From emotion to tears: notes on Georges Didi-Huberman and the political and epistemological turn of his gaze
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Pós (Universidade Federal de Minas Gerais. Online) |
Texto Completo: | https://periodicos.ufmg.br/index.php/revistapos/article/view/40705 |
Resumo: | This article will address the political and epistemological turn in the work of Georges Didi-Huberman. Probing how this author from the original publication of Images in spite of all reconfigured his epistemological itinerary through of the images of peoples and of their political and historical dimension. Starting with works from the 1980s and 1990s, it’ll be shown how key concepts such as “montage”, “survival” and “symptom” were taken from the history of art and reworked into the political history of peoples through the series The eye of history. The essay will also reflect on the way in which Didi-Huberman, in recent years, has sought to think about the link between people's forms of life and their emotions erupted through images. |
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From emotion to tears: notes on Georges Didi-Huberman and the political and epistemological turn of his gazeDe la emoción a las lágrimas: apuntes sobre Georges Didi-Huberman y el giro político y epistemológico de su miradaDa emoção às lágrimas: notas sobre Georges Didi-Huberman e a viragem política e epistemológica de seu olharDidi-HubermanEmoçãoOlho da históriaImagensLágrimasDidi-HubermanEmociónOjo de la historiaImágenesLagrimasDidi-HubermanEmotionEye of historyImagesTearsThis article will address the political and epistemological turn in the work of Georges Didi-Huberman. Probing how this author from the original publication of Images in spite of all reconfigured his epistemological itinerary through of the images of peoples and of their political and historical dimension. Starting with works from the 1980s and 1990s, it’ll be shown how key concepts such as “montage”, “survival” and “symptom” were taken from the history of art and reworked into the political history of peoples through the series The eye of history. The essay will also reflect on the way in which Didi-Huberman, in recent years, has sought to think about the link between people's forms of life and their emotions erupted through images.El artículo abordará el giro político y epistemológico en la obra de Georges Didi-Huberman. Sondeando como este autor, a partir de la publicación original de Imágenes pese a todo reconfiguró su itinerario epistemológico a través de las imágenes de los pueblos y su dimensión política e histórica. A partir de obras de las décadas de 1980 y 1990, se mostrará como conceptos clave como “montaje”, “supervivencia” y “síntoma” fueron arrancados de la historia del arte y reelaborados en la historia política de los pueblos a través de la serie El ojo de la historia. El ensayo también reflejará la forma en que Didi-Huberman, en los últimos años, ha buscado pensar el vínculo entre los modos de vida de los pueblos y sus emociones estalladas a través de imágenes.O artigo abordará a viragem política e epistemológica na obra de Georges Didi-Huberman. Sondando o modo como este autor a partir da publicação original de Imagens apesar de tudo reconfigurou o seu itinerário epistemológico à luz das imagens dos povos e de sua dimensão política e histórica. Partindo de obras das décadas de 1980 e 1990, será mostrado como conceitos chaves tais como “montagem”, “sobrevivência” e “sintoma” foram arrancados da história da arte e reelaborados para a história política dos povos através da série O olho da história. O ensaio também refletirá o modo como Didi-Huberman, nos últimos anos, tem buscado pensar o vínculo entre as formas de vida dos povos e das suas emoções irrompidas através das imagens.Universidade Federal de Minas Gerais2022-12-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufmg.br/index.php/revistapos/article/view/4070510.35699/2237-5864.2022.40705PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; Vol. 12 No. 26 (2022): Set-Dez; 212-239PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; Vol. 12 Núm. 26 (2022): Set-Dez; 212-239PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; v. 12 n. 26 (2022): Set-Dez; 212-2392238-20461982-9507reponame:Pós (Universidade Federal de Minas Gerais. Online)instname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/revistapos/article/view/40705/37355Copyright (c) 2022 Ricardo Lessa Filhohttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessLessa Filho, Ricardo Fernando Ferreira2023-04-10T17:07:38Zoai:periodicos.ufmg.br:article/40705Revistahttps://periodicos.ufmg.br/index.php/revistaposPUBhttps://periodicos.ufmg.br/index.php/revistapos/oairevistapos.ppga@gmail.com2238-20461982-9507opendoar:2023-04-10T17:07:38Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
