman and the political and epistemological turn of his gaze
title_full From emotion to tears: notes on Georges Didi-Huberman and the political and epistemological turn of his gaze
title_fullStr From emotion to tears: notes on Georges Didi-Huberman and the political and epistemological turn of his gaze
title_full_unstemmed From emotion to tears: notes on Georges Didi-Huberman and the political and epistemological turn of his gaze
title_sort From emotion to tears: notes on Georges Didi-Huberman and the political and epistemological turn of his gaze
author Lessa Filho, Ricardo Fernando Ferreira
author_facet Lessa Filho, Ricardo Fernando Ferreira
author_role author
dc.contributor.author.fl_str_mv Lessa Filho, Ricardo Fernando Ferreira
dc.subject.por.fl_str_mv Didi-Huberman
Emoção
Olho da história
Imagens
Lágrimas
Didi-Huberman
Emoción
Ojo de la historia
Imágenes
Lagrimas
Didi-Huberman
Emotion
Eye of history
Images
Tears
topic Didi-Huberman
Emoção
Olho da história
Imagens
Lágrimas
Didi-Huberman
Emoción
Ojo de la historia
Imágenes
Lagrimas
Didi-Huberman
Emotion
Eye of history
Images
Tears
description This article will address the political and epistemological turn in the work of Georges Didi-Huberman. Probing how this author from the original publication of Images in spite of all reconfigured his epistemological itinerary through of the images of peoples and of their political and historical dimension. Starting with works from the 1980s and 1990s, it’ll be shown how key concepts such as “montage”, “survival” and “symptom” were taken from the history of art and reworked into the political history of peoples through the series The eye of history. The essay will also reflect on the way in which Didi-Huberman, in recent years, has sought to think about the link between people's forms of life and their emotions erupted through images.
publishDate 2022
dc.date.none.fl_str_mv 2022-12-19
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/revistapos/article/view/40705
10.35699/2237-5864.2022.40705
url https://periodicos.ufmg.br/index.php/revistapos/article/view/40705
identifier_str_mv 10.35699/2237-5864.2022.40705
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/revistapos/article/view/40705/37355
dc.rights.driver.fl_str_mv Copyright (c) 2022 Ricardo Lessa Filho
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Ricardo Lessa Filho
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais
publisher.none.fl_str_mv Universidade Federal de Minas Gerais
dc.source.none.fl_str_mv PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; Vol. 12 No. 26 (2022): Set-Dez; 212-239
PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; Vol. 12 Núm. 26 (2022): Set-Dez; 212-239
PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; v. 12 n. 26 (2022): Set-Dez; 212-239
2238-2046
1982-9507
reponame:Pós (Universidade Federal de Minas Gerais. Online)
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Pós (Universidade Federal de Minas Gerais. Online)
collection Pós (Universidade Federal de Minas Gerais. Online)
repository.name.fl_str_mv Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv revistapos.ppga@gmail.com
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