From emotion to tears: notes on Georges Didi-Huberman and the political and epistemological turn of his gaze De la emoción a las lágrimas: apuntes sobre Georges Didi-Huberman y el giro político y epistemológico de su mirada Da emoção às lágrimas: notas sobre Georges Didi-Huberman e a viragem política e epistemológica de seu olhar |
title |
From emotion to tears: notes on Georges Didi-Huberman and the political and epistemological turn of his gaze |
spellingShingle |
From emotion to tears: notes on Georges Didi-Huberman and the political and epistemological turn of his gaze Lessa Filho, Ricardo Fernando Ferreira Didi-Huberman Emoção Olho da história Imagens Lágrimas Didi-Huberman Emoción Ojo de la historia Imágenes Lagrimas Didi-Huberman Emotion Eye of history Images Tears |
title_short |
From emotion to tears: notes on Georges Didi-Huberman and the political and epistemological turn of his gaze |
title_full |
From emotion to tears: notes on Georges Didi-Huberman and the political and epistemological turn of his gaze |
title_fullStr |
From emotion to tears: notes on Georges Didi-Huberman and the political and epistemological turn of his gaze |
title_full_unstemmed |
From emotion to tears: notes on Georges Didi-Huberman and the political and epistemological turn of his gaze |
title_sort |
From emotion to tears: notes on Georges Didi-Huberman and the political and epistemological turn of his gaze |
author |
Lessa Filho, Ricardo Fernando Ferreira |
author_facet |
Lessa Filho, Ricardo Fernando Ferreira |
author_role |
author |
dc.contributor.author.fl_str_mv |
Lessa Filho, Ricardo Fernando Ferreira |
dc.subject.por.fl_str_mv |
Didi-Huberman Emoção Olho da história Imagens Lágrimas Didi-Huberman Emoción Ojo de la historia Imágenes Lagrimas Didi-Huberman Emotion Eye of history Images Tears |
topic |
Didi-Huberman Emoção Olho da história Imagens Lágrimas Didi-Huberman Emoción Ojo de la historia Imágenes Lagrimas Didi-Huberman Emotion Eye of history Images Tears |
description |
This article will address the political and epistemological turn in the work of Georges Didi-Huberman. Probing how this author from the original publication of Images in spite of all reconfigured his epistemological itinerary through of the images of peoples and of their political and historical dimension. Starting with works from the 1980s and 1990s, it’ll be shown how key concepts such as “montage”, “survival” and “symptom” were taken from the history of art and reworked into the political history of peoples through the series The eye of history. The essay will also reflect on the way in which Didi-Huberman, in recent years, has sought to think about the link between people's forms of life and their emotions erupted through images. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-12-19 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/revistapos/article/view/40705 10.35699/2237-5864.2022.40705 |
url |
https://periodicos.ufmg.br/index.php/revistapos/article/view/40705 |
identifier_str_mv |
10.35699/2237-5864.2022.40705 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/revistapos/article/view/40705/37355 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Ricardo Lessa Filho https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Ricardo Lessa Filho https://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais |
publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais |
dc.source.none.fl_str_mv |
PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; Vol. 12 No. 26 (2022): Set-Dez; 212-239 PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; Vol. 12 Núm. 26 (2022): Set-Dez; 212-239 PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; v. 12 n. 26 (2022): Set-Dez; 212-239 2238-2046 1982-9507 reponame:Pós (Universidade Federal de Minas Gerais. Online) instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Pós (Universidade Federal de Minas Gerais. Online) |
collection |
Pós (Universidade Federal de Minas Gerais. Online) |
repository.name.fl_str_mv |
Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
revistapos.ppga@gmail.com |
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1797049079939727360 |